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Author: Bàbá Osvaldo Omotobàtálá
Publisher: Lulu.com
ISBN: 1304614689
Category : Religion
Languages : en
Pages : 142
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Book Description
If you thought this author had written all over kimbanda in his first book, in this amazes us with much more information on this type of worship Exu and Entities of Afro-Brazilian origin, where we about ideas and knowledge also provide kimbanda Entities themselves expressed in various mediums, using historical data sources and bibliography. The concept of God in the kimbanda and the concept of Entity - The Dress and the why of it - The "Cavalo" of kimbanda - Types kimbanda mediums - Kingdom and People (Entities) of Lyre - The Realm of Darkness (Kiumbanda) - the Organization of Exu (demystifying demons) - the Pontos Sung (its function and purpose) - "Povo dos Infernos", "Povo dos Cabarets", "Povo dos Malandros", "Povo Cigano", "Povo do Oriente", with deep data about some Exu and Pombagira that integrate and their functions - the Trident (meaning) - the Pade - the Tabatinga - Cowries of Exu.
Author: Bàbá Osvaldo Omotobàtálá
Publisher: Lulu.com
ISBN: 1304614689
Category : Religion
Languages : en
Pages : 142
Get Book Here
Book Description
If you thought this author had written all over kimbanda in his first book, in this amazes us with much more information on this type of worship Exu and Entities of Afro-Brazilian origin, where we about ideas and knowledge also provide kimbanda Entities themselves expressed in various mediums, using historical data sources and bibliography. The concept of God in the kimbanda and the concept of Entity - The Dress and the why of it - The "Cavalo" of kimbanda - Types kimbanda mediums - Kingdom and People (Entities) of Lyre - The Realm of Darkness (Kiumbanda) - the Organization of Exu (demystifying demons) - the Pontos Sung (its function and purpose) - "Povo dos Infernos", "Povo dos Cabarets", "Povo dos Malandros", "Povo Cigano", "Povo do Oriente", with deep data about some Exu and Pombagira that integrate and their functions - the Trident (meaning) - the Pade - the Tabatinga - Cowries of Exu.
Author: Bàbá Osvaldo Omotobàtálá
Publisher: Lulu.com
ISBN: 0557627788
Category : Religion
Languages : en
Pages : 107
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Book Description
The author presents the fundamental book of kimbanda Exu. Featuring legends and mythological origins of the ritual, kimbanda organization, the Povos and their leaders, some magic symbols, the kimbanda offerings, rituals and ceremonies principal, explaining the degrees of initiation in this kind of primitive magic.
Author: Knappert
Publisher: BRILL
ISBN: 9004671293
Category : Religion
Languages : en
Pages : 195
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Book Description
Author: Carlos Antonio De Bourbon-Montenegro
Publisher:
ISBN: 9781312260078
Category : Religion
Languages : en
Pages : 0
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Book Description
The following Afro-Brazilian Grimoire of Ceremonial High Magick of the Quimbanda Goetia celebrates the celestial "72 Astral Spirit Mysteries" of the Holy Divine Angel, Exu Maioral. In the magickal practice of the Quimbanda Goetia, the Holy Divine Angel, Exu Maioral is syncretized as the Holy Angel Baphomet and the Gnostic Occult Mysteries of Saint Cipriano. This ceremonial magick book was written by Marcelo Ramalho Gomes of Sao Paulo, Brazil and Carlos Antonio De Bourbon Galdiano Montenegro of Los Angeles, California. This very unique Grimoire of the Quimbanda Goetia represents a very powerful and eclectic magickal philosophy which is a precise Esoteric Gnostic blending of Western Magick, the Afro-Brazilian Kimbanda religious tradition of Brazil and the American Quimbanda, Gnostic Orthodox Rite religious tradition of the United States of America."
