Author: Publisher: Odile Jacob
ISBN: 2738179037
Category :
Languages : en
Pages : 311
Book Description
Author: Publisher: Odile Jacob
ISBN: 2738179037
Category :
Languages : en
Pages : 311
Book Description
Le Tumulte Noir
Author: Jody BlakePublisher: Penn State Press
ISBN: 9780271017532
Category : Art
Languages : en
Pages : 232
Book Description
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Jean Delville
Author: Brendan ColePublisher: Cambridge Scholars Publishing
ISBN: 1443870978
Category : Art
Languages : en
Pages : 520
Book Description
This book is the first full-length study of the art and writings of Jean Delville. As a member of the younger generation that emerged during the end of the nineteenth century, he was a dynamic leader of a group of avant-garde artists who sought to establish a new school of Idealist Art in Belgium. He was one of the most talented painters of his generation, producing a vast body of works that, in both scale and technical accomplishment, is unsurpassed amongst his contemporaries. In his extensive writings in contemporary journals and books, he pursued a singular vision for the purpose of art to serve as a vehicle for social change, as well as to inspire individuals to be drawn to a higher, spiritual reality. Delvilles thinking is heavily indebted to the hermetic and esoteric philosophy that was widely popular at the time, and his paintings, poetry and writings reformulate the main tenets of this tradition in a contemporary context. In this regard, his aesthetic and artistic goals are similar, if not identical, to those found in the writings and art of Kandinsky and Mondrian during the early twentieth century.
Strands of Utopia
Author: Michael G KellyPublisher: Routledge
ISBN: 1351195131
Category : Literary Criticism
Languages : en
Pages : 492
Book Description
"The poetic is an abiding yet elusive qualification within the discursive system of twentieth-century French literature. No longer amenable to formal assignment, its recurrences delimit a shifting, multi-layered practice of artistic and intellectual (self-) invention. This study attempts to outline certain durable properties of that practice by confronting it with the complex theoretical and spatial metaphor of utopia. Drawing, in particular, upon the oeuvres of Victor Segalen (1878-1919), Rene Daumal (1908-44) and Yves Bonnefoy (b. 1923), it traces poetic work - work done in support of poetic difference - along the social, physical and textual axes of what is argued to be a sustained and radically inclusive utopian practice within the literary field. The complex utopian quality of poetic work is linked to the cultural persistence of the poetic as a simple attribute within literary practice. In uncovering this link, the study encourages revised understandings of both the poetic and the utopian in the modern French literary context."
Catalogue of the Printed Books in the Library of the University of Edinburgh
Author: Edinburgh University LibraryPublisher: Edinburgh : T. and A. Constable
ISBN:
Category : Library catalogs
Languages : en
Pages : 1404
Book Description
Symbolism, Its Origins and Its Consequences
Author: Rosina NeginskyPublisher: Cambridge Scholars Publishing
ISBN: 1443824526
Category : Art
Languages : en
Pages : 665
Book Description
The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L’Art moderne. He wrote that the notion of a symbol in the Symbolist movement is the opposite of the notion of the symbol in classical usage: instead of going from the abstract to the concrete (Venus, incarnated in the statue, represents love), it goes from the concrete to the abstract, from “what is seen, heard, felt, tasted, and sensed to the evocation of the idea.” This volume attempts to give a glimpse into the power of the Symbolist movement and the nature of its fundamental and interdisciplinary role in the evolution of art and literature of the twentieth century. It records the studies of a group of scholars, who met and discussed these topics together for the first time in 2009. While illuminating the specificity of Symbolism in art, architecture and literature in different European countries, these articles also demonstrate the crucial role of French Symbolism in the development of the international Symbolist movement. The authors hope that an expanding group, a society of Art, Literature and Music in Symbolism and Decadence (ALMSD), born out of the first meeting, will continue to further this discussion at future conferences and in the printed conference proceedings.
Madame Blavatsky on Egyptian Magic, Good and Bad
Author: Helena Petrovna BlavatskyPublisher: Philaletheians UK
ISBN:
Category : Religion
Languages : en
Pages : 27
Book Description
Initiation teaches us to live a better life and to die with better hope. The Mysteries were known to unveil the operations of nature and lead to the contemplation of celestial powers. Magic was considered a Divine Science which led to a participation in the attributes of the Divinity itself. But it was Black Magic that led finally to the abolition of the Mysteries, and not Christianity, as is often erroneously thought.
This is Not Just a Painting
Author: Bernard LahirePublisher: John Wiley & Sons
ISBN: 1509528709
Category : Art
Languages : en
Pages : 565
Book Description
In 2008, the Musée des Beaux-Arts de Lyon acquired a painting called The Flight into Egypt which was attributed to the French artist Nicolas Poussin. Thought to have been painted in 1657, the painting had gone missing for more than three centuries. Several versions were rediscovered in the 1980s and one was passed from hand to hand, from a family who had no idea of its value to gallery owners and eventually to the museum. A painting that had been sold as a decorative object in 1986 for around 12,000 euros was acquired two decades later by the Musée des Beaux-Arts de Lyon for 17 million euros. What does this remarkable story tell us about the nature of art and the way that it is valued? How is it that what seemed to be just an ordinary canvas could be transformed into a masterpiece, that a decorative object could become a national treasure? This is a story permeated by social magic the social alchemy that transforms lead into gold, the ordinary into the extraordinary, the profane into the sacred. Focusing on this extraordinary case, Bernard Lahire lays bare the beliefs and social processes that underpin the creation of a masterpiece. Like a detective piecing together the clues in an unsolved mystery he carefully reconstructs the steps that led from the same material object being treated as a copy of insignificant value to being endowed with the status of a highly-prized painting commanding a record-breaking price. He thereby shows that a painting is never just a painting, and is always more than a piece of stretched canvass to which brush strokes of paint have been applied: this object, and the value we attach to it, is also the product of a complex array of social processes – with its distinctive institutions and experts – that lies behind it. And through the history of this painting, Lahire uncovers some of the fundamental structures of our social world. For the social magic that can transform a painting from a simple copy into a masterpiece is similar to the social magic that is present throughout our societies, in economics and politics as much as art and religion, a magic that results from the spell cast by power on those who tacitly recognize its authority. By following the trail of a single work of art, Lahire interrogates the foundations on which our perceptions of value and our belief in institutions rest and exposes the forms of domination which lie hidden behind our admiration of works of art.
Journal R A I C.
Author: Royal Architectural Institute of CanadaPublisher:
ISBN:
Category :
Languages : en
Pages : 682
Book Description
National Approaches to the Governance of Historical Heritage Over Time
Author: Stefan FischPublisher: IOS Press
ISBN: 1586038532
Category : Architecture
Languages : en
Pages : 244
Book Description
The five elements - governmental authorities, public discourse, corporate and market interests, citizens' associations and international agencies - may help in figuring out the complex and challenging purpose of the research work presented in this volume which is nothing less than the history of the governance of cultural and natural heritage in eleven countries, from its outset to the present. Speaking about governance is challenging. The term has been vastly used and misused. But today, when the feverish popularity of the concept is probably in decline, we rest with one solid conviction at least: that social, economic, cultural and institutional processes are governed not only through government (be it national or local) with its legislative, administrative and jurisdictional mechanisms, but through a larger array of different actors and factors. These include schools and universities, citizens' associations, public opinion, economic corporations, non-governmental organizations, learned societies, unions, media, international agencies, clubs, consultants etc. In fact, the reader is going to meet quite a few of these actors in this publication; they are the unavoidable characters involved in the story the authors have set out to tell.
