Chong Son - The Development of True-view Landscape Painting PDF Download
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Author: Simone Kraft
Publisher: GRIN Verlag
ISBN: 3638814343
Category : Art
Languages : en
Pages : 29
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Book Description
Essay from the year 2004 in the subject Art - Painting, grade: A, School of Oriental and African Studies, University of London (Department of Art and Archeology), course: History of Korean Art, 5 entries in the bibliography, language: English, abstract: In the Chosŏn period (1392-1910), Korean landscape painting flourished. Traditionally strongly bound to a Chinese paradigm, the Korean masters of painting sought to give their works distinctive peculiarities. Especially from the middle of Chosŏn period on, strong tendencies towards "Koreanization" emerged comprising not only arts but all sectors of life. Initially, painting developed slightly different characteristics still within the scope of the paramount Chinese arts such as bolder outlines and coarser brushwork (Pratt, 1995: 43). The painter Chŏng Sŏn (1676-1759) eventually heralded the turn to a typical Korean style of landscape painting, the so-called "chin'gyŏng (sansu)," true-view landscape painting. Reaching its peak in the following eighteenth century, this genre depicts the beauty of real Korean countryside using a certain technique which bears distinct features, even though still being geared to Chinese example.
Author: Simone Kraft
Publisher: GRIN Verlag
ISBN: 3638814343
Category : Art
Languages : en
Pages : 29
Get Book Here
Book Description
Essay from the year 2004 in the subject Art - Painting, grade: A, School of Oriental and African Studies, University of London (Department of Art and Archeology), course: History of Korean Art, 5 entries in the bibliography, language: English, abstract: In the Chosŏn period (1392-1910), Korean landscape painting flourished. Traditionally strongly bound to a Chinese paradigm, the Korean masters of painting sought to give their works distinctive peculiarities. Especially from the middle of Chosŏn period on, strong tendencies towards "Koreanization" emerged comprising not only arts but all sectors of life. Initially, painting developed slightly different characteristics still within the scope of the paramount Chinese arts such as bolder outlines and coarser brushwork (Pratt, 1995: 43). The painter Chŏng Sŏn (1676-1759) eventually heralded the turn to a typical Korean style of landscape painting, the so-called "chin'gyŏng (sansu)," true-view landscape painting. Reaching its peak in the following eighteenth century, this genre depicts the beauty of real Korean countryside using a certain technique which bears distinct features, even though still being geared to Chinese example.
Author: Wan-su Ch'oe
Publisher: Saffron Books
ISBN: 9781872843728
Category : Landscape painting, Korean
Languages : en
Pages : 386
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Book Description
Chong Son's albums of landscape paintings celebrate the scenic beauty of Korean rivers and mountains, focusing on the capital Hanyang, now Seoul, the Han River, the East Sea and the world-famous Diamond Mountain. This title offers an insight into the distinctive art and literati culture of Korea in the early eighteenth century.
Author: J. P. Park
Publisher: John Wiley & Sons
ISBN: 1118927001
Category : Art
Languages : en
Pages : 677
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Book Description
The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.
Author: J. P. Park
Publisher: University of Washington Press
ISBN: 0295743263
Category : Art
Languages : en
Pages : 298
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Book Description
Historians have claimed that when social stability returned to Korea after devastating invasions by the Japanese and Manchus around the turn of the seventeenth century, the late Chosŏn dynasty was a period of unprecedented economic and cultural renaissance, in which prosperity manifested itself in new programs and styles of visual art. A New Middle Kingdom questions this belief, claiming instead that true-view landscape and genre paintings were likely adopted to propagandize social harmony under Chosŏn rule and to justify the status, wealth, and land grabs of the ruling class. This book also documents the popularity of art books from China and their misunderstanding by Koreans and, most controversially, Korean enthusiasm for artistic programs from Edo Japan, thus challenging academic stereotypes and nationalistic tendencies in the scholarship about the Chosŏn period. As the first truly interdisciplinary study of Korean art, A New Middle Kingdom points to realities of late Chosŏn society that its visual art seemed to hide and deny. A William Sangki and Nanhee Min Hahn Book
Author: Soyoung Lee
Publisher: Metropolitan Museum of Art
ISBN: 1588393100
Category : Art, Korean
Languages : en
Pages : 142
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Book Description
Author: Burglind Jungmann
Publisher:
ISBN: 9780691114637
Category : Art
Languages : en
Pages : 272
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Book Description
"Burglind Jungmann describes the eighteenth-century Korean-Japanese diplomatic exchange and the circumstances under which Korean and Japanese painters met. Further, the paintings done by Korean painters during their sojourns in Japan attest to the transmission of a distinctly Korean literati style, called Namjonghwa. By comparing Korean, Japanese, and Chinese paintings, the author shows how the Korean interpretation of Chinese styles influenced Japanese literati painters and helped inspire the creation of their new style."--BOOK JACKET.
