La Frascatana. A comic opera in two acts [by F. Livigni], as represented at the King's Theatre ... June 5, 1794 ... with additions and alterations by L. da Ponte, etc. Ital. & Eng PDF Download
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![La Frascatana; a new comic opera, in two acts, etc. [By Filippo Livigni.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/nHJZAAAAcAAJ?fife=w80-h100)
Author: FRASCATAN WOMAN.
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![La Frascatana. A comic opera in two acts [by F. Livigni], as represented at the King's Theatre ... June 5, 1794 ... with additions and alterations by L. da Ponte, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/N2r5zX_-q7gC?fife=w80-h100)
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Pages : 64
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Category : Music
Languages : en
Pages : 544
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Author: William Ayrton
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 258
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Author: SimonP. Keefe
Publisher: Routledge
ISBN: 1351557920
Category : History
Languages : en
Pages : 586
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This volume of essays on Wolfgang Amadeus Mozart reflects scholarly advances made over the last thirty years. The studies are broad and focused, demonstrating a large number of viewpoints, methodologies and orientations and the material spans a wide range of subject areas, including biography, vocal music, instrumental music and performance. Written by leading researchers from Europe and North America, these previously published articles and book chapters are representative of both the most frequently discussed and debated issues in Mozart studies and the challenging, exciting nature of Mozart scholarship in general. The volume is essential reading for researchers, students and scholars of Mozart's music.
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Languages : en
Pages : 388
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Author: Daniel Heartz
Publisher: Pendragon Press
ISBN: 9781576470817
Category : History
Languages : en
Pages : 360
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A collection of 18 essays on musical theatre in the eighteenth century, written between 1967 and 2001
Author: Malcolm Boyd
Publisher: Cambridge University Press
ISBN: 9780521402873
Category : History
Languages : en
Pages : 352
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Rouget de Lisle's famous anthem, La marseillaise, admirably reflects the confidence and enthusiasm of the early years of the French Revolution. But the effects on music of the Revolution and the events that followed it in France were more far-reaching than that. Hymns, chansons and even articles of the Constitution set to music in the form of vaudevilles all played their part in disseminating Revolutionary ideas and principles; music education was reorganized to compensate for the loss of courtly institutions and the weakened maitrises of cathedrals and churches. Opera, in particular, was profoundly affected, in both its organization and its subject matter, by the events of 1789 and the succeeding decade. The essays in this book, written by specialists in the period, deal with all these aspects of music in Revolutionary France, highlighting the composers and writers who played a major role in the changes that took place there. They also identify some of the traditions and genres that survived the Revolution, and look at the effects on music of Napoleon's invasion of Italy.
Author: Cormac Newark
Publisher: Oxford University Press
ISBN: 0190224215
Category : Music
Languages : en
Pages : 639
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Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1009409832
Category : Music
Languages : en
Pages : 494
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Book Description
Domestic musical arrangements of opera provide a unique window on the world of nineteenth-century amateur music-making. These arrangements flourished in especially rich variety in early nineteenth-century Vienna. This study reveals ways in which the Viennese culture of musical arrangements opened up opportunities, especially for women, for connoisseurship, education, and sociability in the home, and extended the meanings and reach of public concert life. It takes a novel stance for musicology, prioritising musical arrangements over original compositions, and female amateurs' perspectives over those of composers, and asks: what cultural, musical, and social functions did opera arrangements serve in Vienna c.1790–1830? Multivalent musical analyses explore ways Viennese arrangers tailored large-scale operatic works to the demands and values of domestic consumers. Documentary analysis, using little-studied evidence of private and semi-private music-making, investigates the agency of musical amateurs and reinstates the central importance of women's roles.
