Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 618
Book Description
Volume Two
Kandinsky Watercolours: 1922-1944
Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 618
Book Description
Volume Two
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 618
Book Description
Volume Two
Kandinsky
Author: Wassily Kandinsky
Publisher: Parkstone International
ISBN: 1785250604
Category : Art
Languages : en
Pages : 256
Book Description
Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential.
Publisher: Parkstone International
ISBN: 1785250604
Category : Art
Languages : en
Pages : 256
Book Description
Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential.
The Art Theory of Wassily Kandinsky, 1909-1928
Author: Christopher Short
Publisher: Peter Lang
ISBN: 9783039113996
Category : Art
Languages : en
Pages : 286
Book Description
Kandinsky's theory of art has usually been treated as little more than a guide to help our understanding of his paintings. In contrast, this book attends primarily to the artist's writings on art; thus his art theory is treated on its own terms. Drawing on the diverse literature that has been written on Kandinsky's art and theory, the author demonstrates that while many different perspectives on his work have been identified, none holds the 'key' to that work. Instead, the book shows Kandinsky's method in his writings to be highly eclectic, resulting in an exciting and challenging variety of content (a description that also applies, as a postscript to the book shows, to his method in painting). Kandinsky, however, transcended this diversity and consistently sought evidence of the unity of all things: something that would be realised through his understanding of the term 'synthesis'. The book follows Kandinsky's fascinating attempts to establish synthesis (not only in art but also in other disciplines including science, mathematics, law and politics) in his key theoretical publications: On the Spiritual in Art (1911) and Point and Line to Plane (1926). The result is a new and innovative understanding of both Kandinsky's art theory and his art.
Publisher: Peter Lang
ISBN: 9783039113996
Category : Art
Languages : en
Pages : 286
Book Description
Kandinsky's theory of art has usually been treated as little more than a guide to help our understanding of his paintings. In contrast, this book attends primarily to the artist's writings on art; thus his art theory is treated on its own terms. Drawing on the diverse literature that has been written on Kandinsky's art and theory, the author demonstrates that while many different perspectives on his work have been identified, none holds the 'key' to that work. Instead, the book shows Kandinsky's method in his writings to be highly eclectic, resulting in an exciting and challenging variety of content (a description that also applies, as a postscript to the book shows, to his method in painting). Kandinsky, however, transcended this diversity and consistently sought evidence of the unity of all things: something that would be realised through his understanding of the term 'synthesis'. The book follows Kandinsky's fascinating attempts to establish synthesis (not only in art but also in other disciplines including science, mathematics, law and politics) in his key theoretical publications: On the Spiritual in Art (1911) and Point and Line to Plane (1926). The result is a new and innovative understanding of both Kandinsky's art theory and his art.
Kandinsky Watercolours: 1922-1944
Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Kandinsky Watercolours: 1900-1921
Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 564
Book Description
Volume One
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 564
Book Description
Volume One
Kandinsky Watercolours: 1900-21 V. 1
Author: Vivian Endicott Barnett
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 562
Book Description
In the first of two volumes Kandinsky's temperas, gouaches and watercolours from the Munich years and the Russian period are definitively catalogued and discussed in chronological order (including those known only from documentary evidence). Many previously unknown pictures are published for the first time. The artist's earlier works, his bold abstractations from 1911 to 1914, and his little-known watercolours painted in Russia from 1915 to 1921 are fully documented and illustrated. Vivian Barnett also provides complete provenance, exhibition history and reference for more than 500 watercolours and gouaches, plus an addendum to the Catalogue of Oil Paintings (1982, 1984). The original essays, complete list of exhibitions, selective biography and extensive colour illustrations make this volume essential for collectors and scholars.
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 562
Book Description
In the first of two volumes Kandinsky's temperas, gouaches and watercolours from the Munich years and the Russian period are definitively catalogued and discussed in chronological order (including those known only from documentary evidence). Many previously unknown pictures are published for the first time. The artist's earlier works, his bold abstractations from 1911 to 1914, and his little-known watercolours painted in Russia from 1915 to 1921 are fully documented and illustrated. Vivian Barnett also provides complete provenance, exhibition history and reference for more than 500 watercolours and gouaches, plus an addendum to the Catalogue of Oil Paintings (1982, 1984). The original essays, complete list of exhibitions, selective biography and extensive colour illustrations make this volume essential for collectors and scholars.
Master Drawings in the Los Angeles County Museum of Art
Author: Los Angeles County Museum of Art
Publisher: Hudson Hills
ISBN: 9781555951528
Category : Architecture
Languages : en
Pages : 256
Book Description
More than 100 masterworks from the collection, all in full color, each with a text about the artist and drawing as well as full documentation. 105 colour illustrations
Publisher: Hudson Hills
ISBN: 9781555951528
Category : Architecture
Languages : en
Pages : 256
Book Description
More than 100 masterworks from the collection, all in full color, each with a text about the artist and drawing as well as full documentation. 105 colour illustrations
Biocentrism and Modernism
Author: OliverA.I. Botar
Publisher: Routledge
ISBN: 1351573721
Category : Art
Languages : en
Pages : 318
Book Description
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
Publisher: Routledge
ISBN: 1351573721
Category : Art
Languages : en
Pages : 318
Book Description
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
Kandinsky at the Guggenheim
Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
Book Description
Studie over het werk van de Russische kunstenaar Vasilij Vasil'evic̆ Kandinskij (1866-1944) in het New Yorkse museum.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
Book Description
Studie over het werk van de Russische kunstenaar Vasilij Vasil'evic̆ Kandinskij (1866-1944) in het New Yorkse museum.
Kandinsky Drawings Vol 2
Author: Vivian Endicott Barnett
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 386
Book Description
The first volume of the catalogue raisonné comprises 1236 works from all periods of Vasily Kandinsky's career. It begins with an addendum of fifteen watercolors and two oil-paintings, which were not included in the previous four volumes of the catalogue raisonné , followed by India ink drawings, sketches and individual works. There is complete provenance, exhibition history and bibliography for each catalogue entry as well as numerous commentaries discussing date, iconography and related works. Vivian Barnett has written a text on the artist's discovery of his own drawings in the early 1930s and his efforts to exhibit them during his lifetime. The volume concludes with a comprehensive list of one-person and group exhibitions, a selective bibliography and indexes. A second volume, which is devoted to Kandinsky's thirty-five sketchbooks that have remained intact, will appear in spring 2007.
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 386
Book Description
The first volume of the catalogue raisonné comprises 1236 works from all periods of Vasily Kandinsky's career. It begins with an addendum of fifteen watercolors and two oil-paintings, which were not included in the previous four volumes of the catalogue raisonné , followed by India ink drawings, sketches and individual works. There is complete provenance, exhibition history and bibliography for each catalogue entry as well as numerous commentaries discussing date, iconography and related works. Vivian Barnett has written a text on the artist's discovery of his own drawings in the early 1930s and his efforts to exhibit them during his lifetime. The volume concludes with a comprehensive list of one-person and group exhibitions, a selective bibliography and indexes. A second volume, which is devoted to Kandinsky's thirty-five sketchbooks that have remained intact, will appear in spring 2007.