Author: Song-mi Yi
Publisher: Hollym International Corporation
ISBN:
Category : Art
Languages : en
Pages : 238
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Book Description
Unlike Western paintings, which mostly depict natural surroundings as they are, oriental paintings depict not only the landscape but also thoughts or perspectives of painters upon the landscape. Korean Landscape Painting discusses the art form beginning at its earliest roots two millennia ago, in the Three Kingdoms period, right up until the 20th century. Accompanied by many maps and pictures, as well as a glossary of names and terms, this book provides a complete overview of Korean landscape painting and offers a perfect introduction.
Author: Soyoung Lee
Publisher: Metropolitan Museum of Art
ISBN: 1588396533
Category : Art
Languages : en
Pages : 166
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Book Description
Mount Geumgang, also known as the Diamond Mountains, is perhaps the most famous and emotionally resonant site on the Korean Peninsula, a magnificent range of rocky peaks, waterfalls, and lagoons, dotted with pavilions and temples. Since ancient times, it has inspired cultural pride, spurred spiritual and artistic pilgrimages, and engendered an outpouring of creative expression. Yet since the partition of Korea in 1945 situated it in the North, Mount Geumgang has remained largely inaccessible to visitors, shrouded in legend, loss, and longing. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Diamond Mountains: Travel and Nostalgia in Korean Art is the first book in English to explore the pictorial representations of this grand and varied landscape. The special exhibition it accompanies, organized by Soyoung Lee, Curator in the Department of Asian Art, examines the evolution of Diamond Mountains imagery from the golden age of Korean true-view painting in the eighteenth century to the present day. Even today, when a profusion of Instagram photos can make the world’s most obscure sites and geographical oddities seem familiar, the Diamond Mountains portrayed here in album leaves, scrolls, and screens will be a revelation to many.
Author: Elizabeth Hammer
Publisher: Metropolitan Museum of Art New York
ISBN: 9780300093759
Category : Art
Languages : en
Pages : 166
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Book Description
Explore the rich artistic heritage of Korea: a blend of native tradition, foreign infusions, and sophisticated technical skill.
Author: David Fedman
Publisher: University of Washington Press
ISBN: 0295747471
Category : History
Languages : en
Pages : 315
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Book Description
Conservation as a tool of colonialism in early twentieth-century Korea Japanese colonial rule in Korea (1905–1945) ushered in natural resource management programs that profoundly altered access to and ownership of the peninsula’s extensive mountains and forests. Under the banner of “forest love,” the colonial government set out to restructure the rhythms and routines of agrarian life, targeting everything from home heating to food preparation. Timber industrialists, meanwhile, channeled Korea’s forest resources into supply chains that grew in tandem with Japan’s imperial sphere. These mechanisms of resource control were only fortified after 1937, when the peninsula and its forests were mobilized for total war. In this wide-ranging study David Fedman explores Japanese imperialism through the lens of forest conservation in colonial Korea—a project of environmental rule that outlived the empire itself. Holding up for scrutiny the notion of conservation, Seeds of Control examines the roots of Japanese ideas about the Korean landscape, as well as the consequences and aftermath of Japanese approaches to Korea’s “greenification.” Drawing from sources in Japanese and Korean, Fedman writes colonized lands into Japanese environmental history, revealing a largely untold story of green imperialism in Asia.
