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Author: Igor Aronov
Publisher: Peter Lang
ISBN: 9780820478500
Category : Art
Languages : en
Pages : 292
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Book Description
This book studies Vasily Kandinsky's (1866-1944) pre-1908 figurative art that formed the basis for his later abstractions. It analyzes many published and unpublished facts of the artist's life and work and brings together numerous historical comparative data from painting, literature, the social sciences, ethnography, folklore, esthetics, and philosophy. This study penetrates deeply into Kandinsky's inner world and breaks new ground by interpreting the artist's enigmatic early imagery as his personal many-layered symbolism that expresses his complex personality, his internal responses to Russian and Western European life and culture, and his quest for spiritual truths.
Author: Igor Aronov
Publisher: Peter Lang
ISBN: 9780820478500
Category : Art
Languages : en
Pages : 292
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Book Description
This book studies Vasily Kandinsky's (1866-1944) pre-1908 figurative art that formed the basis for his later abstractions. It analyzes many published and unpublished facts of the artist's life and work and brings together numerous historical comparative data from painting, literature, the social sciences, ethnography, folklore, esthetics, and philosophy. This study penetrates deeply into Kandinsky's inner world and breaks new ground by interpreting the artist's enigmatic early imagery as his personal many-layered symbolism that expresses his complex personality, his internal responses to Russian and Western European life and culture, and his quest for spiritual truths.
Author: Wassily Kandinsky
Publisher: Courier Corporation
ISBN: 048613248X
Category : Art
Languages : en
Pages : 111
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Book Description
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
Author: Christopher Short
Publisher: Peter Lang
ISBN: 9783039113996
Category : Art
Languages : en
Pages : 286
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Book Description
Kandinsky's theory of art has usually been treated as little more than a guide to help our understanding of his paintings. In contrast, this book attends primarily to the artist's writings on art; thus his art theory is treated on its own terms. Drawing on the diverse literature that has been written on Kandinsky's art and theory, the author demonstrates that while many different perspectives on his work have been identified, none holds the 'key' to that work. Instead, the book shows Kandinsky's method in his writings to be highly eclectic, resulting in an exciting and challenging variety of content (a description that also applies, as a postscript to the book shows, to his method in painting). Kandinsky, however, transcended this diversity and consistently sought evidence of the unity of all things: something that would be realised through his understanding of the term 'synthesis'. The book follows Kandinsky's fascinating attempts to establish synthesis (not only in art but also in other disciplines including science, mathematics, law and politics) in his key theoretical publications: On the Spiritual in Art (1911) and Point and Line to Plane (1926). The result is a new and innovative understanding of both Kandinsky's art theory and his art.
Author: Jessie Chandler
Publisher: Bella Books
ISBN: 1642471801
Category : Fiction
Languages : en
Pages : 337
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Book Description
Placed on a medical leave of absence from her job as a special agent in the National Protection and Investigation Unit, Mikala Flynn is a woman on the edge—guilt-ridden, depressed, battling war wounds and personal demons. The world and the relationships as she knew them no longer exist. Now, the streets of New York, the bottle, and anonymous sex have become her solace. In the midst of a fire escape bender, Flynn overhears her crazy-like-a-fox grandmother and her art-world cronies planning a daring theft of a valuable historical document. Eventually Flynn crashes the party and agrees to take on the heist herself. Along the way, Flynn runs into, both literally and figuratively, her now wheelchair-bound best friend, an alluring, mysterious thief who throws multiple wrenches into the works, and the ex-love of her life. Can Flynn pull off the job without falling victim to vodka and lost love…and somehow begin to find herself again along the way?
Author: F. Bulhof
Publisher: Springer Science & Business Media
ISBN: 9401013977
Category : Foreign Language Study
Languages : en
Pages : 161
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Book Description
FRANCIS BULHOF "What was Modernism?" That is the title of an address delivered in June of 1960 by the eminent comparatist Harry Levin at Queen's University in King ston, Ontario.1 Apparently, more than a decade ago, in the eyes of this per ceptive analyst of literature and the arts, the modernist movement had become a thing of the past. Having acquired full citizenship in the republic of letters, modernism had outlived itself. The title of Harry Levin's lecture bears an obvious resemblance to that of Fritz Martini's book-length essay Was war Expressionismus?,2 which dealt exclusively with the German variant of the expressionist movement. In the case of German expressionism there is much dispute concerning the precise moment of its decline and fall, but the political conditions provide at least a crucial dividing line in the year 1933. The end of modernism, however, a far more comprehensive movement which was not just limited to one country, is not so easy to determine. And there is also still much discussion about its roots.
Author: Bibiana Obler
Publisher: Yale University Press
ISBN: 0300195796
Category : Art
Languages : en
Pages : 271
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Book Description
Beautifully illustrated, this insightful book looks at two influential artist couples and the roles of gender and the applied arts in the emergence of abstraction.
Author: Mikhaïl Guerman
Publisher: Parkstone International
ISBN: 1785250639
Category : Art
Languages : en
Pages : 160
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Book Description
Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential.
Author: Neil A. Weiss
Publisher: Yale University Press
ISBN: 0300056478
Category : Art
Languages : en
Pages : 321
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Book Description
Vasilii Kandinsky, whom many consider to be the father of abstract painting, was also a trained ethnographer with an abiding interest in the folklore of Old Russia. In this provocative book, Peg Weiss provides an entirely new interpretation of Kandinsky's art by examining for the first time how this commitment to his ethnic Russian heritage influenced the painter's work throughout his career.
Author: Ruth Ronen
Publisher: BRILL
ISBN: 9004494995
Category : Social Science
Languages : en
Pages : 228
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Book Description
This study offers a new perspective on the object represented by art, specifically by art that succeeds to create in its receiver a sense of “the real”, a sense of approximating the true nature of the represented object that lies outside the artwork. The object that cannot be accessed through a concept, a meaning or a sign, the thing-in-itself, is generally rejected by philosophy as being outside the realm of its concerns. This rejection is surveyed in a number of philosophical discussions, from Kant to Hilary Putnam. Turning to the psychoanalytic object, an object inexhaustible in terms of its external existence, or in terms of its conceptual status or meaning (the object is always suppressed, partly known, inaccessible), another notion of the object. The Real is suggested as what can neither be contained in language nor reduced to a linguistic referent. This solution does not lead away from philosophical interests but rather exposes this dilemma about the object of representation as fundamentally philosophical. Cases of artistic realism discussed range from perspective painting to abstract art, from tragedies to the literary representation of minds.
Author: John C. Welchman
Publisher: Yale University Press
ISBN: 9780300065305
Category : Art
Languages : en
Pages : 476
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Book Description
In one of his sparkling aphorisms on the end of 'optical' art, Marcel Duchamp suggested that the title of an artwork was an 'invisible color'. John Welchman now offers the first critical history of how and why modern artworks receive their titles. He shows that titles were seldom produced and can rarely be understood outside of the institutional parameters that made them visible - exhibitions, criticism, catalogues, and even national politics.
