La questione romantica. Rivista interdisciplinare di studi romantici vol. 15-16: Viaggio e paesaggio. Autunno 2003 primavera 2004 PDF Download
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Author:
Publisher: Liguori Editore Srl
ISBN: 9788820740061
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Author:
Publisher: Liguori Editore Srl
ISBN: 9788820740061
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Author: Vilma DeGasperin
Publisher: Oxford University Press, USA
ISBN: 0199673810
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
Combines theme and genre analysis in a study of the Italian author, from her first literary writings in the 1930s to her novels in the 1990s.
Author: Silvia Valisa
Publisher: Toronto Italian Studies
ISBN: 9781442649224
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Combining close textual readings with a broad theoretical perspective, this book is a study of the ways in which gender shapes the characters and narratives of seven important Italian novels of the nineteenth and twentieth centuries.
Author: Alexander von Humboldt
Publisher:
ISBN:
Category : Botany
Languages : en
Pages : 334
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Book Description
Author: Eric Jon Bulson
Publisher: Columbia University Press
ISBN: 0231542321
Category : History
Languages : en
Pages : 490
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Book Description
Little magazines made modernism. These unconventional, noncommercial publications may have brought writers such as James Joyce, T. S. Eliot, Ezra Pound, Marianne Moore, Mina Loy, and Wallace Stevens to the world but, as Eric Bulson shows in Little Magazine, World Form, their reach and importance extended far beyond Europe and the United States. By investigating the global and transnational itineraries of the little-magazine form, Bulson uncovers a worldwide network that influenced the development of literature and criticism in Africa, the West Indies, the Pacific Rim, and South America. In addition to identifying how these circulations and exchanges worked, Bulson also addresses equally formative moments of disconnection and immobility. British and American writers who fled to Europe to escape Anglo-American provincialism, refugees from fascism, wandering surrealists, and displaced communists all contributed to the proliferation of print. Yet the little magazine was equally crucial to literary production and consumption in the postcolonial world, where it helped connect newly independent African nations. Bulson concludes with reflections on the digitization of these defunct little magazines and what it means for our ongoing desire to understand modernism's global dimensions in the past and its digital afterlife.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
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Book Description
Author: Susan Stanford Friedman
Publisher: Columbia University Press
ISBN: 0231539479
Category : Literary Criticism
Languages : en
Pages : 466
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Book Description
Drawing on a vast archive of world history, anthropology, geography, cultural theory, postcolonial studies, gender studies, literature, and art, Susan Stanford Friedman recasts modernity as a networked, circulating, and recurrent phenomenon producing multiple aesthetic innovations across millennia. Considering cosmopolitan as well as nomadic and oceanic worlds, she radically revises the scope of modernist critique and opens the practice to more integrated study. Friedman moves from large-scale instances of pre-1500 modernities, such as Tang Dynasty China and the Mongol Empire, to small-scale instances of modernisms, including the poetry of Du Fu and Kabir and Abbasid ceramic art. She maps the interconnected modernisms of the long twentieth century, pairing Joseph Conrad with Tayeb Salih, E. M. Forster with Arundhati Roy, Virginia Woolf with the Tagores, and Aimé Césaire with Theresa Hak Kyung Cha. She reads postcolonial works from Sudan and India and engages with the idea of Négritude. Rejecting the modernist concepts of marginality, othering, and major/minor, Friedman instead favors rupture, mobility, speed, networks, and divergence, elevating the agencies and creative capacities of all cultures not only in the past and present but also in the century to come.
Author: Mark Wollaeger
Publisher: Oxford University Press
ISBN: 0199324700
Category : Art
Languages : en
Pages : 751
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Book Description
The Oxford Handbook of Global Modernisms expands the scope of modernism beyond its traditional focus on English and Irish literature to explore the contributions of artists from countries and regions like the US, Cuba, Spain, the Balkans, China, Japan, India, Vietnam, and Nigeria.
Author: Gayle Rogers
Publisher: Oxford University Press
ISBN: 0199914974
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Drawing on transnational literary studies, periodical studies translation studies, and comparative literary history 'Modernism and the New Spain' illuminates why Spain has remained a problematic space on the scholarly map of international modernisms.
Author: Nidesh Lawtoo
Publisher: MSU Press
ISBN: 1628950420
Category : Philosophy
Languages : en
Pages : 365
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Book Description
The Phantom of the Ego is the first comparative study that shows how the modernist account of the unconscious anticipates contemporary discoveries about the importance of mimesis in the formation of subjectivity. Rather than beginning with Sigmund Freud as the father of modernism, Nidesh Lawtoo starts with Friedrich Nietzsche’s antimetaphysical diagnostic of the ego, his realization that mimetic reflexes—from sympathy to hypnosis, to contagion, to crowd behavior—move the soul, and his insistence that psychology informs philosophical reflection. Through a transdisciplinary, comparative reading of landmark modernist authors like Nietzsche, Joseph Conrad, D. H. Lawrence, and Georges Bataille, Lawtoo shows that, before being a timely empirical discovery, the “mimetic unconscious” emerged from an untimely current in literary and philosophical modernism. This book traces the psychological, ethical, political, and cultural implications of the realization that the modern ego is born out of the spirit of imitation; it is thus, strictly speaking, not an ego, but what Nietzsche calls, “a phantom of the ego.” The Phantom of the Ego opens up a Nietzschean back door to the unconscious that has mimesis rather than dreams as its via regia, and argues that the modernist account of the “mimetic unconscious” makes our understanding of the psyche new.
