La porta santa della Basilica di San Pietro in Vaticano. Ediz. inglese PDF Download
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Author: Virgilio Noè
Publisher: ATS Italia
ISBN:
Category : Travel
Languages : en
Pages : 118
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Book Description
Author: Virgilio Noè
Publisher: ATS Italia
ISBN:
Category : Travel
Languages : en
Pages : 118
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Book Description
Author: Antonio Pinelli
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 446
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 592
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Author: Antonio Pinelli
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 592
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Book Description
Author: Antonio Pinelli
Publisher: Franco Cosimo Panini
ISBN:
Category : Architecture
Languages : en
Pages : 620
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Author: Virgilio Noè
Publisher:
ISBN: 9788887654080
Category : Travel
Languages : it
Pages : 40
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 550
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Author: Roberto Grieco
Publisher: Gangemi Editore spa
ISBN: 8849263902
Category : Antiques & Collectibles
Languages : en
Pages : 320
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Book Description
Per la storia del micromosaico e dei suoi protagonisti: il contributo delle fonti The history of Micromosaics and its Protagonists: archivial sources di | by Maria Grazia Branchetti Breve storia del mosaico a Roma A short history of mosaics in Rome di | by Roberto Grieco Nascita del micromosaico The origins of micromosaic art di | by Elio Messuri Il mosaico minuto: evoluzione moderna del mosaico antico Minute mosaic: the modern version of ancient mosaics di | by Roberto Grieco Smalti e paste vitree per mosaici Enamels and glass pastes for mosaics di | by Roberto Grieco Fermacarte Paperweights Quadri Pictures Tavoli Tables Oggetti diversi Miscellaneous objects Micromosaici moderni Modern micromosaic Micromosaici contemporanei Contemporary micromosaic
Author: Francis Wey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 728
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Author: Joanna Story
Publisher: Oxford University Press
ISBN: 0192575058
Category : Social Science
Languages : en
Pages : 428
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Book Description
Charlemagne and Rome is a wide-ranging exploration of cultural politics in the age of Charlemagne. It focuses on a remarkable inscription commemorating Pope Hadrian I who died in Rome at Christmas 795. Commissioned by Charlemagne, composed by Alcuin of York, and cut from black stone quarried close to the king's new capital at Aachen in the heart of the Frankish kingdom, it was carried to Rome and set over the tomb of the pope in the south transept of St Peter's basilica not long before Charlemagne's imperial coronation in the basilica on Christmas Day 800. A masterpiece of Carolingian art, Hadrian's epitaph was also a manifesto of empire demanding perpetual commemoration for the king amid St Peter's cult. In script, stone, and verse, it proclaimed Frankish mastery of the art and power of the written word, and claimed the cultural inheritance of imperial and papal Rome, recast for a contemporary, early medieval audience. Pope Hadrian's epitaph was treasured through time and was one of only a few decorative objects translated from the late antique basilica of St Peter's into the new structure, the construction of which dominated and defined the early modern Renaissance. Understood then as precious evidence of the antiquity of imperial affection for the papacy, Charlemagne's epitaph for Pope Hadrian I was preserved as the old basilica was destroyed and carefully redisplayed in the portico of the new church, where it can be seen today. Using a very wide range of sources and methods, from art history, epigraphy, palaeography, geology, archaeology, and architectural history, as well as close reading of contemporary texts in prose and verse, this book presents a detailed 'object biography', contextualising Hadrian's epitaph in its historical and physical setting at St Peter's over eight hundred years, from its creation in the late eighth century during the Carolingian Renaissance through to the early modern Renaissance of Bramante, Michelangelo, and Maderno.
