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Author: Serge Soupel
Publisher: Presses Sorbonne Nouvelle
ISBN: 9782878541083
Category : English literature
Languages : en
Pages : 260
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Book Description
Cet ouvrage rassemble seize communications faites lors de deux colloques internationaux sur les rapports entre la Grande-Bretagne et le continent européen au XVIIIe siècle. Une moitié des communications est de nature littéraire, touchant quelques-uns des auteurs britanniques les plus marquants de l'époque, examinés dans leurs liens intellectuels avec l'Europe (qui les influence ou qu'ils influencent). L'autre moitié contient des études sur les mœurs observées par les voyageurs, sur les représentations et images réciproques. Viennent également au jour les rivalités entre les pays (dans le domaine de l'érudition orientaliste), ainsi que la situation des habitants du Nord et l'Écosse, en marge de l'Europe, mais souvent enjeu politique pour l'Europe. La gravure satirique, enfin, a largement sa place avec un article sur les caricatures de Hogarth
Author: Serge Soupel
Publisher: Presses Sorbonne Nouvelle
ISBN: 9782878541083
Category : English literature
Languages : en
Pages : 260
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Book Description
Cet ouvrage rassemble seize communications faites lors de deux colloques internationaux sur les rapports entre la Grande-Bretagne et le continent européen au XVIIIe siècle. Une moitié des communications est de nature littéraire, touchant quelques-uns des auteurs britanniques les plus marquants de l'époque, examinés dans leurs liens intellectuels avec l'Europe (qui les influence ou qu'ils influencent). L'autre moitié contient des études sur les mœurs observées par les voyageurs, sur les représentations et images réciproques. Viennent également au jour les rivalités entre les pays (dans le domaine de l'érudition orientaliste), ainsi que la situation des habitants du Nord et l'Écosse, en marge de l'Europe, mais souvent enjeu politique pour l'Europe. La gravure satirique, enfin, a largement sa place avec un article sur les caricatures de Hogarth
Author: Niall Ó Ciosáin
Publisher: Taylor & Francis
ISBN: 1003833705
Category : History
Languages : en
Pages : 237
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Book Description
This book is a study of the print cultures of the four principal Celtic languages — Irish, Welsh, Gaelic and Breton — in the crucial period between 1700 and 1900. Over the past four centuries, the Celtic languages of northwest Europe have followed contrasting paths of maintenance and decline. This was despite their common lack of official recognition and use, and their common distance from the centres of political power. This volume analyses publishing, circulation and reading in the four languages, particularly at a popular level, showing the different levels of overall activity as well as the distinctions in the types of printed texts between regions. The approach is a broad one, considering all printed books down to very small cheap formats. It explores the interactions between the different regions and the continuation of print culture within diasporic communities. This volume will appeal to book historians, to scholars of the four languages and their literature, and to students of Celtic studies.
Author: Corneliu Simut
Publisher: BRILL
ISBN: 9004275215
Category : Religion
Languages : en
Pages : 372
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Book Description
In this book, Professor Simuț shows how Christian theology started to be understood as a Gnostic philosophy of religion in the thought of the 19th-century scholar F. C. Baur. Although Baur was seen traditionally as a theologian and biblical exegete, Simuț argues that he was in fact a philosopher of religion, and it was his philosophical reading of Christian theology that informed his biblical preoccupations. Specifically, Baur’s perspective on Christian theology was heavily influenced by Jakob Böhme’s esoteric theosophy and Hegel’s religious philosophy in some key issues such as creation, Lucifer, dualism and the connection between spirit and matter coupled with that between philosophy and religion.
Author: Michael Meyer
Publisher: Rodopi
ISBN: 9042027436
Category : Art
Languages : en
Pages : 425
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Book Description
Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van C& Zapiro.
Author:
Publisher: BRILL
ISBN: 9042027444
Category : Literary Criticism
Languages : en
Pages : 423
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Book Description
Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children’s fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro.
Author: Elisabeth Soulier-Detis
Publisher: Lutterworth Press
ISBN: 071889698X
Category : Art
Languages : en
Pages : 233
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Book Description
This engaging study reveals how a half-hidden thread of Masonic symbolism runs through Hogarth's work. The classical and Biblical references, whose ambiguity and apparent paradoxical relation with the eighteenth-century situations depicted have often been underlined, gain coherence and unity when they are analyzed in the symbolic framework of freemasonry and alchemy Hogarth was busy both using and concealing in his prints. The coded meaning is often entirely at odds with the surface one, a factsuspected but never proved by critics so far. A very original and titillating book for academics and general reader alike. Readers will be intrigued by the secrecy of symbols from mythological, biblical and Masonic references and hidden codes that have to be deciphered. Furthermore, they will be also left intrigued by the secret message that the very popular and well-known painter is attempting to deliver. Academics will be interested in the book since this thorough approach has never been proposed by any of Hogarth's scholars so far.
