La musica del Novecento PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download La musica del Novecento PDF full book. Access full book title La musica del Novecento by Paul Griffiths. Download full books in PDF and EPUB format.
Author: Paul Griffiths
Publisher: Giulio Einaudi Editore
ISBN: 8858417046
Category : Music
Languages : it
Pages : 480
Get Book Here
Book Description
Il Novecento è stato per la musica un secolo di vertiginosa creatività nel quale si sono succeduti molteplici stili, tendenze e sensibilità. Molti sono i compositori che ne hanno piú volte ridisegnato i confini sonori: da Debussy e Stravinskij a Schönberg e Webern, da Cage e Stockhausen a Nono e Boulez, da Bartók a Xenakis e Ligeti, da Sostakovic' a Pärt, da Ives a Glass; per giungere fino alle prospettive aperte dai compositori nostri contemporanei, che sempre piú dialogano non solo con la tradizione ma anche con le diversissime musiche del presente.
Author: Paul Griffiths
Publisher: Giulio Einaudi Editore
ISBN: 8858417046
Category : Music
Languages : it
Pages : 480
Get Book Here
Book Description
Il Novecento è stato per la musica un secolo di vertiginosa creatività nel quale si sono succeduti molteplici stili, tendenze e sensibilità. Molti sono i compositori che ne hanno piú volte ridisegnato i confini sonori: da Debussy e Stravinskij a Schönberg e Webern, da Cage e Stockhausen a Nono e Boulez, da Bartók a Xenakis e Ligeti, da Sostakovic' a Pärt, da Ives a Glass; per giungere fino alle prospettive aperte dai compositori nostri contemporanei, che sempre piú dialogano non solo con la tradizione ma anche con le diversissime musiche del presente.
Author:
Publisher: Walter de Gruyter
ISBN: 311031228X
Category : Reference
Languages : en
Pages : 2983
Get Book Here
Book Description
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 639,000 articles from more than 29,500 festschrifts, published between 1977 and 2010, have been catalogued.
Author: Roberto Codazzi
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 204
Get Book Here
Book Description
Author: Ben Earle
Publisher: Cambridge University Press
ISBN: 0521844037
Category : History
Languages : en
Pages : 321
Get Book Here
Book Description
Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.
Author: Dina Riccò
Publisher: Artecittà International Foundation Publishing
ISBN: 8494307193
Category : Art
Languages : en
Pages : 158
Get Book Here
Book Description
MuVi5 is the fifth edition of Visual Music dedicated videos – following upon MuVi (Granada, 2007), MuVi2 (Granada, 2009), MuVi3 (Almeria, 2012) and MuVi4 (Alcalá la Real, Jaén, 2015) – an event that completes the Fifth International Conference Sinestesia: Ciencia y Arte, which took place at Alcalá la Real, Jaén (Convento Capuchinos) and the “Victoria Eugenia” Conservatory of Music of Granada, in Spain, from May 18th to 21th.This is a collection of kinetic works in visual, audiovisual, or interactive fields, from artists, musicians, designers, and performers, designed on music. Alongside the videos from professionals are also works produced in the academic field, presented by professors, or directly by university students, academies of fine arts, and music conservatories. The catalog contains an extensive selection of photographs and videos submitted by participants whose home countries are European, including England (London), Hungary (Pécs), Ireland (Dublin), Italy (Milan), Poland (Warsaw), and Spain (Granada, Girona), as well as outside of Europe, including China (Hong Kong), New Zealand (Auckland), and the USA (Alabama, Massachusetts, Oregon). Links included about 100 minutes of online video. Direction and coordination Dina Riccò (Design Department, School of Design, Politecnico di Milano, Italy) Organizational direction María José de Córdoba Serrano (University of Granada, Drawing Department / Artecittà International Foundation, Granada, Spain), Francisco Toro Ceballos (Área de Cultura, Ayuntamiento de Alcalá la Real, Jaén) Scientific committee of the exposition Giovanni Baule (Design Department, School of Design, Politecnico di Milano, Italy) María José de Córdoba Serrano (University of Granada / Fundación Internacional Artecittà, Granada, Spain) José López Montes (Real Conservatorio Superior de Música “Victoria Eugenia” de Granada, Spain) Jesús Pertíñez López (Drawing Department, University of Granada, Spain) Dina Riccò (Design Department, School of Design, Politecnico di Milano, Italy) Juan García Villar (Painting Department, University of Granada, Spain) Collaborators Elena Caratti (Design Department, School of Design, Politecnico di Milano, Italy), Tremedad Gnecco Suarez (Faculty of Educational Sciences, University of Granada, Spain), Reynaldo Fernández Manzano (Centro de Documentación musical, Junta de Andalucía, Spain), Victor Parra (Univ. Pedagógica experimental libertador, Barquesimeto, Venezuela), Umberto Tolino (Design Department, School of Design, Politecnico di Milano, Italy), Concejalía de Cultura, Ayuntamiento de Alcalá la Real, Jaén, Spain Planning and running of exhibition María José de Córdoba Serrano, Francisco Toro Ceballos, Julia López de la Torre Lucha, Comisión artística Teatro Martinez Montañéz. Organizers Artecittà International Foundation (Granada, Spain), University of Granada (Faculty of Fine Arts, Faculty of Educational Sciences, Department of Drawing, Granada Spain), Politecnico di Milano (Design Department, School of Design, Italy) Patrons Ayuntamiento de Alcalá la Real (Jaén, Spain) Real Conservatorio Superior de Música “Victoria Eugenia” de Granada (Spain) Universidad Pedagógica experimental libertador (Instituto pedagógico “Luis Beltrán Prieto Figueroa”, Barquesimeto, Venezuela) Master’s Degree in Drawing: Creation, Production and Dissemination, University of Granada American Synesthesia Association (New York, US) IASAS International Association of Synaesthetes, Artists, and Scientists (San Francisco, US) Editorial staff Book and DVD edited by Dina Riccò and María José de Córdoba Serrano. The two editors have worked in collaboration for the whole book, more particularly: Dina Riccò has edited the pp. 15-40, 71-111; Maria José de Cordoba Serrano the pp. 41-70, 112-152. The videos, the texts descriptions of the videos and the figures are by the respective participants and authors Editing English texts: by Sean Day Editing Spanish texts: by María José de Córdoba, Julia López de la Torre Lucha Editing Italian texts: Dina Riccò Art direction: Dina Riccò Graphic design of the book and cover: Giulia Martimucci Motion graphic design: Gianluca Balzerano Interface design of the Dvd: Alessandro Zamperini Interaction design of the Dvd: Alberto Barone Web platform (www.muvi-visualmusic.tumblr.com): Elena Caratti, Dina Riccò, Umberto Tolino ISBN 13 (Book + Dvd): 978-84-943071-7-1 ISBN 13 (Ebook): 978-84-943071-9-5 © 2018 Artecittà International Foundation, Granada (Spain) www.artecitta.es,
