International Directory of Exhibiting Artists PDF Download
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Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 520
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Book Description
Author: Jack D. Flam
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 178
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Book Description
Rothschild sought her imagery in the complex interaction between feelings, things, and ideas, and her late style was built on the unlikely combination of the sensual richness of Matisse's late cutouts and the geometric austerity of Mondrian. This led to the relief-painting technique that she employed for the last twenty years of her life, making it possible for her to create some of her most original and powerful works.
Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 520
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 452
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Book Description
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Author: Judith Rothschild
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 30
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Book Description
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
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Book Description
Author: Maurice Tuchman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
Essays by Esti Dunow and Maurice Tuchman.
Author: David Freedberg
Publisher: Getty Publications
ISBN: 0892362014
Category : Art
Languages : en
Pages : 458
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Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Author: E. A. Carmean
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Author: Wayne E. Franits
Publisher: Getty Publications
ISBN: 0892368446
Category : Art
Languages : en
Pages : 94
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Book Description
In the hush of early morning, a dutiful mother butters bread for her young son, who patiently stands at her side. This splendid painting captures a trivial moment in a family's daily routine and makes it almost sacrosanct. A Woman Preparing Bread and Butter for a Boy was executed by the Dutch painter Pieter de Hooch (1629-1684) between 1661 and 1663. The J. Paul Getty Museum's canvas is one of the artist's many pictures depicting women and children engaged in daily activities. This book examines the painting in relation to the artist's life and work, exploring his stylistic development and his complex relationship to other painters in the Dutch Republic. The author places the subject matter of the painting within the broader context of seventeenth-century Dutch concepts of domesticity and child rearing and ties it to social and cultural developments in the Netherlands during the second half of the seventeenth century.