Author: Colin Jones
Publisher: Univ of California Press
ISBN: 9780520229679
Category : History
Languages : en
Pages : 326
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Book Description
"This superb collection of essays brings together the most exciting new work in cultural and literary history. Although the authors focus on the various cultural revolutions of the late 18th and early 19th centuries, the significance of their investigations extends far beyond that moment. They show how the major categories of modern social life took root in this era, but they emphasize the surprising and often paradoxical ways those developments took place. Nothing about the experience of class, gender, race, nation, sentiment or even death was pre-ordained. These essays will enable readers to take a fresh new look at the origins of modernity."—Lynn Hunt, editor of The New Cultural History and coeditor of Beyond the Cultural Turn "This is a valuable and provocative set of essays. Differing markedly in subject matter, they are linked by their intelligence and concern to re-assess early modern English and French histories, and the differences conventionally drawn between them, in the light of current work on language, class, race and gender."—Linda Colley, author of Britons: Forging the Nation, 1707-1837
Author: Jean Viviès
Publisher: Routledge
ISBN: 1351940007
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
The eighteenth century, commonly described as the age of the novel, is also the golden age of travel narratives. In this English edition of Le Récit de voyage en Angleterre au XVIIIe siècle, the genre of the travel narrative receives a treatment based on its development in close relationship with fiction. The book provides a survey of famous travel narratives: James Boswell's journal of a tour to Corsica and account of his trip to Scotland with Samuel Johnson, Laurence Sterne's enigmatic Sentimental Journey, Tobias Smollett's Travels through France and Italy. Negotiating between inventory and invention, these texts invite a reconsideration of conventional generic distinctions. They open up a literary space in which the full significance of the real and fictional journey motif can be explored.
Author: David Avrom. BELL
Publisher: Harvard University Press
ISBN: 0674020723
Category : History
Languages : en
Pages : 322
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Book Description
In a work of lucid prose and striking originality, Bell offers the first comprehensive survey of patriotism and national sentiment in early modern France, and shows how the dialectical relationship between nationalism and religion left a complex legacy that still resonates in debates over French national identity today. Table of Contents: Preface Introduction: Constructing the Nation 1. The National and the Sacred 2. The Politics of Patriotism and National Sentiment 3. English Barbarians, French Martyrs 4. National Memory and the Canon of Great Frenchmen 5. National Character and the Republican Imagination 6. National Language and the Revolutionary Crucible Conclusion: Toward the Present Day and the End of Nationalism Notes Note on Internet Appendices and Bibliography Index Reviews of this book: Bell delineates the history of nationalism in France, tracing its origins to the 17th century. He shows how in 18th-century France, political and intellectual leaders made perfect national unity a priority, allowing the construction of the nation to take precedence over other political tasks. The goal was to provide all French people with the same language, laws, customs, and values. Bell argues that while the French leaders hoped that patriotism and national sentiment would replace religion as the binding force, it was actually religion that was a major (but not exclusive) factor in helping the French see the world around them. This period of history was the beginning of the first large-scale nationalist program. Bell also shows how the relationship between nationalism and religion contributes to the French national identity debate today. Bell's comprehensive and well-documented book is written in an accessible style...Recommended for French and European history collections. --Mary Salony, Library Journal Reviews of this book: At the center of Bell's subtle and intricate argument is religion. Religion, he suggests, was changing in the 18th century. And with men less likely to see God as an interventionist presence in their daily lives and more likely to stress God's distant, inscrutable quality, space was opened up for an autonomous realm of human action, described by a series of interconnected words: society, public opinion, civilization, fatherland and nation. --Richard Vinen, New York Times Book Review Reviews of this book: David Bell has interesting things to say about the French kindred and about an important aspect of their life together. The Cult of the Nation in France is about the way a particular kind of togetherness and a novel kind of identity were implanted, grew (and may have begun to wither) in France's fertile soil. The nation, he argues, is no spontaneous growth but a political artifact: not organic like a tree but constructed like a city. --Eugen Weber, Los Angeles Times Reviews of this book: Bell argues in his excellent analysis of the 18th-century conceptual birth of French nationalism that nationalism emerged at a point when French intellectuals increasingly came to see God as distant from human affairs and sough to separate religious passions from political life...A masterful, thought-provoking [study]. --P. G. Wallace, Choice Reviews of this book: This excellent book is at once a valuable account of the development of the concept of the nation in France and an important example of the use that can be made of the culture of print...Bell argues that right-wing nationalism has belonged consistently to a minority and that there has been a basic continuity in French republican nationalism over the past two centuries, views that not all will share, but arguments that testify to the importance of this well-crafted work. --Jeremy Black, History A notable addition to the expanding literature on nationalism in general and of French nationalism in particular, The Cult of the Nation in France explores how national affiliation became part of individual identity. It demonstrates the connections between nationalism and religion, without falling into the simple trap of treating nationalism as another religion. Against the present-day challenges faced by French republican nationalism, Bell insightfully examines the paradoxical process whereby the French came to posit themselves as a union of politically and spiritually like-minded citizens. --Joan B. Landes, Pennsylvania State University A formidably intelligent and beautifully written analysis of how the French came to perceive their nation as a political construction. Its breadth, together with its highly original discussion of the role of religion, makes The Cult of the Nation in France essential reading both for students of nationalism and for anyone wanting to understand current French debates on culture, ethnicity, and identity. --Linda Colley, London School of Economics and Political Science David Bell is one of the most talented young historians working in any field. This fascinating, brilliantly argued, and beautifully written study demonstrates the multi-stranded origins of the concept of the nation in France. Bell's major contribution is to place the timing of this crucial evolution well before the Revolution of 1789. He never loses sight of the linguistic and cultural complexity of France, bringing to a conclusion the story of French nationalism in our era. --John Merriman, Yale University
Author: Centre interdisciplinaire de recherche sur les Îles britanniques et l'Europe des lumières
Publisher: Presses Universitaires de la Méditerranée PULM
ISBN:
Category : Enlightenment
Languages : fr
Pages : 282
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Book Description
