MAK YONG THROUGH THE AGES: KELANTAN’S TRADITIONAL DANCE THEATRE PDF Download
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Author: Ghulam-Sarwar Yousof
Publisher: The University of Malaya Press
ISBN: 9674880658
Category : Antiques & Collectibles
Languages : en
Pages : 106
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Book Description
Mak yong, the ancient Malay dance theatre form, is associated principally with the southern Thai Patani province and the Malaysian state of Kelantan on the east coast of the Malay Peninsula. It is also active in Terengganu and in the Riau islands of Indonesia where it is staged in a significantly variant form. Mak yong comprises the elements of story, formal and informal spoken text, stylized dance and acting, vocal and instrumental music, as well as ritual. It is performed both for entertainment as well as for healing specific types of emotional and psychological ailments. Mak yong is undoubtedly the most important of all traditional Malay theatre forms in terms of its content as well as performance style. Following an effort to revive this near- extinct art from 1969 onwards, it went through considerable changes as it shifted away from its rural base to urban centres, particularly Kuala Lumpur. The changes essentially attempted to “cleanse” Mak yong of some of the objectionable folk elements with a view to transform it into a sophisticated one intended for modern audiences, including tourists. Mak yong, was designated by UNESCO as a Masterpiece of Oral and Intangible Heritage of Mankind in 2005. The listing was based on the Candidature File prepared by the present author, Ghulam–Sarwar Yousof, a leading specialist in traditional Southeast Asian theatre. He was the first person in the world to work on a doctorate on traditional Malay theatre with a dissertation on Mak yong submitted to the University of Hawaii in 1976. The present volume comprise a selection of his essays on various aspects of Mak yong presented at local and international seminars as well as published in several journals. The papers provide original and vital insghts into the history, aesthetics and functions of Mak yong as well as controversies surrounding it. The papers also touch upon issues connected with the survival of mak yong and the need for efforts to preserve what the author regards as the most unique of traditional Malay performing arts.
Author: Ghulam-Sarwar Yousof
Publisher: The University of Malaya Press
ISBN: 9674880658
Category : Antiques & Collectibles
Languages : en
Pages : 106
Get Book Here
Book Description
Mak yong, the ancient Malay dance theatre form, is associated principally with the southern Thai Patani province and the Malaysian state of Kelantan on the east coast of the Malay Peninsula. It is also active in Terengganu and in the Riau islands of Indonesia where it is staged in a significantly variant form. Mak yong comprises the elements of story, formal and informal spoken text, stylized dance and acting, vocal and instrumental music, as well as ritual. It is performed both for entertainment as well as for healing specific types of emotional and psychological ailments. Mak yong is undoubtedly the most important of all traditional Malay theatre forms in terms of its content as well as performance style. Following an effort to revive this near- extinct art from 1969 onwards, it went through considerable changes as it shifted away from its rural base to urban centres, particularly Kuala Lumpur. The changes essentially attempted to “cleanse” Mak yong of some of the objectionable folk elements with a view to transform it into a sophisticated one intended for modern audiences, including tourists. Mak yong, was designated by UNESCO as a Masterpiece of Oral and Intangible Heritage of Mankind in 2005. The listing was based on the Candidature File prepared by the present author, Ghulam–Sarwar Yousof, a leading specialist in traditional Southeast Asian theatre. He was the first person in the world to work on a doctorate on traditional Malay theatre with a dissertation on Mak yong submitted to the University of Hawaii in 1976. The present volume comprise a selection of his essays on various aspects of Mak yong presented at local and international seminars as well as published in several journals. The papers provide original and vital insghts into the history, aesthetics and functions of Mak yong as well as controversies surrounding it. The papers also touch upon issues connected with the survival of mak yong and the need for efforts to preserve what the author regards as the most unique of traditional Malay performing arts.
Author: Mohammad A. Quayum
Publisher: Peter Lang
ISBN: 9783039110612
Category : Foreign Language Study
Languages : en
Pages : 312
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Book Description
This book brings together for the first time interviews with sixteen major writers in the English language from Malaysia and Singapore. Three generations of writers representing various literary genres and ethnic groups come together to make this book fully illustrative of the literature of the two countries. In their respective interviews, the writers discuss significant issues pertaining to their own lives, careers, and works. They also explain what they think of the present state of their own societies, literatures, and cultures, and where they stand vis-à-vis the questions of religion, science, technology, censorship, gender, ethnicity, multiculturalism, nationalism, and globalisation. Moreover, the writers comment on the challenges they encounter writing in an «alien» language as well as in an environment of growing materialism and technocracy; and, finally, they discuss the future of their own writing and writing in English in Malaysia and Singapore more generally.
Author: Maznah Mohamad
Publisher: Flipside Digital Content Company Inc.
ISBN: 9971697300
Category : History
Languages : en
Pages : 546
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Book Description
People within the Malay world hold strong but diverse opinions about the meaning of the word Melayu, which can be loosely translated as Malayness. Questions of whether the Filipinos are properly called "e;Malay"e;, or the Mon-Khmer speaking Orang Asli in Malaysia, can generate heated debates. So too can the question of whether it is appropriate to speak of a kebangsaan Melayu (Malay as nationality) as the basis of membership within an aspiring postcolonial nation-state, a political rather than a cultural community embracing all residents of the Malay states, including the immigrant Chinese and Indian population.In Melayu: The Politics, Poetics and Paradoxes of Malayness, the contributors examine the checkered, wavering and changeable understanding of the word Melayu by considering hitherto unexplored case studies dealing with use of the term in connection with origins, nations, minority-majority politics, Filipino Malays, Riau Malays, Orang Asli, Straits Chinese literature, women's veiling, vernacular television, social dissent, literary women, and modern Sufism. Taken as a whole, this volume offers a creative approach to the study of Malayness while providing new perspectives to the studies of identity formation and politics of ethnicity that have wider implications beyond the Southeast Asian region.
