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Author: Jack Selzer
Publisher: Parlor Press LLC
ISBN: 160235068X
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Kenneth Burke and His Circles consists of original papers focusing on the intellectual circles in which Burke participated during his long career. Instead of concentrating on Burke himself, as most recent scholarship has done, this book considers Burke as one participant in a host of important overlapping intellectual movements that took place over the course of the twentieth century.
Author: Jack Selzer
Publisher: Parlor Press LLC
ISBN: 160235068X
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Kenneth Burke and His Circles consists of original papers focusing on the intellectual circles in which Burke participated during his long career. Instead of concentrating on Burke himself, as most recent scholarship has done, this book considers Burke as one participant in a host of important overlapping intellectual movements that took place over the course of the twentieth century.
Author: Gregory Clark
Publisher: University of Chicago Press
ISBN: 022621821X
Category : Language Arts & Disciplines
Languages : en
Pages : 211
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Book Description
Greg Clark welcomes his readers by asking them to accompany him on a trip to a New Orleans club, where the warmth of the music and the warmth of the audience instill a special feeling of communion, of getting along. Clark s book treats the idea that jazz demands from those who make it as well as those who listen a form of life that substantiates the seemingly impossible American value that is "e pluribus unum." The process of getting along (in communication, in community) is something the great student of culture and rhetoric, Kenneth Burke, spent his life trying to describe. Clark has found that jazz, as an activity and a cultural form, goes a long way toward illustrating that process. Jazz is often described as democratic. Burke s rhetorical and aesthetic ideas explain how this is so. Working with others to address immediate problems they share can align for a time individuals who are otherwise very different. That is what jazz does: it enables people who are different and even in conflict with each other to combine in cooperation toward an end that matters to all of them just now. And this, too, is what civic life in democratic cultures demands. In chapters that deal with such issues as what jazz does and how jazz works, Clark uses examples from jazz history (from Louis Armstrong and Earl Hines to Miles Davis and Bill Evans), but also from contemporary jazz, both recorded and live, e.g., pianist Jonathan Batiste and his Social Music, drummer Terri Lyne Carrington and her collaborative Mosaic Project, or the newly emergent vocalist, Cecile Mclorin Salvant, all of this in the service of making improvisation and ensemble work yield the experience of transcendence that results from intense engagement with jazz as aesthetic form (for players and listeners alike). The resulting book is a study of jazz in the context of American aspirations toward democratic interaction "and" a study of Kenneth Burke s democratic rhetorical theory and practice as essentially aesthetic in function and effect. Marcus Roberts, the much-lionized neoclassical pianist, crafts a Foreword that points to practical ways these ideas can work to improve and inspire both musicians and citizens."
Author: Kenneth Burke
Publisher: Univ of California Press
ISBN: 9780520016101
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
"But the point of Burke's work, and the significance of his achievement, is not that he points out that religion and language affect each other, for this has been said before, but that he proceeds to demonstrate how this is so by reference to a specific symbolic context. After a discussion 'On Words and The Word,' he analysess verbal action in St. Augustine's Confessions. He then discusses the first three chapters of Genesis, and ends with a brilliant and profound 'Prologue in Heaven,' an imaginary dialogue between the Lord and Satan in which he proposes that we begin our study of human motives with complex theories of transcendence,' rather than with terminologies developed in the use of simplified laboratory equipment. . . . Burke now feels, after some forty years of search, that he has created a model of the symbolic act which breaks through the rigidities of the 'sacred-secular' dichotomy, and at the same time shows us how we get from secular and sacred realms of action over the bridge of language. . . . Religious systems are systems of action based on communication in society. They are great social dramas which are played out on earth before an ultimate audience, God. But where theology confronts the developed cosmological drama in the 'grand style,' that is, as a fully developed cosmological drama for its religious content, the 'logologer' can be further studied not directly as knowledge but as anecdotes that help reveal for us the quandaries of human governance." --Hugh Dalziel Duncan from Critical Responses to Kenneth Burke, 1924 - 1966, edited by William H. Rueckert (Minneapolis: University of Minnesota Press, 1969).
