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Author: Denis Collins
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 0734037910
Category : Music
Languages : en
Pages : 282
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Book Description
This book is the first to be dedicated to a study of the reception of a major European composer in Australia. Each of the eleven essays explores how J.S. Bach’s music has enriched Australian cultural life, from private performances in the early nineteenth century to historically informed realisations in recent years. The authors outline the challenges of mounting and sustaining this repertoire in the face of underdeveloped musical infrastructure and limited resources, and how these challenges have been overcome with determination and insight. Championed by imaginative individuals such as Ernest Wood and Leonard Fullard in Melbourne, E.H. Davies in Adelaide and W. Arundel Orchard in Sydney, Bach’s music has been a vehicle for the realisation of Australians’ cultural aspirations and a means of maintaining connections with traditions that continue to be cherished today.
Author: Denis Collins
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 0734037910
Category : Music
Languages : en
Pages : 282
Get Book Here
Book Description
This book is the first to be dedicated to a study of the reception of a major European composer in Australia. Each of the eleven essays explores how J.S. Bach’s music has enriched Australian cultural life, from private performances in the early nineteenth century to historically informed realisations in recent years. The authors outline the challenges of mounting and sustaining this repertoire in the face of underdeveloped musical infrastructure and limited resources, and how these challenges have been overcome with determination and insight. Championed by imaginative individuals such as Ernest Wood and Leonard Fullard in Melbourne, E.H. Davies in Adelaide and W. Arundel Orchard in Sydney, Bach’s music has been a vehicle for the realisation of Australians’ cultural aspirations and a means of maintaining connections with traditions that continue to be cherished today.
Author:
Publisher:
ISBN: 9780734037909
Category :
Languages : en
Pages :
Get Book Here
Book Description
This book is the first to be dedicated to a study of the reception of a major European composer in Australia. Each of the eleven essays explores how J.S. Bach's music has enriched Australian cultural life, from private performances in the early nineteenth century to historically informed realisations in recent years. The authors outline the challenges of mounting and sustaining this repertoire in the face of underdeveloped musical infrastructure and limited resources, and how these challenges have been overcome with determination and insight. Championed by imaginative individuals such as Ernest Wood and Leonard Fullard in Melbourne, E.H. Davies in Adelaide and W. Arundel Orchard in Sydney, Bach's music has been a vehicle for the realisation of Australians' cultural aspirations and a means of maintaining connections with traditions that continue to be cherished today.
Author: Erinn E. Knyt
Publisher: Oxford University Press
ISBN: 0197690629
Category : Music
Languages : en
Pages : 361
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Book Description
This book offers the first detailed reception history of adaptations of Johann Sebastian Bach's Goldberg Variations from 1800-2020. By focusing on ways the piece has been arranged, transcribed, and reworked, or quoted in in film, dance, literature, visual art, and digital media, it reveals changing views about the role of the composer and score that have impacted recent performance practices and notions of the work concept. Beyond this, it features the work of composers, many from underrepresented backgrounds, who have recently deconstructed Bach by reimagining the subjects, compositional procedures, and forms, using contemporary compositional approaches.
Author: Dorottya Fabian
Publisher: OUP Oxford
ISBN: 0191634557
Category : Psychology
Languages : en
Pages : 423
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Book Description
What does it mean to be expressive in music performance across diverse historical and cultural domains? What are the means at the disposal of a performer in various time periods and musical practice conventions? What are the conceptualisations of expression and the roles of performers that shape expressive performance? This book brings together research from a range of disciplines that use diverse methodologies to provide new perspectives and formulate answers to these questions about the meaning, means, and contextualisation of expressive performance in music. The contributors to this book explore expressiveness in music performance in four interlinked parts. Starting with the philosophical and historical underpinnings crucially relevant for Western classical musical performance it then reaches out to cross-cultural issues and finally focuses the attention on various specific problems, including the teaching of expressive music performance skills. The overviews provide a focussed and comprehensive account of the current state of research as well as new developments and a prospective of future directions. This is a valuable new book for those in the fields of music, music psychology, and music education.
Author: Margaret S. Barrett
Publisher: Routledge
ISBN: 131716444X
Category : Music
Languages : en
Pages : 329
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Book Description
The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social construct. While in collectivist cultures the assimilation (but not the denial) of individual authorship into the complexities of group production and benefit has been a feature, the notion of the lone individual creator has been persistent. Systems theories acknowledge the role of others, yet at heart these are still individual views of creativity - focusing on the creative individual drawing upon the work of others rather than recognizing the mutually constitutive elements of social interactions across time and space. Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice. The book provides new perspectives to our understandings of the role of collaborative thought and processes in creative work across the domain of music including: composition, musicology, performance, music education and music psychology.