Author: Cheah Boon Kheng
Publisher: NUS Press
ISBN: 9789971693169
Category : History
Languages : en
Pages : 188
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Book Description
Although the 1915 rising led by To'Janggut (or "Old Longbeard") was a relatively minor incident in a remote part of rural Kelantan, the episode has captured the imagination of the people of Malaysia. The story of To'Janggut's rebellion is recounted in folk tales, newspaper reports, and scholarly publications, and the author uses previously classified official reports and hitherto unknown photographs to shed further light on the episode.
Author: Nor Faridah Abdul Manaf
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 470
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Book Description
Author: Andrew Hock Soon Ng
Publisher: Hong Kong University Press
ISBN: 9888083201
Category : Social Science
Languages : en
Pages : 292
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Book Description
Religion has featured in Anglophone literature in Malaysia from colonial times to the present. In Intimating the Sacred, Andrew Hock Soon Ng considers the practice of everyday religiosity as represented in literature, which is often starkly opposed to the impression created by religious rhetoric promoted by the government. The book's examination of intersections between (post)modernity and religion highlights links between religion and other facets of colonial and postcolonial identity such as class, gender and sexuality. It will appeal not only to scholars and specialists, but also to anyone who enjoys modern Southeast Asian literature. Andrew Hock Soon Ng is senior lecturer in literary studies at Monash University, Sunway Campus, Malaysia. He is the author of Dimensions of Monstrosity in Contemporary Narratives and Interrogating Interstices. "In Intimating the Sacred, Andrew Hock Soon Ng confirms his status as one of the most important new voices in Malaysian literary studies, moving beyond national and postcolonial frameworks to a more subtle plotting of the psychic contours of Malaysian modernity." – Philip Holden, National University of Singapore "In Malaysia, the relationships between various religions, the state ideology and the multicultural composition of the populace are fraught with tension. Ng's book, with critical insights derived from a balanced treatment of texts and theory, deals with these issues in a robust and uncompromising manner. This is a welcome contribution to Southeast Asian literary studies." – Eddie Tay, author of Colony, Nation, and Globalisation "This refreshing approach to Malaysian canonical texts combines diverse literary theories and religion. Courageous and convincing, it engages post colonialism, feminism, and theories of religion with a sophisticated focus on texts." – Gaik Cheng Khoo, Australian National University
Author: Khairudin Aljunied
Publisher: Oxford University Press
ISBN: 0190925213
Category : Religion
Languages : en
Pages : 345
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Book Description
This book surveys the growth and development of Islam in Malaysia from the eleventh to the twenty-first century, investigating how Islam has shaped the social lives, languages, cultures and politics of both Muslims and non-Muslims in one of the most populous Muslim regions in the world. Khairudin Aljunied shows how Muslims in Malaysia built upon the legacy of their pre-Islamic past while benefiting from Islamic ideas, values, and networks to found flourishing states and societies that have played an influential role in a globalizing world. He examines the movement of ideas, peoples, goods, technologies, arts, and cultures across into and out of Malaysia over the centuries. Interactions between Muslims and the local Malay population began as early as the eighth century, sustained by trade and the agency of Sufi as well as Arab, Indian, Persian, and Chinese scholars and missionaries. Aljunied looks at how Malay states and societies survived under colonial regimes that heightened racial and religious divisions, and how Muslims responded through violence as well as reformist movements. Although there have been tensions and skirmishes between Muslims and non-Muslims in Malaysia, they have learned in the main to co-exist harmoniously, creating a society comprising of a variety of distinct populations. This is the first book to provide a seamless account of the millennium-old venture of Islam in Malaysia.
Author: William Malm
Publisher: University of Michigan Press
ISBN: 0472902288
Category : History
Languages : en
Pages : 113
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Book Description
The first of two studies included is “Music in Kelantan, Malaysia and Some of Its Cultural Implications,” by William P. Malm. Kelantan is the northernmost province on the east coast of Malaysia. It is considered to be the most orthodox area in a nation whose state religion is Islam. At the same time it must be noted that it borders to the north with the Buddhist country of Thailand and to the west is the Malaysian province of Perak whose jungles and mountains contain many “pagan” tribal traditions. Beyond Perak is Kedah with its larger Indian and Chinese populations and to the south is Trengganu where some Indonesian traits are still to be found. It is in this context that Malm’s study of music is made. The second study is “Professional Malay Story-Telling: Some Questions of Style and Presentation” by Amin Sweeney. In view of the hitherto almost exclusive concern with the content of such tales as those of Sang Kanchil or Pak Pandir, Sweeney throws some light on the form, style, and presentation of oral Malay literature, with special reference to that class of story-telling popularly known as penglipur lara, or what Winstedt termed “folk romances.”
Author: Patricia Matusky
Publisher: Routledge
ISBN: 1351839640
Category : Music
Languages : en
Pages : 540
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Book Description
The Music of Malaysia, first published in Malay in 1997 and followed by an English edition in 2004 is still the only history, appreciation and analysis of Malaysian music in its many and varied forms available in English. The book categorizes the types of music genres found in Malaysian society and provides an overview of the development of music in that country. Analyses of the music are illustrated with many examples transcribed from original field recordings. Genres discussed include theatrical and dance forms, percussion ensembles, vocal and instrumental music and classical music. It is an excellent introduction to and exploration of the country's vibrant musical culture. This new, fully revised and updated edition includes time lines, listening guides and downloadable resources of field recordings that are analysed and discussed in the text.
Author:
Publisher: Utusan Publications
ISBN: 9789676121295
Category : Folk literature, Malay
Languages : en
Pages : 296
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Book Description
