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Author: Linda Greenhouse
Publisher: Harvard University Press
ISBN: 0674980336
Category : Language Arts & Disciplines
Languages : en
Pages : 189
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Book Description
A Pulitzer Prize–winning reporter who covered the Supreme Court for The New York Times, Linda Greenhouse trains an autobiographical lens on a moment of transition in U.S. journalism. Calling herself “an accidental activist,” she raises urgent questions about the role of journalists as citizens and participants in the world around them.
Author: Linda Greenhouse
Publisher: Harvard University Press
ISBN: 0674980336
Category : Language Arts & Disciplines
Languages : en
Pages : 189
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Book Description
A Pulitzer Prize–winning reporter who covered the Supreme Court for The New York Times, Linda Greenhouse trains an autobiographical lens on a moment of transition in U.S. journalism. Calling herself “an accidental activist,” she raises urgent questions about the role of journalists as citizens and participants in the world around them.
Author: Linda Greenhouse
Publisher: Harvard University Press
ISBN: 0674981871
Category : Language Arts & Disciplines
Languages : en
Pages : 189
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Book Description
In this timely book, a Pulitzer Prize–winning reporter trains an autobiographical lens on a moment of remarkable transition in American journalism. Just a few years ago, the mainstream press was wrestling with whether labeling waterboarding as torture violated important norms of neutrality and objectivity. Now, major American newspapers regularly call the president of the United States a liar. Clearly, something has changed as the old rules of “balance” and “two sides to every story” have lost their grip. Is the change for the better? Will it last? In Just a Journalist, Linda Greenhouse—who for decades covered the U.S. Supreme Court for The New York Times—tackles these questions from the perspective of her own experience. A decade ago, she faced criticism from her own newspaper and much of journalism’s leadership for a speech to a college alumnae group in which she criticized the Bush administration for, among other things, seeking to create a legal black hole at Guantánamo Bay—two years after the Supreme Court itself had ruled that the detainees could not be hidden away from the reach of federal judges who might hear their appeals. One famous newspaper editor expressed his belief that it was unethical for a journalist to vote, because the act of choosing one candidate over another could compromise objectivity. Linda Greenhouse disagrees. Calling herself “an accidental activist,” she raises urgent questions about the role journalists can and should play as citizens, even as participants, in the world around them.
Author: Amber Royer
Publisher:
ISBN: 9780991408368
Category : Language Arts & Disciplines
Languages : en
Pages : 452
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Book Description
The Story Like a Journalist series combines journalistic planning strategies and novel writing theory into a systematic workbook that takes you from determining the best protagonist for your story to imbuing your work with meaning.
Author: David Randall
Publisher: Pluto Press
ISBN: 9780745330761
Category : Social Science
Languages : en
Pages : 0
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Book Description
This is a new edition of the world's leading textbook on journalism. Translated into more than a dozen languages, David Randall's handbook is an invaluable guide to the "universals" of good journalistic practice for professional and trainee journalists worldwide. Irrespective of language or culture, good journalists share a common commitment to the search for truth, often in difficult circumstances. David Randall emphasizes that good journalism isn't just about universal objectives: it must also involve the acquisition of a range of skills that will empower journalists to operate in an industry where ownership, technology and information are constantly changing. This acclaimed handbook challenges old attitudes, procedures and techniques of journalism where they are seen as cynical and sloppy. This fully updated edition contains scores of new anecdotes and examples, drawing on the author's own experience as a national newspaper reporter and columnist.
Author: Matt Pearl
Publisher: Taylor & Francis
ISBN: 1317219856
Category : Language Arts & Disciplines
Languages : en
Pages : 184
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Book Description
It is becoming increasingly important for television reporters to be proficient in many, if not all, of the steps in production. The Solo Video Journalist will make handling all these responsibilities seem possible, and do so from the hands-on perspective of a current reporter with years of experience as a multimedia journalist. This book will cover all aspects of multimedia journalism, from planning for a segment, to dressing appropriately for one’s multiple roles, to conducting interviews and editing. The instruction and guidance in this text will help make readers valuable players in their field, and it is filled with real-world examples and advice from current professionals. Whether it be college students learning from the ground up or journalists early in their careers, The Solo Video Journalist ensures they will have all the materials they need to be successful multimedia journalists.