[email protected] Print: Imprenta del Carmen, Granada Printed in Spain. First edition: March 2018
Author: Aisling Reid
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111298450
Category : History
Languages : en
Pages : 345
Get Book Here
Book Description
Detention camps exceed the juridical concept of punishment and crime. This book comprises two parts: 1. a collected volume that discusses camps not as something of the past, but as a paradigmatic political space in which ordinary law is completely suspended, and 2. an Italian-English parallel text of the war diary of an Italian prisoner during his confinement at the Stalag X-B internment camp near Sandbostel from 1943–1945. 1. The Human Condition of Exception: Collected Essays Edited by Aisling Reid and Valentina Surace Written in Italian and English, the essays collected in this volume explore the issue of camps and suffering from various perspectives, including philosophical inquiry, literary analysis, historical description and legal assessment. As Agamben suggests, the camp embodies the state of exception. A dehumanising camp life will therefore emerge every time such a structure is created. What happens in camps exceeds the juridical concept of punishment, as well as that of crime. Prisoners are faced with a ‘useless’ pain (Levinas) as it is not the expiation of a fault. Prisoners attempt to describe their extreme suffering through their diaries. Their experience, however, cannot be entirely communicated. Even their screams, which express humanity at the extreme limit of its un-power, are silenced. Given the recent popularity of right-wing politics, as well as the centenary of Mussolini’s march on Rome, such research is more urgent than ever. The book will appeal to readers with an interest in philosophy as well as Irish history scholars studying internment during Partition and The Troubles in Northern Ireland. 2. Aldo Quarisa’s Diary: An Italian-English Edition Edited by Aisling Reid and Valentina Surace. Transcribed and with a preface by Galileo Sartor. Translation of the diary by Aisling Reid (Italian-English). In 1943, Aldo Quarisa worked at a military school in Florence, where he taught literature. In October of that year, one month after Italy had surrendered to the Allied forces, the Italians declared war on the Germans. In Florence, the German occupiers responded quickly, by arresting and deporting people with military connections to numerous concentration camps in Austria. Quite suddenly, Aldo was detained and deported through a network of camps, including Benjaminovo and the Stalag X-B internment camp, near the Austrian village of Sandbostel. For two years, he found himself imprisoned alongside other Italians, including the celebrated journalist Giovannino Guareschi, who secretly kept a diary that was later published as his Diario Clandestino 1943–1945 in 1946. Much like Guareschi, Aldo also kept a diary and excerpts are published here in both Italian and English for the first time. The diary describes in unprecedented detail the monotony of camp life, the cruelty of the guards and the prisoners’ struggle to survive. The text is an important document that preserves the memory and voices of all those who suffered during the war and will inevitably be of interest to readers with an interest in World War II.
Author: Franco Fabbri
Publisher: Routledge
ISBN: 1136585540
Category : Music
Languages : en
Pages : 272
Get Book Here
Book Description
Provides comprehensive introduction to the history, sociology and musicology of 20th century Italian popular music Essays written by authors from a variety of backgrounds offer broad portrait of modern popular musical culture for readers new to Italian music
Author: Raffaele Pozzi
Publisher: Olschki
ISBN:
Category : Music
Languages : en
Pages : 298
Get Book Here
Book Description
Author: Ennio Morricone
Publisher: Scarecrow Press
ISBN: 0810892421
Category : Performing Arts
Languages : en
Pages : 311
Get Book Here
Book Description
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Author: Patrizia Veroli
Publisher: Routledge
ISBN: 1351986740
Category : Music
Languages : en
Pages : 457
Get Book Here
Book Description
Music-Dance explores the identity of choreomusical work, its complex authorship and its modes of reception as well as the cognitive processes involved in the reception of dance performance. Scholars of dance and music analyse the ways in which a musical score changes its prescriptive status when it becomes part of a choreographic project, the encounter between sound and motion on stage, and the intersection of listening and seeing. As well as being of interest to musicologists and choreologists considering issues such as notation, multimedia and the analysis of performance, this volume will appeal to scholars interested in applied research in the fields of cognition and neuroscience. The line-up of authors comprises representative figures of today’s choreomusicology, dance historians, scholars of twentieth-century composition and specialists in cognitive science and performance studies. Among the topics covered are multimedia and the analysis of performance; the notational practice of choreographers and the parallel attempts of composers to find a graphic representation for musical gestures; and the experience of dance as a paradigm for a multimodal perception, which is investigated in terms of how the association of sound and movement triggers emotions and specific forms of cognition.
