Author: A.L. Rees
Publisher: Bloomsbury Publishing
ISBN: 1838714197
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
Author: András Bálint Kovács
Publisher: University of Chicago Press
ISBN: 0226451666
Category : Performing Arts
Languages : en
Pages : 441
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Book Description
Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema’s postwar heyday. Spanning from the 1950s to the 1970s, András Bálint Kovács’s encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovács begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism’s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.
Author: A. L. Rees
Publisher: Tate
ISBN: 9781854379740
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
In this book leading scholars from Europe and North-America trace expanded cinema from its origins in early abstract film to post-war happenings and live events in Europe and the US; the first video and multi-media experiments of the 1960s; the fusion of multi-screen art with sonic art and music from the 1970s onwards, right up to the digital age. It brings new perspectives to bear on the work of established American pioneers such as Carolee Schneemann and Stan Vanderbeek as well as exploring expanded cinema in Western and Central Europe, the influence of video art on new media technologies, and the role of British expanded cinema from the 1970s to the present day. It shows how artists challenged the conventions of spectatorship, the viewing space and the audience, to explore a new participatory and performative cinema beyond the single screen.
Author: Jan Glete
Publisher: Psychology Press
ISBN: 9780415226448
Category : Business & Economics
Languages : en
Pages : 290
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Book Description
The 16th and 17th centuries saw many ambitious European rulers develop permanent armies and navies. Jan Glete examines this military change as a central part of the political, social and economic transformation of early modern Europe.
Author: Terence Zuber
Publisher: OUP Oxford
ISBN: 0191647713
Category : History
Languages : en
Pages : 356
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Book Description
The existence of the Schlieffen plan has been one of the basic assumptions of twentieth-century military history. It was the perfect example of the evils of German militarism: aggressive, mechanical, disdainful of politics and of public morality. The Great War began in August 1914 allegedly because the Schlieffen plan forced the German government to transform a Balkan quarrel into a World War by attacking France. And, in the end, the Schlieffen plan failed at the battle of the Marne. Yet it has always been recognized that the Schlieffen plan included inconsistencies which have never been satisfactorily explained. On the basis of newly discovered documents from German archives, Terence Zuber presents a radically different picture of German war planning between 1871 and 1914, and concludes that, in fact, there never really was a `Schlieffen plan'.
Author: Martin Van Creveld
Publisher: Weidenfeld & Nicolson
ISBN: 9780304359592
Category : History
Languages : en
Pages : 287
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Book Description
Throughout history, women have been shielded from the heat of battle, their role limited to supporting the men who do the actual fighting. Now all that has changed, and for the first time females have taken their place on the front lines. But, do they actually belong there? A distinguished military historian answers the question with a vehement no, arguing women are less physically capable, more injury-prone, given more lenient conditions, and disastrous for morale and military preparedness. Groundbreaking and controversial.
Author: Steve Murdoch
Publisher: BRILL
ISBN: 9004474307
Category : History
Languages : en
Pages : 359
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Book Description
This volume examines the impact of military activity upon Scotland's national identity as the country underwent a fundamental transition through domestic centralisation at the turn of the seventeenth century, integration into the United Kingdom in 1707, and as a partner in Britain's global empire during the eighteenth and nineteenth centuries. It is divided into three thematic sections that examine the evolution of Scottish military identity over the early modern period, how the Highland region moved from a relationship of hostility to the Lowland political authorities to the central element in eighteenth and ninteenth century Scottish soldiering, and, finally, how aspects of Scotland's civilian society interrelated with her soldiers.
Author: Arden Bucholz
Publisher: Red Globe Press
ISBN: 0333687574
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
The Prussian Army invented the systems of modern war, and Helmuth von Moltke was the first modern war planner. His accomplishment was to develop, bring to fruition and validate--in the three wars of German unification against Denmark (1864), Austria (1865), and France (1870-71)--the war processes invented during his lifetime. These processes have been used in all modern 20th-century wars because they respond to the size, space, time, and technology mandates of industrial mass warfare. This book describes and analyzes these developments as an aspect of Moltke's life as a professional soldier.
Author: Eliot A. Cohen
Publisher: Simon and Schuster
ISBN: 074324222X
Category : History
Languages : en
Pages : 312
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Book Description
“An excellent, vividly written” (The Washington Post) account of leadership in wartime that explores how four great democratic statesmen—Abraham Lincoln, Georges Clemenceau, Winston Churchill, and David Ben-Gurion—worked with the military leaders who served them during warfare. The relationship between military leaders and political leaders has always been a complicated one, especially in times of war. When the chips are down, who should run the show—the politicians or the generals? In Supreme Command, Eliot A. Cohen expertly argues that great statesmen do not turn their wars over to their generals, and then stay out of their way. Great statesmen make better generals of their generals. They question and drive their military men, and at key times they overrule their advice. The generals may think they know how to win, but the statesmen are the ones who see the big picture. Abraham Lincoln, Georges Clemenceau, Winston Churchill, and David Ben-Gurion led four very different kinds of democracy, under the most difficult circumstances imaginable. They came from four very different backgrounds—backwoods lawyer, dueling French doctor, rogue aristocrat, and impoverished Jewish socialist. Yet they faced similar challenges. Each exhibited mastery of detail and fascination with technology. All four were great learners, who studied war as if it were their own profession, and in many ways mastered it as well as did their generals. All found themselves locked in conflict with military men. All four triumphed. The powerful lessons of this “brilliant” (National Review) book will touch and inspire anyone who faces intense adversity and is the perfect gift for history buffs of all backgrounds.
Author: David James
Publisher: Univ of California Press
ISBN: 9780520938199
Category : Performing Arts
Languages : en
Pages : 572
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Book Description
Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.
