Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 0521851025
Category : Music
Languages : en
Pages : 243

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Book Description
This volume comprises a series of essays on the life and works of Mozart.

Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 516

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Book Description

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 264

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Book Description

Author: Oscar George Theodore Sonneck
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516

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Book Description

Author: Daniel Cook
Publisher: Cambridge University Press
ISBN: 1107054680
Category : Literary Criticism
Languages : en
Pages : 315

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Book Description
This collection of essays offers insights into the ways in which eighteenth-century novels have been adapted and appropriated by later writers. It will be of interest to students of the rise of the novel, interdisciplinary approaches to literature, and the developing field of adaptation studies.

Author: Niccolò Piccinni
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 74

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Book Description

Author: Elisabeth Le Guin
Publisher: Univ of California Press
ISBN: 0520276302
Category : Music
Languages : en
Pages : 406

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Book Description
The tonadilla, a type of satiric musical skit popular on the public stages of Madrid during the late Enlightenment, has played a significant role in the history of music in Spain. This book, the first major study of the tonadilla in English, examines the musical, theatrical, and social worlds that the tonadilla brought together and traces the lasting influence this genre has had on the historiography of Spanish music. The tonadillas' careful constructions of musical populism provide a window onto the tensions among Enlightenment modernity, folkloric nationalism, and the politics of representation; their diverse, engaging, and cosmopolitan music is an invitation to reexamine tired old ideas of musical "Spanishness." Perhaps most radically of all, their satirical stance urges us to embrace the labile, paratextual nature of comic performance as central to the construction of history.

Author: Philip H. Highfill
Publisher: SIU Press
ISBN: 9780809309191
Category : Biography & Autobiography
Languages : en
Pages : 464

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Book Description
Volume 8 dis­cusses, among others, the careers of Charles Incledon, the "English Ballad-Singer," boxing champion of England, "Gentleman" John Jackson, and members of the famous Kemble family-- Charles, Maria Theresa, Frances, Henry, John Philip, Priscilla, Elizabeth, Roger, and Stephen.

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 542

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Book Description

Author: Elaine R. Sisman
Publisher: Princeton University Press
ISBN: 1400831822
Category : Music
Languages : en
Pages : 489

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Book Description
Joseph Haydn's symphonies and string quartets are staples of the concert repertory, yet many aspects of this founding genius of the Viennese Classical style are only beginning to be explored. From local Kapellmeister to international icon, Haydn achieved success by developing a musical language aimed at both the connoisseurs and amateurs of the emerging musical public. In this volume, the first collection of essays in English devoted to this composer, a group of leading musicologists examines Haydn's works in relation to the aesthetic and cultural crosscurrents of his time. Haydn and His World opens with an examination of the contexts of the composer's late oratorios: James Webster connects the Creation with the sublime--the eighteenth-century term for artistic experience of overwhelming power--and Leon Botstein explores the reception of Haydn's Seasons in terms of the changing views of programmatic music in the nineteenth century. Essays on Haydn's instrumental music include Mary Hunter on London chamber music as models of private and public performance, fortepianist Tom Beghin on rhetorical aspects of the Piano Sonata in D Major, XVI:42, Mark Evan Bonds on the real meaning behind contemporary comparisons of symphonies to the Pindaric ode, and Elaine R. Sisman on Haydn's Shakespeare, Haydn as Shakespeare, and "originality." Finally, Rebecca Green draws on primary sources to place one of Haydn's Goldoni operas at the center of the Eszterháza operatic culture of the 1770s. The book also includes two extensive late-eighteenth-century discussions, translated into English for the first time, of music and musicians in Haydn's milieu, as well as a fascinating reconstruction of the contents of Haydn's library, which shows him fully conversant with the intellectual and artistic trends of the era.