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Author: Roberto Cantú
Publisher: Cambridge Scholars Publishing
ISBN: 1443874124
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
Carlos Fuentes (1928–2012) was the most prominent novelist in contemporary Mexico and, until his recent death, one of the leading voices in Latin America’s Boom generation. He received the most prestigious awards and prizes in the world, including the Latin Civilization Award (presented by the Presidents of Brazil, Mexico, and France), the Miguel de Cervantes Prize, and the Prince of Asturias Award. During his fecund and accomplished life as a writer, literary theorist, and political analyst, Fuentes turned his attention to the major conflicts of the twentieth century – from the Second World War and the Cuban Revolution, to the Soviet invasion of Czechoslovakia, the war in Vietnam, and the post-revolutionary crisis of the one-party rule in Mexico – and attended to their political and international importance in his novels, short fiction, and essays. Known for his experimentation in narrative techniques, and for novels and essays written in a global range that illuminate the conflicts of our times, Fuentes’s writings have been rightfully translated into most of the world’s languages. His literary work continues to spur and provoke the interest of a global readership on diverse civilizations and eras, from Imperial Spain and post-revolutionary France, to Ancient and Modern Mexico, the United States, and Latin America. The Reptant Eagle: Essays on Carlos Fuentes and the Art of the Novel includes nineteen essays and one full introduction written exclusively for this volume by renowned Fuentes scholars from Asia, Europe, the United States, and Latin America. Collected into five parts, the essays integrate wide-ranging methods and innovative readings of The Death of Artemio Cruz (1962), Aura (1962), Terra Nostra (1975) and, among other novels, Distant Relations (1980); they analyze the visual arts in Fuentes’s novels (Diego Rivera’s murals and world film); chart and comment on the translations of Fuentes’s narratives into Japanese and Romanian; and propose comprehensive readings of The Buried Mirror (1992) and Personas (2012), Fuentes’s posthumous book of essays. Beyond their comprehensive and interdisciplinary scope, the book’s essays trace Fuentes’s conscious resolve to contribute to the art of the novel and to its uninterrupted tradition, from Cervantes and Rabelais to Thomas Mann and Alejo Carpentier, and from the Boom generation to Latin America’s “Boomerang” group of younger writers. This book will be of importance to literary critics, teachers, students, and readers interested in Carlos Fuentes’s world-embracing literary work.
Author: Roberto Cantú
Publisher: Cambridge Scholars Publishing
ISBN: 1443874124
Category : Literary Criticism
Languages : en
Pages : 330
Get Book Here
Book Description
Carlos Fuentes (1928–2012) was the most prominent novelist in contemporary Mexico and, until his recent death, one of the leading voices in Latin America’s Boom generation. He received the most prestigious awards and prizes in the world, including the Latin Civilization Award (presented by the Presidents of Brazil, Mexico, and France), the Miguel de Cervantes Prize, and the Prince of Asturias Award. During his fecund and accomplished life as a writer, literary theorist, and political analyst, Fuentes turned his attention to the major conflicts of the twentieth century – from the Second World War and the Cuban Revolution, to the Soviet invasion of Czechoslovakia, the war in Vietnam, and the post-revolutionary crisis of the one-party rule in Mexico – and attended to their political and international importance in his novels, short fiction, and essays. Known for his experimentation in narrative techniques, and for novels and essays written in a global range that illuminate the conflicts of our times, Fuentes’s writings have been rightfully translated into most of the world’s languages. His literary work continues to spur and provoke the interest of a global readership on diverse civilizations and eras, from Imperial Spain and post-revolutionary France, to Ancient and Modern Mexico, the United States, and Latin America. The Reptant Eagle: Essays on Carlos Fuentes and the Art of the Novel includes nineteen essays and one full introduction written exclusively for this volume by renowned Fuentes scholars from Asia, Europe, the United States, and Latin America. Collected into five parts, the essays integrate wide-ranging methods and innovative readings of The Death of Artemio Cruz (1962), Aura (1962), Terra Nostra (1975) and, among other novels, Distant Relations (1980); they analyze the visual arts in Fuentes’s novels (Diego Rivera’s murals and world film); chart and comment on the translations of Fuentes’s narratives into Japanese and Romanian; and propose comprehensive readings of The Buried Mirror (1992) and Personas (2012), Fuentes’s posthumous book of essays. Beyond their comprehensive and interdisciplinary scope, the book’s essays trace Fuentes’s conscious resolve to contribute to the art of the novel and to its uninterrupted tradition, from Cervantes and Rabelais to Thomas Mann and Alejo Carpentier, and from the Boom generation to Latin America’s “Boomerang” group of younger writers. This book will be of importance to literary critics, teachers, students, and readers interested in Carlos Fuentes’s world-embracing literary work.
Author: Elizabeth B. Schwall
Publisher: UNC Press Books
ISBN: 1469662981
Category : Social Science
Languages : en
Pages : 319
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Book Description
Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cuban dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases. As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.