Author: IAN. BURK
Publisher:
ISBN: 9781925588873
Category :
Languages : en
Pages :
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Book Description
Ronald Farren-Price is the grand old man of the piano in Australia. This book is about his life, work, career and outlook, based on his own reminiscences. As well as pursuing an international career as a recitalist and concerto soloist for more than sixty years, he has taught piano and served as Dean of the Faculty of Music at the University of Melbourne, and as Honorary Professor of the Tianjin Conservatory of Music was a pioneer in bringing Australian performance to China and to South-East Asia. Between these covers we have his early years in Brisbane and Melbourne; his study abroad in the United Kingdom and subsequently in New York with the legendary pianist Claudio Arrau; his international concert tours, notably those to the former USSR; his performing repertoire, and his family life.
Author: Bettina Varwig
Publisher: Oxford University Press
ISBN: 0190943890
Category : Music
Languages : en
Pages : 417
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Book Description
This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears.
Author: Dr Dario Sarlo
Publisher: Ashgate Publishing, Ltd.
ISBN: 147244423X
Category : Music
Languages : en
Pages : 285
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Book Description
The violinist Jascha Heifetz (1901-1987) is considered among the most influential performers in history. Focussing on Heifetz and his extensive performing relationship with the Bach solo violin works (BWV 1001-1006), Dario Sarlo examines one of the most successful performing musicians of the twentieth century along with some of the most frequently performed works of the violin literature. The book proposes a comprehensive method for analysing and interpreting the legacies of prominent historical performers. By building up an understanding of multiple individual performance styles, it will become possible to gain deeper insight into how performance style develops over time.
Author: Sally Macarthur
Publisher: Routledge
ISBN: 1317091272
Category : Music
Languages : en
Pages : 261
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Book Description
The conversations generated by the chapters in Music's Immanent Future grapple with some of music's paradoxes: that music of the Western art canon is viewed as timeless and universal while other kinds of music are seen as transitory and ephemeral; that in order to make sense of music we need descriptive language; that to open up the new in music we need to revisit the old; that to arrive at a figuration of music itself we need to posit its starting point in noise; that in order to justify our creative compositional works as research, we need to find critical languages and theoretical frameworks with which to discuss them; or that despite being an auditory system, we are compelled to resort to the visual metaphor as a way of thinking about musical sounds. Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers. The chapters in this volume investigate and ask fundamental questions about how we think, converse, write about, compose, listen to and analyse music. The work is informed by the philosophy primarily of Gilles Deleuze and Felix Guattari, and secondarily of Michel Foucault, Julia Kristeva and Jean-Luc Nancy. The chapters cover a wide range of topics focused on twentieth and twenty-first century musics, covering popular musics, art music, acousmatic music and electro-acoustic musics, and including music analysis, music's ontology, the noise/music dichotomy, intertextuality and music, listening, ethnography and the current state of music studies. The authors discuss their philosophical perspectives and methodologies of practice-led research, including their own creative work as a form of research. Music's Immanent Future brings together empirical, cultural, philosophical and creative approaches that will be of interest to musicologists, composers, music analysts and music philosophers.
Author: Robin Leaver
Publisher: Taylor & Francis
ISBN: 1315452804
Category : Art
Languages : en
Pages : 593
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Book Description
The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years. It is not a lexicon providing information on all the major aspects of Bach's life and work, such as the Oxford Composer Companion: J. S. Bach. Nor is it an entry-level research tool aimed at those making a beginning of such studies. The valuable essays presented here are designed for the next level of Bach research and are aimed at masters and doctoral students, as well as others interested in coming to terms with the current state of Bach research. Each author covers three aspects within their specific subject area; firstly, to describe the results of research over the past thirty-fifty years, concentrating on the most significant and controversial, such as: the debate over Smend's NBA edition of the B minor Mass; Blume's conclusions with regard to Bach's religion in the wake of the 'new' chronology; Rifkin's one-to-a-vocal-part interpretation; the rediscovery of the Berlin Singakademie manuscripts in Kiev; the discovery of hitherto unknown manuscripts and documents and the re-evaluation of previously known sources. Secondly, each author provides a critical analysis of current research being undertaken that is exploring new aspects, reinterpreting earlier assumptions, and/or opening-up new methodologies. For example, Martin W. B. Jarvis has suggested that Anna Magdalena Bach composed the cello suites and contributed to other works of her husband - another controversial hypothesis, whose newly proposed forensic methodology requires investigation. On the other hand, research into Bach's knowledge of the Lutheran chorale tradition is currently underway, which is likely to shed more light on the composer's choices and usage of this tradition. Thirdly, each author identifies areas that are still in need of investigation and research.