Author: Mort Crim
Publisher: Beaufort Books
ISBN: 0825308240
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
HONORED AS A NOTABLE 100 BOOK IN THE 2021 SHELF UNBOUND BEST INDIE BOOK COMPETITION Mort Crim has reported on major conflicts around the world for more than four decades and was a major inspiration for Will Ferrell's performance in the movie Anchorman. Crim's memoir takes readers behind the camera to show what life was like when the local anchorman was as revered as the professional athlete, and just as overpaid. It was a glamorous life, working alongside some of journalism's legends, like Walter Cronkite, David Brinkley, Dan Rather, and Ted Koppel. The son of an evangelical minister in a conservative church, Crim suffered his first crisis of faith at the age of 15. Despite nagging questions, Crim eventually followed his father's path into ministry. But the more he delved into the Bible, the more his faith was shaken. Unable to defend things he wasn't sure of from the pulpit, Crim left the ministry for a career in journalism, determined to pursue truth. After a four-year stint in the Air Force, he earned his master's degree in journalism from Northwestern University, and by the age of 30, had made it to New York—the epicenter of his profession. As a national correspondent for ABC, Crim anchored the network's top-rated morning radio show and covered America's newly-developing manned space program. When Neil Armstrong took that first step on the moon, it was Crim's voice that described the historic event for millions around the world. At the urging of Walter Cronkite, Crim moved from network radio into the heady world of television news. At KYW in Philadelphia, Mort Crim was paired with the late Jessica Savitch, and their anchor team spawned the idea for Will Ferrell's Anchorman movies. Crim's journey for truth will resonate with anyone raised in a cocoon of certainty that they felt compelled to question.
Author: Jerry A. Rose
Publisher: Sparkpress
ISBN: 9781684630653
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
A collaboration between Lucy Rose Fischer and her late brother, The Journalist tells the story of Jerry Rose, a young journalist and photographer who exposed the secret beginnings of America's Vietnam War in the early 1960s. He interviewed Vietnamese villagers, embedded himself with soldiers, and wrote the first major article about American troops fighting in Vietnam.
Author: Mike Ananny
Publisher: MIT Press
ISBN: 0262549662
Category : Language Arts & Disciplines
Languages : en
Pages : 309
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Book Description
Reimagining press freedom in a networked era: not just a journalist's right to speak but also a public's right to hear. In Networked Press Freedom, Mike Ananny offers a new way to think about freedom of the press in a time when media systems are in fundamental flux. Ananny challenges the idea that press freedom comes only from heroic, lone journalists who speak truth to power. Instead, drawing on journalism studies, institutional sociology, political theory, science and technology studies, and an analysis of ten years of journalism discourse about news and technology, he argues that press freedom emerges from social, technological, institutional, and normative forces that vie for power and fight for visions of democratic life. He shows how dominant, historical ideals of professionalized press freedom often mistook journalistic freedom from constraints for the public's freedom to encounter the rich mix of people and ideas that self-governance requires. Ananny's notion of press freedom ensures not only an individual right to speak, but also a public right to hear. Seeing press freedom as essential for democratic self-governance, Ananny explores what publics need, what kind of free press they should demand, and how today's press freedom emerges from intertwined collections of humans and machines. If someone says, “The public needs a free press,” Ananny urges us to ask in response, “What kind of public, what kind of freedom, and what kind of press?” Answering these questions shows what robust, self-governing publics need to demand of technologists and journalists alike.
Author: Janet Malcolm
Publisher: Vintage
ISBN: 0307797872
Category : Language Arts & Disciplines
Languages : en
Pages : 177
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Book Description
Named one of the 100 Best Nonfiction Books by The Modern Library and The Guardian • With surgical precision, Janet Malcolm dissects the famous case of journalist Joe McGinniss and murderer Jeffrey MacDonald. A riveting exploration of the uneasy dynamic between writers and their subjects and a must-read for anyone intrigued by journalism, the complexities of human nature, and true crime Malcolm deftly analyzes the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. At the heart of this masterfully crafted narrative is McGinniss's controversial portrayal of MacDonald, a former Green Beret convicted of murdering his pregnant wife and two young daughters. While writing the true crime book Fatal Vision, McGinniss ingratiated himself with MacDonald under the guise of supporting his innocence, only to portray him as guilty in the final publication. The resulting libel case put McGinniss's methods on trial, sparking a gripping examination of the ethics governing the writer-subject covenant. Through probing interviews with the key players - the principals, their lawyers, members of the jury, and expert witnesses - Malcolm provides an atmospheric retelling of the sensational trial. But her true subject is the treacherous territory writers must navigate when trying to objectively chronicle the lives of others. With piercing self-awareness, Malcolm examines her own role and motivations, laying bare the inherent conflicts and power dynamics that arise when a journalist pursues a story. Her candid, rueful reflections transform a seemingly straightforward work of reportage into a profound exploration of journalistic ethics and the limits of factual truth.
Author: Lewis Raven Wallace
Publisher: University of Chicago Press
ISBN: 0226826589
Category : History
Languages : en
Pages : 246
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Book Description
A look at the history of the idea of the objective journalist and how this very ideal can often be used to undercut itself. In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how its been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it—not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question “objectivity” with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kaadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against “objectivity” in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers. Using historical and contemporary examples—from lynching in the nineteenth century to transgender issues in the twenty-first—Wallace offers a definitive critique of “objectivity” as a catchall for accurate journalism. He calls for the dismissal of this damaging mythology in order to confront the realities of institutional power, racism, and other forms of oppression and exploitation in the news industry. The View from Somewhere is a compelling rallying cry against journalist neutrality and for the validity of news told from distinctly subjective voices.
