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Author: Donald A. Rosenthal
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Author: Donald A. Rosenthal
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Author:
Publisher: Odile Jacob
ISBN: 2738185142
Category :
Languages : en
Pages : 394
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Book Description
Author: Bibliothèque nationale (France). Département des livres imprimés
Publisher:
ISBN:
Category :
Languages : en
Pages : 700
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Book Description
Author: Michael Paul Driskel
Publisher: Penn State Press
ISBN: 9780271042701
Category : Art
Languages : en
Pages : 248
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Book Description
Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today. Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
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Book Description
Author: Paris bibl. nat, dépt. des imprimés
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 696
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Book Description
Author: Henry St. John Bolingbroke
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
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Book Description
Author: Freemasons. Louisiana. Prince Hall Grand Lodge
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
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Book Description
Author: Musee des Beaux Arts (Lille, France)
Publisher: Metropolitan Museum of Art
ISBN: 0870996495
Category : Art
Languages : en
Pages : 340
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Book Description
Author: Peter Burke
Publisher: Yale University Press
ISBN: 9780300059434
Category : Political Science
Languages : en
Pages : 260
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Book Description
Louis XIV was a man like any other, but the money and attention lavished on his public image by the French government transformed him into a godlike figure. In this engrossing book, an internationally respected historian gives an account of contemporary representations of Louis XIV and shows how the making of the royal image illuminates the relationship between art and power. Images of Louis XIV included hundreds of oil paintings and engravings, three-hundred-odd medals struck to commemorate the major events of the reign, sculptures, and bronzes, as well as plays, ballets (in which the king himself sometimes appeared on stage), operas, odes, sermons, official newspapers and histories, fireworks, fountains, and tapestries. Drawing on an analysis of these representations as well as on surviving documentary sources, Peter Burke shows the conscious attempt to "invent" the image of the king and reveals how the supervision of the royal image was entrusted to a commitee, the so-called small academy. This book is not only a fascinating chronological study of the mechanics of the image-making of a king over the course of a seventy-year reign but is also an investigation into the genre of cultural construction. Burke discusses the element of propaganda implicit in image-making, the manipulation of seventeenth-century media of communication (oral, visual, and textual) and their codes (literary and artistic), and the intended audience and its response. He concludes by comparing and contrasting Louis's public image with that of other rulers ranging from Augustus to contemporary American presidents.