Author: Rebecca Gordon-Nesbitt
Publisher: PM Press
ISBN: 1629631302
Category : History
Languages : en
Pages : 442
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Book Description
Grounded in painstaking research, To Defend the Revolution Is to Defend Culture revisits the circumstances which led to the arts being embraced at the heart of the Cuban Revolution. Introducing the main protagonists to the debate, this previously untold story follows the polemical twists and turns that ensued in the volatile atmosphere of the 1960s and ’70s. The picture that emerges is of a struggle for dominance between Soviet-derived approaches and a uniquely Cuban response to the arts under socialism. The latter tendency, which eventually won out, was based on the principles of Marxist humanism. As such, this book foregrounds emancipatory understandings of culture. To Defend the Revolution Is to Defend Culture takes its title from a slogan – devised by artists and writers at a meeting in October 1960 and adopted by the First National Congress of Writers and Artists the following August – which sought to highlight the intrinsic importance of culture to the Revolution. Departing from popular top-down conceptions of Cuban policy-formation, this book establishes the close involvement of the Cuban people in cultural processes and the contribution of Cuba’s artists and writers to the policy and praxis of the Revolution. Ample space is dedicated to discussions that remain hugely pertinent to those working in the cultural field, such as the relationship between art and ideology, engagement and autonomy, form and content. As the capitalist world struggles to articulate the value of the arts in anything other than economic terms, this book provides us with an entirely different way of thinking about culture and the policies underlying it.
Author: Mary K. Vaughan
Publisher: University of Arizona Press
ISBN: 9780816516766
Category : History
Languages : en
Pages : 284
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Book Description
"Innovative study of the cultural legacy of the Mexican Revolution, using the story of rural schools. Focuses on Puebla and Sonora and the attempt by the central government to implement socialist education and to advance its nationalist agenda. Stresses the importance of negotiation among national and local leaders, teachers and peasants"--Handbook of Latin American Studies, v. 58.
Author: Par Kumaraswami
Publisher: Manchester University Press
ISBN: 1526130327
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This book brings an original and innovative approach to a much-misunderstood aspect of the Cuban Revolution: the place of literature and the creation of a literary culture. Based on over 100 interviews with a wide range of actors involved in the structures and processes that produce, regulate, promote and consume literature on the island, the book breaks new ground by going beyond the conventional approach (the study of individual authors and texts) and by going beyond the canon of texts known outside Cuba. It thus presents a historical analysis of the evolution of literary culture from 1959 to the present, as well as a series of more detailed case studies (on writing workshops, the Havana Book Festival and the publishing infrastructure) which reveal how this culture is created in contemporary Cuba. It thus contributes a new and complex vision of revolutionary Cuban culture which is as detailed as it is comprehensive.
Author: Katie Brown
Publisher:
ISBN: 1786942194
Category : History
Languages : en
Pages : 208
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Book Description
Through a close reading of eight Venezuelan novels published between 2004 and 2012, this book reveals the enduring importance of the national in contemporary Venezuelan fiction, arguing that the novels studied respond to both the nationalist and populist cultural policies of the Bolivarian Revolution and Venezuela's literary isolation.
Author: Benjamin Maximilian Eisenhauer
Publisher: Benjamin Maximilian Eisenhauer
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 4669
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Book Description
This dictionary contains around 60,000 English terms with their Spanish translations, making it one of the most comprehensive books of its kind. It offers a wide vocabulary from all areas as well as numerous idioms. The terms are translated from English to Spanish. If you need translations from Spanish to English, then the companion volume The Great Dictionary Spanish - English is recommended.
Author: Lucia Santaella
Publisher: Editorial San Pablo
ISBN: 9587158717
Category :
Languages : en
Pages : 254
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Book Description
Author: Jean Viet
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110864185
Category : Language Arts & Disciplines
Languages : en
Pages : 332
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Book Description
No detailed description available for "Eudised".
Author: Daniel Aranda
Publisher: Editorial UOC
ISBN: 8490299749
Category :
Languages : en
Pages : 73
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Book Description
Los fans han sido tradicionalmente menospreciados como objeto de estudio serio para las aproximaciones sociológicas y culturales de la comunicación. Los fans son, en muchos aspectos, la sublimación del modelo de consumidor de cultura vulgar carente de cualquier clase de gusto. La legitimidad de los fans como objeto de estudio es relativamente reciente. Sin embargo, en los últimos años, los fans se han consolidado como un tema digno de observación y reflexión. A ello ha contribuido sin duda el establecimiento de una buena base de estudios sobre la comunicación en internet. Las tecnologías digitales, y especialmente la infraestructura de internet, han ocupado un papel central en sus relaciones. Internet amplía y configura las relaciones y la producción de los fans, con lo que se convierte en un agente capital de un cambio cultural. Es imposible dar cuenta de la relevancia social y cultural sin pasar en algún momento por la observación de las comunidades formadas por fans. A pesar de que la producción académica sobre fans es ya extensa en lengua inglesa, no es fácil encontrar textos sobre el tema en español. Este libro pretende ser una aportación al estudio de los fans dirigida a todo tipo de personas interesadas en el fenómeno.
