Author: Mojca Kuplen
Publisher: Bloomsbury Publishing
ISBN: 1350289531
Category : Philosophy
Languages : en
Pages : 209
Get Book Here
Book Description
Mojca Kuplen connects 18th-century German aesthetics to contemporary theories of self-knowledge in order to highlight the unique cognitive value of art. She does this through revisiting Kant's account of aesthetic ideas, and demonstrating how works of art can increase our understanding of abstract concepts whilst promoting self-knowledge. Addressing some of the most fundamental questions in contemporary aesthetics and philosophy of art, this study covers the value and importance of art, the relationship between art and beauty, the role of knowledge in art and the criteria for artistic excellence. It offers an insight into problems related to the apprehension of meaning and the cognitive processing of abstract representations that have been of interest to contemporary cognitive science. Kant's Aesthetic Cognitivism presents these arguments in a lucid and wide-ranging engagement with the history of aesthetics and current academic debates to understand what art is and why it is valuable.
Author: Rebecca Kukla
Publisher: Cambridge University Press
ISBN: 1139455168
Category : Philosophy
Languages : en
Pages : 7
Get Book Here
Book Description
This volume explores the relationship between Kant's aesthetic theory and his critical epistemology as articulated in the Critique of Pure Reason and the Critique of the Power of Judgment. The essays, written specially for this volume, explore core elements of Kant's epistemology, such as his notions of discursive understanding, experience, and objective judgment. They also demonstrate a rich grasp of Kant's critical epistemology that enables a deeper understanding of his aesthetics. Collectively, the essays reveal that Kant's critical project, and the dialectics of aesthetics and cognition within it, is still relevant to contemporary debates in epistemology, philosophy of mind, and the nature of experience and objectivity. The book also yields important lessons about the ineliminable, yet problematic place of imagination, sensibility and aesthetic experience in perception and cognition.
Author: Mojca Küplen
Publisher: Springer
ISBN: 3319198998
Category : Philosophy
Languages : en
Pages : 159
Get Book Here
Book Description
This book presents a solution to the problem known in philosophical aesthetics as the paradox of ugliness, namely, how an object that is displeasing can retain our attention and be greatly appreciated. It does this by exploring and refining the most sophisticated and thoroughly worked out theoretical framework of philosophical aesthetics, Kant’s theory of taste, which was put forward in part one of the Critique of the Power of Judgment. The book explores the possibility of incorporating ugliness, a negative aesthetic concept, into the overall Kantian aesthetic picture. It addresses a debate of the last two decades over whether Kant's aesthetics should allow for a pure aesthetic judgment of ugliness. The book critically reviews the main interpretations of Kant’s central notion of the free play of imagination and understanding and offers a new interpretation of free play, one that allows for the possibility of a disharmonious state of mind and ugliness. In addition, the book also applies an interpretation of ugliness in Kant’s aesthetics to resolve certain issues that have been raised in contemporary aesthetics, namely the possibility of appreciating artistic and natural ugliness and the role of disgust in artistic representation. Offering a theoretical and practical analysis of different kinds of negative aesthetic experiences, this book will help readers acquire a better understanding of his or her own evaluative processes, which may be helpful in coping with complex aesthetic experiences. Readers will gain unique insight into how ugliness can be offensive, yet, at the same time, fascinating, interesting and captivating.
Author: Antonino Falduto
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111502600
Category : Philosophy
Languages : en
Pages : 410
Get Book Here
Book Description
This volume aims to make a significant contribution to the debate surrounding the renaissance of Kant studies in the last few decades, with a particular emphasis upon some ‘problems of reason’. Like no other, Kant covered the entire breadth of the modern debate concerning the concept of reason and its forms. Accordingly, despite the range of topics this volume inevitably deals with, Immanuel Kant remains the common point of reference for all contributions. The volume is divided into two sections. The first section is dedicated to Kant’s philosophy in particular and its relationship with the philosophies of Kant’s predecessors. From the perspective of the history of philosophy, interpretations of the significance of different philosophical traditions concerning Kant’s thought will be given, and of the relationship of Kant’s thought to the problems of reason with which Kant and his predecessors dealt. The second section is dedicated to the legacy of Kant’s philosophy. The relevance of the concept of rationality for the genesis and systematics of post-Kantian ideas of rationality will be discussed, and the potential of Kant’s critical philosophy – for contemporary thought as well – will be examined.