Author:
Publisher: Lulu.com
ISBN: 1411675851
Category :
Languages : en
Pages : 265
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Book Description
Author: Alice Werner
Publisher: Psychology Press
ISBN: 9780714617350
Category : History
Languages : en
Pages : 416
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Book Description
First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Diego de Oxóssi
Publisher: Simon and Schuster
ISBN: 1644112272
Category : Body, Mind & Spirit
Languages : en
Pages : 169
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Book Description
• Explains how Kimbanda’s presiding deity Eshu embodies both masculine and feminine principles, both god and devil, and thus represents human nature itself with all its vices and virtues • Discusses Kimbanda’s magical practices, initiation rites, sacred knives, and sacrificial offerings • Details the seven realms and the entities that inhabit and govern each of them Although it has been demonized as a form of Satanic cult, Kimbanda--the tradition of Afro-Brazilian black magic--is a spiritual practice that embraces both the light and dark aspects of life through worship of the entities known as Eshu and Pombajira. Exploring the history and practice of Kimbanda, also known as Quimbanda, Diego de Oxóssi builds a timeline from the emergence of Afro-Brazilian religions in the 17th century when African slaves were first brought to Brazil, through the development of Orisha cults and the formation of Candomblé, Batuque, Macumba, and Umbanda religious practices, to the modern codification of Kimbanda by Mãe Ieda do Ogum in the 1960s. He explains how Kimbanda’s presiding deity Eshu Mayoral embodies both masculine and feminine principles, both god and devil, and thus represents human nature itself with all its vices and virtues. Discussing the magical practices, initiation rites, and spiritual landscape of Kimbanda, the author explains how there are seven realms, each with nine dominions, and he discusses the entities that inhabit and govern each of them. The author explores spirit possession and Kimbanda’s sacrificial practices, which are performed in order to honor and obtain the blessing of the entities of the seven realms. He discusses the sacred knives of the practice and the role each plays in it. He also explores the 16 zimba symbols and sigils used to attract the spirits most apt to realizing the magician’s will as well as traditional enchantment songs to summon and work with those spirits. Offering an accessible guide to Kimbanda, the author shows that this religion of the people is popular because it recognizes the dark and light sides of human morality and provides a way to interact with the deities to produce direct results. DIEGO DE OXÓSSI is a Chief of Kimbanda and Orishas Priest. For more than 20 years he has been researching and presenting courses, lectures, and workshops on pagan and African-Brazilian religions. He writes a weekly column at CoreSpirit.com and is the publisher at Arole Cultural. He lives in São Paulo, Brazil.
Author: Kelly E. Hayes
Publisher: Univ of California Press
ISBN: 0520949439
Category : Social Science
Languages : en
Pages : 309
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Book Description
Holy Harlots examines the intersections of social marginality, morality, and magic in contemporary Brazil by analyzing the beliefs and religious practices related to the Afro-Brazilian spirit entity Pomba Gira. Said to be the disembodied spirit of an unruly harlot, Pomba Gira is a controversial figure in Brazil. Devotees maintain that Pomba Gira possesses an intimate knowledge of human affairs and the mystical power to intervene in the human world. Others view this entity more ambivalently. Kelly E. Hayes provides an intimate and engaging account of the intricate relationship between Pomba Gira and one of her devotees, Nazaré da Silva. Combining Nazaré’s spiritual biography with analysis of the gender politics and violence that shapes life on the periphery of Rio de Janeiro, Hayes highlights Pomba Gira’s role in the rivalries, relationships, and struggles of everyday life in urban Brazil. The accompanying film Slaves of the Saints may be viewed online at ucpress.edu/go/holyharlots.
Author: Vincent Woodard
Publisher: NYU Press
ISBN: 147984926X
Category : History
Languages : en
Pages : 451
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Book Description
Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person’s claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence. The Delectable Negro explores these connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture. Utilizing many staples of African American literature and culture, such as the slave narratives of Olaudah Equiano, Harriet Jacobs, and Frederick Douglass, as well as other less circulated materials like James L. Smith’s slave narrative, runaway slave advertisements, and numerous articles from Black newspapers published in the nineteenth century, Woodard traces the racial assumptions, political aspirations, gender codes, and philosophical frameworks that dictated both European and white American arousal towards Black males and hunger for Black male flesh. Woodard uses these texts to unpack how slaves struggled not only against social consumption, but also against endemic mechanisms of starvation and hunger designed to break them. He concludes with an examination of the controversial chain gang oral sex scene in Toni Morrison’s Beloved, suggesting that even at the end of the twentieth and beginning of the twenty-first century, we are still at a loss for language with which to describe Black male hunger within a plantation culture of consumption.
Author: Robert Lima
Publisher: University Press of Kentucky
ISBN: 0813184509
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
