La Música ilustrada hispano-americana 1898-1902 PDF Download
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Author: Esperanza Berrocal
Publisher:
ISBN:
Category : Music
Languages : es
Pages : 296
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Author: Esperanza Berrocal
Publisher:
ISBN:
Category : Music
Languages : es
Pages : 296
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Book Description
Author: Carol A. Hess
Publisher: University of Chicago Press
ISBN: 0226330389
Category : Music
Languages : en
Pages : 361
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Book Description
Although studies of Modernism have focused largely on European nations, Spain has been conspicuously neglected. As Carol A. Hess argues in this compelling book, such neglect is wholly undeserved. Through composer Manuel de Falla (1876-1946), Hess explores the advent of Modernism in Spain in relation to political and cultural tensions prior to the Spanish Civil War. The result is a fresh view of the musical life of Spain that departs from traditional approaches to the subject and reveals an open and constantly evolving aesthetic climate.
Author: Clinton D. Young
Publisher: LSU Press
ISBN: 0807161055
Category : History
Languages : en
Pages : 306
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Book Description
From its earliest appearance in the mid-1600s, the lyric theater form of zarzuela captivated Spanish audiences with its witty writing and lively musical scores. Clinton D. Young’s Music Theater and Popular Nationalism in Spain, 1880–1930 persuasively links zarzuela’s celebration of Spanish history and culture to the development of concepts of nationalism and national identity at the dawn of the twentieth century. As a weak Spanish government focused its energy on preventing a recurrence of mid-nineteenth-century political upheavals, the project of articulating a national identity occurred at the popular level, particularly in cultural venues such as the theater. Zarzuela suited this aim well, depicting the lives of everyday citizens amid the rapidly changing norms brought about by industrialization and urbanization. It also integrated regional differences into a unified vision of Spanish national identity: a zarzuela performance set in Madrid could incorporate forms of music and folk dancing native to areas of the country as far distant as Andalucía and Catalonia. A true “music of the people” (música popular), zarzuela offered its audiences an image of what a more modern Spain might look like. Zarzuela alone could not create a unified concept of Spanish identity, particularly with competition from new forms of mass culture and the rise of the Primo de Rivera dictatorship in the 1920s. Yet, as this riveting study shows, it made an indelible contribution to popular culture and nationalism. Young’s history brings to life the stories, songs, and evolving contexts of a uniquely Spanish art form.
Author: Eva Moreda Rodríguez
Publisher: Oxford University Press
ISBN: 0197552080
Category : Music
Languages : en
Pages : 241
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Book Description
Inventing the Recording focuses on the decades in which recorded sound went from a technological possibility to a commercial and cultural artefact. Through the analysis of a specific and unique national context, author Eva Moreda Rodríguez tells the stories of institutions and individuals in Spain and discusses the development of discourses and ideas in close connection with national concerns and debates, all while paying close attention to original recordings from this era. The book starts with the arrival in Spain of notices about Edison's invention of the phonograph in 1877, followed by the first demonstrations of the invention (1878-1882) by scientists and showmen. These demonstrations greatly stimulated the imagination of scientists, journalists and playwrights, who spent the rest of the 1880s speculating about the phonograph and its potential to revolutionize society once it was properly developed and marketed. The book then moves on to analyse the 'traveling phonographs' and salones fonográficos of the 1890s and early 1900s, with phonographs being paraded around Spain and exhibited in group listening sessions in theatres, private homes and social spaces pertaining to different social classes. Finally, the book covers the development of an indigenous recording industry dominated by the so-called gabinetes fonográficos, small businesses that sold imported phonographs, produced their own recordings, and shaped early discourses about commercial phonography and the record as a commodity between 1896 and 1905.
Author: Music Library Association
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 576
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Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 992
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Author: Winifred Gregory Gerould
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 1596
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Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 692
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Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 692
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