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Author: Sebastian Izzard
Publisher: Japan Society Gallery
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
Author: Sebastian Izzard
Publisher: Japan Society Gallery
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
Author: Timothy Clarke
Publisher: Royal Academy Books
ISBN: 9781905711406
Category : Art
Languages : en
Pages : 0
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Book Description
This handsome volume explores the life and work of Utagawa Kuniyoshi (1798-1861), one of Japan's greatest print artists. Alongside such illustrious names as Hokusai and Hiroshige, he dominated the 19th-century production of the popular genre of woodblock prints known as ukiyo-e, literally, "pictures of the floating world." The only major book to illustrate the entirety of the artist's work, Kuniyoshi explores his extraordinary imagination across an impressive range of subject matter, from his portraits of Japanese warrior heroes and fashionable beauties to his satirical themes and innovative landscape prints. Published to accompany a spectacular exhibition, Kuniyoshi is an essential reference for Japanese art collectors and enthusiasts.
Author: Jan van Doesburg
Publisher:
ISBN:
Category : Color prints, Japanese
Languages : en
Pages : 138
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Book Description
Author: Andreas Marks
Publisher: Hotei Publishing
ISBN: 9789004233539
Category : Art
Languages : en
Pages : 288
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Book Description
'Genji's World in Japanese Woodblock Prints' provides a comprehensive overview of Genji prints, a phenomenon and exceptional subject of Japanese woodblock prints that gives an insight into 19th century Japan and its art practices.
Author: Sadako Ohki
Publisher: Yale University Art Gallery
ISBN: 0300247117
Category : Art
Languages : en
Pages : 285
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Book Description
A detailed look at a genre that combines virtuoso printmaking techniques, sophisticated imagery, and engaging, playful poetry This beautiful volume celebrates the tradition of the Japanese surimono print. Produced from around 1800 until 1840, during the Edo period, surimono (“printed things” in Japanese) combine intricate artwork and playful poetry, and their small print runs and exclusive audiences allowed for lavish yet subtle surface treatments, such as embossing and gilding. Enjoyed for their learned allusions to literature and contemporary culture, surimono continue to delight and perplex scholars with their visual puns and wordplay. Imagery ranges from delicate, domestic still lifes to spirited vignettes of the natural world, while the poems are often lighthearted takes on the classical Japanese waka form. With its rich text and scholarly apparatus—including names and titles in kanji characters as well as transliterations and translations of the poems on the catalogued prints—The Private World of Surimono serves as a critical resource for scholars of Japanese art and history and offers general readers insight into this rare and innovative print form.
Author: Michael Emmerich
Publisher: Columbia University Press
ISBN: 0231534426
Category : History
Languages : en
Pages : 513
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Book Description
Michael Emmerich thoroughly revises the conventional narrative of the early modern and modern history of The Tale of Genji. Exploring iterations of the work from the 1830s to the 1950s, he demonstrates how translations and the global circulation of discourse they inspired turned The Tale of Genji into a widely read classic, reframing our understanding of its significance and influence and of the processes that have canonized the text. Emmerich begins with an analysis of the lavishly produced best seller Nise Murasaki inaka Genji (A Fraudulent Murasaki's Bumpkin Genji, 1829–1842), an adaptation of Genji written and designed by Ryutei Tanehiko, with pictures by the great print artist Utagawa Kunisada. He argues that this work introduced Genji to a popular Japanese audience and created a new mode of reading. He then considers movable-type editions of Inaka Genji from 1888 to 1928, connecting trends in print technology and publishing to larger developments in national literature and showing how the one-time best seller became obsolete. The study subsequently traces Genji's reemergence as a classic on a global scale, following its acceptance into the canon of world literature before the text gained popularity in Japan. It concludes with Genji's becoming a "national classic" during World War II and reviews an important postwar challenge to reading the work after it attained this status. Through his sustained critique, Emmerich upends scholarship on Japan's preeminent classic while remaking theories of world literature, continuity, and community.
Author: Henk Herwig
Publisher: Brill Hotei
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
"The Hundred Poets Compared discusses a print series by three of the most famous Japanese print artists of the 19th century: Kuniyoshi, Hiroshige, and Kunisada. This series of one hundred prints is known as the Ogura nazorae hyakunin isshu (Companions of the Ogura One Hundred Poets, One Poem Each) and constitutes a typical example of serial graphics from the world of Ukiyo-e." "Each print compares one of the poems from the most-beloved collection of Japanese poetry, The One Hundred Poets, One Poem Each (Hyahunin isshu), with a scene from Japanese history or theatre."--BOOK JACKET.
Author: Charles Vilnis
Publisher: Courier Corporation
ISBN: 048648355X
Category : History
Languages : en
Pages : 129
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Book Description
This vibrant compilation features more than 100 hard-to-find examples of works by a noted Japanese woodblock artist including depictions of heavily armored samurai, battle scenes, and well-defended fortresses. Drawn from a series of volumes originally published in 1862, the dynamic images offer authentic views of warrior life during the Edo period.Dover Original.
Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411238512
Category : Art
Languages : en
Pages : 190
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Book Description
The cooperative work between Hiroshige and Kunisada (1854 -1855) is probably the most romantic of all the Tokaido editions. Both Hiroshige and Kunisada did their own individual versions with the same type of theme - a combination of landscape and often unrelated portraits based in legend and other motifs. But they did not rise to the level of elegance of the "Two Brush" Tokaido. The figures and the landscape are very well balanced and the colors are fresh and joyful. The "Two Brush" Tokaido is both a tour through the landscape of Japan and a cultural introduction. The reason for the combination of landscape and theater was to circumvent censorship of the popular kabuki theater prints.
Author: Robert Schaap
Publisher: Brill Hotei
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Utagawa Kunisada (1786-1865) was one of the most successful Japanese woodblock print designers of his age. With an estimated output of some twenty-five thousand prints during a career spanning almost sixty years Kunisada was a towering figure in the sphere of ukiyo-e. His versatility and inventiveness extended across genres, from the stars of the kabuki stage to the women from the pleasure districts, the world of entertainment and the everyday, as well as landscapes, warriors and literary themes. Kunisada: imaging drama and beauty offers a fresh perspective on this ukiyo-e master, demonstrating the high calibre of his art with prints, paintings and books sourced from international public and private collections.