Author: Emily Brady
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241
Get Book Here
Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
Author: Elisabeth Schellekens
Publisher: Bloomsbury Publishing
ISBN: 1441122982
Category : Philosophy
Languages : en
Pages : 172
Get Book Here
Book Description
Aesthetic and moral value are often seen to go hand in hand. They do so not only practically, such as in our everyday assessments of artworks that raise moral questions, but also theoretically, such as in Kant's theory that beauty is the symbol of morality. Some philosophers have argued that it is in the relation between aesthetic and moral value that the key to an adequate understanding of either notion lies. But difficult questions abound. Must a work of art be morally admirable in order to be aesthetically valuable? How, if at all, do our moral values shape our aesthetic judgements - and vice versa? Aesthetics and Morality is a stimulating and insightful inquiry into precisely this set of questions. Elisabeth Schellekens explores the main ideas and debates at the intersection of aesthetics and moral philosophy. She invites readers to reflect on the nature of beauty, art and morality, and provides the philosophical knowledge to render such reflection more rigorous. This original, inspiring and entertaining book sheds valuable new light on a notably complex and challenging area of thought.
Author: Gordon Graham
Publisher: Routledge
ISBN: 1134563671
Category : Philosophy
Languages : en
Pages : 248
Get Book Here
Book Description
A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated.
Author: Immanuel Kant
Publisher: Good Press
ISBN:
Category : Philosophy
Languages : en
Pages : 319
Get Book Here
Book Description
Immanuel Kant's 'The Critique of Judgment' explores the realms of aesthetic judgment and teleological judgment in a rigorous and thought-provoking manner. In this seminal work, Kant delves into the concepts of beauty, taste, and the nature of artistic creation. He presents a detailed analysis of how judgment functions in relation to aesthetics, weaving together philosophical insights with practical examples to illustrate his points. Through his meticulous argumentation, Kant lays the groundwork for the understanding of the role of judgment in appreciating art and nature. The book's dense yet insightful prose engages readers in a contemplative journey through the intersections of art, nature, and human perception. Immanuel Kant, a renowned German philosopher of the Enlightenment era, was influenced by thinkers such as Leibniz and Rousseau. His deep interest in metaphysics and epistemology led him to ponder the fundamental principles that govern human experience. 'The Critique of Judgment' reflects Kant's comprehensive philosophical system, bridging the gap between his earlier works on metaphysics and ethics. I highly recommend 'The Critique of Judgment' to readers who are interested in delving into the complexities of aesthetic and teleological judgment. Kant's nuanced arguments and incisive analysis pave the way for a deeper appreciation of art, nature, and the human mind. This book is essential reading for anyone seeking to explore the intersections of philosophy, aesthetics, and the nature of beauty.
Author: Diarmuid Costello
Publisher: Oxford University Press
ISBN: 0197756395
Category : Art
Languages : en
Pages : 316
Get Book Here
Book Description
"Aesthetics after Modernism argues for the ongoing relevance of aesthetics to art after modernism. In it, I show that even what are typically taken to be the hardest of hard cases engage us in recognisably aesthetic ways and, as such, remain amenable to aesthetic analysis. Why, if that is true, do so many art theorists, critics and sometimes even artists appear to think otherwise? I trace the artworld's rejection of aesthetic theory to Clement Greenberg's success in co-opting the discourse of aesthetics, notably Kant's aesthetics, to underwrite his own formalism about modernist art. Not only has this led to Kant being tarred with the brush of Greenbergian formalism; it has also led critics and theorists of later art to miss the resources of the aesthetic tradition, perhaps especially Kant, for capturing what is distinctive about our cognitive relation to the kinds of art that interest them. There is a tendency simply to assume that Kant's aesthetics cannot speak to the more conceptual aspects of our interactions with art. I trace the legacy of Greenberg's modernism and formalism for later art criticism and theory, before offering an interpretation of Kant's theory of art that seeks to show otherwise. I take Conceptual Art as my test case: here is a form of art that often claims to forgo sensible properties altogether. But if Kant's aesthetics can accommodate to our cognitive relation to art with no sensible features relevant to its appreciation as art then it should in principle withstand the challenge of any form of art"--
Author: Andrei Pop
Publisher: Rowman & Littlefield
ISBN: 1666956511
Category : Philosophy
Languages : en
Pages : 255
Get Book Here
Book Description
Fregean Realism: Frodo Lives! and Other Fictions argues that literary fictions, pictures, and other artworks are modes of access to Gottlob Frege’s “third realm” of objective thoughts, about both what is in the real world and what is not, but might, or might not, be. Starting with a critique of fictionalism—the doctrine that art makes no ontological commitments because it depends on acts of pretending—Andrei Pop shifts focus to the shared meaning addressed by acts of pretending and other audience reactions to works of art. This book shows that a Fregean theory of sense, assertion, and concepts does justice to the context-specificity of artistic meaning while allowing for durable—indeed eternal—conceptual content. It explores implications for venerable problems such as the truth of art, the reality of aesthetic properties, beauty and ugliness, but also for specific genres or modes, like sculpture, allegory, the relation between image and caption, and the first-person picture.
