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Author: Kazimir Malevitj
Publisher: Walther Konig Verlag
ISBN: 9783863354206
Category : Art, Abstract
Languages : en
Pages : 0
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Book Description
Best known for his purely abstract work, Malevich was inspired by diverse art movements of his day. It will be surprising to many to recognize those influences in the work of Malevich: the light touches of Impressionism, the spirituality of Symbolism, Fauvism and exotic colored geometric cubism and primitivism next to futuristic dynamism. In the exhibition we follow Malevich's development to his 'own' Suprematism, as he established in paintings, spatial 'arkhitektons' and designs for opera and film. Attention is also paid to the figurative works from the period, which in the West initially were not valued, partly because they were totally unknown. The Khardzhiev and Costakis collections provide a context for this varied oeuvre by including many works by Malevich's fellow artists of the Russian avant-garde.0Exhibition: Stedelijk Museum, Amsterdam, The Netherlands (19.10.2013-02.02.2014) / Bundeskunsthalle, Bonn, Germany (12.03.-21.06.2014) / Tate Modern, London, UK (17.07.-26.10.2014)
Author: Kazimir Malevitj
Publisher: Walther Konig Verlag
ISBN: 9783863354206
Category : Art, Abstract
Languages : en
Pages : 0
Get Book Here
Book Description
Best known for his purely abstract work, Malevich was inspired by diverse art movements of his day. It will be surprising to many to recognize those influences in the work of Malevich: the light touches of Impressionism, the spirituality of Symbolism, Fauvism and exotic colored geometric cubism and primitivism next to futuristic dynamism. In the exhibition we follow Malevich's development to his 'own' Suprematism, as he established in paintings, spatial 'arkhitektons' and designs for opera and film. Attention is also paid to the figurative works from the period, which in the West initially were not valued, partly because they were totally unknown. The Khardzhiev and Costakis collections provide a context for this varied oeuvre by including many works by Malevich's fellow artists of the Russian avant-garde.0Exhibition: Stedelijk Museum, Amsterdam, The Netherlands (19.10.2013-02.02.2014) / Bundeskunsthalle, Bonn, Germany (12.03.-21.06.2014) / Tate Modern, London, UK (17.07.-26.10.2014)
Author: Aleksandra Shatskikh
Publisher: Yale University Press
ISBN: 0300162294
Category : Art
Languages : en
Pages : 470
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Book Description
Kazimir Malevich’s painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich’s contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art—which he called Suprematism—and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde. Malevich devoted his entire life to explicating Black Square's meanings. This process engendered a great legacy: the original abstract movement in painting and its theoretical grounding; philosophical treatises; architectural models; new art pedagogy; innovative approaches to theater, music, and poetry; and the creation of a new visual environment through the introduction of decorative applied designs. All of this together spoke to the tremendous potential for innovative shape and thought formation concentrated in Black Square. To this day, many circumstances and events of the origins of Suprematism have remained obscure and have sprouted arbitrary interpretations and fictions. Close study of archival materials and testimonies of contemporaries synchronous to the events described has allowed this author to establish the true genesis of Suprematism and its principal painting.
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Margit Rowell
Publisher:
ISBN: 0870700073
Category : Design
Languages : en
Pages : 304
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Book Description
Edited by Deborah Wye and Margit Rowell. Essays by Jared Ash, Gerald Janecek, Nina Gurianova, Margit Rowell and Deborah Wye.
Author: Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia)
Publisher: Walters Art Gallery
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
Features paintings as well as arts and crafts, toys, prints, textiles and toys.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Institute of Painters in Oil Colours
Publisher:
ISBN:
Category : Painting, British
Languages : en
Pages : 228
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Book Description
Author: Aleksei Eliseevich Kruchenykh
Publisher:
ISBN: 9780946311194
Category : Futurism (Music)
Languages : en
Pages : 156
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Book Description
This Futurist opera was presented in snowy Petrograd in December 1913 to a riotous audience. The atonal music composed by Mikhail Matiushin accompanied the alogical libretto by Aleksei Kruchenykh, the action taking place in the 10th Land where "the windows of houses all face inside" and "all the paths go up to the earth," while the hands of a clock "both go backwards immediately before dinner." The cardboard costumes by Kazimir Malevich were surfaces lit by his roving colored spotlights, the characters bigger than life. This first English translation by Dr. Evgeny Steiner is accompanied by the Russian facsimile, followed by what is known of the musical score by Mikhail Matiushin, and a selection of Malevich's Cubist costume designs. Contemporary documents, from statements by the artists and photographs, to press reviews complete the contents of Vol. 1. Vol. 2 is a collection of scholarly essays on the Russian Futurist arts of language, music and performance, with Kruchenykh's own contribution to the "New Ways of the Word" first published in 1913. Together, this two volume collection of Victory Over the Sun presents Russian Futurism in all its guises. It is a tool for study, while it invites recreations of it today by theatre groups and those interested in the arts of language.
Author: Hito Steyerl
Publisher: Spector Books
ISBN: 9783959054195
Category :
Languages : en
Pages : 496
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Book Description
A massive, long-overdue retrospective on the multimedia image critique of Hito Steyerl, influential artist and author of Duty-Free Artand The Wretched of the Screen Over the past 30 years, through video and installation, the immensely influential German artist and writer Hito Steyerl (born 1966) has been tracking the ways that images have mutated--from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image--and the implications these mutations have had for the representation of wars, genocides and the flow of capital. "We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand," writes Brian Kuan Wood of the digital visual worlds that the artist presents. At nearly 500 pages, this book--the first substantial overview on Steyerl--looks at multimedia installations and film projects of the past ten years, as well as earlier works, all of which are united by the artist's unflagging interrogation of the politics of the image.
Author: Slav N. Gratchev
Publisher: Rowman & Littlefield
ISBN: 1793615756
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
The Poetics of the Avant-garde in Literature, Arts, and Philosophy presents a range of chapters written by a highly international group of scholars from disciplines such as literary studies, arts, theatre, and philosophy to analyze the ambitions of avant-garde artists. Together, these essays highlight the interdisciplinary scope of the historic avant-garde and the interconnectedness of its artists. Contributors analyze topics such as abstraction and estrangement across the arts, the imaginary dialogue between Lev Yakubinsky and Mikhail Bakhtin, the problem of the “masculine ethos” in the Russian avant-garde, the transformation of barefoot dancing, Kazimir Malevich’s avant-garde poetic experimentations, the ecological imagination of the Polish avant-garde, science-fiction in the Russian avant-garde cinema, and the almost forgotten history of the avant-garde children’s literature in Germany. The chapters in this collection open a new critical discourse about the avant-garde movement in Europe and reshape contemporary understandings of it.