Author: Kenneth Burke
Publisher: Univ of California Press
ISBN: 0520340663
Category : Literary Criticism
Languages : en
Pages : 531
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Book Description
From the Preface: The title for this collection was the title of a course in literary criticism that I gave for many years at Bennington College. And much of the material presented here was used in that course. The title should serve well to convey the gist of these various pieces. For all of them are explicitly concerned with the attempt to define and track down the implications of the term "symbolic action," and to show how the marvels of literature and language look when considered form that point of view. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968. From the Preface: The title for this collection was the title of a course in literary criticism that I gave for many years at Bennington College. And much of the material presented here was used in that course. The title should serve well to convey the gi
Author: Kenneth Burke
Publisher: Univ of South Carolina Press
ISBN: 9781570035890
Category : Poetry
Languages : en
Pages : 268
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Book Description
Recognized as one of the most influential critics and rhetoricians of the twentieth century, Kenneth Burke (1897-1993) wrote poetry, short stories, and a novel in addition to more than a dozen books of critical theory. The poetry from the last quarter century of his life has remained largely unpublished until now. This collection of more than 150 poems provides new evidence that Burke continued "dancing an attitude" until the end of his life.
Author: Kenneth Burke
Publisher: Univ of California Press
ISBN: 9780520024830
Category : Literary Criticism
Languages : en
Pages : 502
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Book Description
Probes the nature of linguistic or symbolic action as it relates to specific novels, plays, and poems.
Author: Kenneth Burke
Publisher: Univ of California Press
ISBN: 9780520068995
Category : Literary Criticism
Languages : en
Pages : 468
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Book Description
This portrays an extraordinary literary friendship, unique in American letters for its longevity, and it chronicles the lives and events that helped shape modern literature and criticism.
Author: Bryan Crable
Publisher: University of Virginia Press
ISBN: 0813932157
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Ralph Ellison and Kenneth Burke focuses on the little-known but important friendship between two canonical American writers. The story of this fifty-year friendship, however, is more than literary biography; Bryan Crable argues that the Burke-Ellison relationship can be interpreted as a microcosm of the American "racial divide." Through examination of published writings and unpublished correspondence, he reconstructs the dialogue between Burke and Ellison about race that shaped some of their most important works, including Burke's A Rhetoric of Motives and Ellison's Invisible Man. In addition, the book connects this dialogue to changes in American discourse about race. Crable shows that these two men were deeply connected, intellectually and personally, but the social division between white and black Americans produced hesitation, embarrassment, mystery, and estrangement where Ellison and Burke might otherwise have found unity. By using Ellison's nonfiction and Burke's rhetorical theory to articulate a new vocabulary of race, the author concludes not with a simplistic "healing" of the divide but with a challenge to embrace the responsibility inherent to our social order. American Literatures Initiative
Author: Kenneth Burke
Publisher: Parlor Press LLC
ISBN: 1932559345
Category : Language Arts & Disciplines
Languages : en
Pages : 329
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Book Description
This volume contains the work Burke planned to include in the third book in his Motivorum trilogy. Following Rueckert's Introduction, Burke lays out his approach in essays that theorize and illustrate the method, which he considered essential for understanding language as symbolic action and human relations generally.
Author: Bryan Crable
Publisher: University of Virginia Press
ISBN: 0813932173
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Ralph Ellison and Kenneth Burke focuses on the little-known but important friendship between two canonical American writers. The story of this fifty-year friendship, however, is more than literary biography; Bryan Crable argues that the Burke-Ellison relationship can be interpreted as a microcosm of the American "racial divide." Through examination of published writings and unpublished correspondence, he reconstructs the dialogue between Burke and Ellison about race that shaped some of their most important works, including Burke's A Rhetoric of Motives and Ellison's Invisible Man. In addition, the book connects this dialogue to changes in American discourse about race. Crable shows that these two men were deeply connected, intellectually and personally, but the social division between white and black Americans produced hesitation, embarrassment, mystery, and estrangement where Ellison and Burke might otherwise have found unity. By using Ellison’s nonfiction and Burke’s rhetorical theory to articulate a new vocabulary of race, the author concludes not with a simplistic "healing" of the divide but with a challenge to embrace the responsibility inherent to our social order. American Literatures Initiative
