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Author: Drago Jančar
Publisher: Brandon Books
ISBN:
Category : Fiction
Languages : en
Pages : 180
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Book Description
The finest short stories of Slovenia's most prominent author. A young man learns English in Trieste in 1914 from James Joyce, who repeatedly describes an oil lamp. Years later, in 1941, this same man must flee his country, and he becomes the Slovenian voice of British radio. On his return to Yugoslavia, he falls foul of the new communist authorities. The characters who populate the stories of Drago Jancar stand at the periphery of tragic histories; they see the ground open under their feet yet remain leaning above the pit. Drago Jancar has been described as "the seismologist of a chaotic history". In this exceptional collection Brandon introduces the vision of the leading Slovenian writer of his generation.
Author: Drago Jančar
Publisher: Brandon Books
ISBN:
Category : Fiction
Languages : en
Pages : 180
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Book Description
The finest short stories of Slovenia's most prominent author. A young man learns English in Trieste in 1914 from James Joyce, who repeatedly describes an oil lamp. Years later, in 1941, this same man must flee his country, and he becomes the Slovenian voice of British radio. On his return to Yugoslavia, he falls foul of the new communist authorities. The characters who populate the stories of Drago Jancar stand at the periphery of tragic histories; they see the ground open under their feet yet remain leaning above the pit. Drago Jancar has been described as "the seismologist of a chaotic history". In this exceptional collection Brandon introduces the vision of the leading Slovenian writer of his generation.
Author: Kevin Birmingham
Publisher: Penguin
ISBN: 1101585641
Category : Biography & Autobiography
Languages : en
Pages : 432
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Book Description
Recipient of the 2015 PEN New England Award for Nonfiction “The arrival of a significant young nonfiction writer . . . A measured yet bravura performance.” —Dwight Garner, The New York Times James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to the book’s landmark federal obscenity trial in 1933. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say Yes to Ulysses.
Author: Drago Jancar
Publisher: Northwestern University Press
ISBN: 0810125781
Category : Fiction
Languages : en
Pages : 146
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Book Description
These newly collected short stories reveal a master at the top of his game. Drago Jancar possesses an acute understanding of the human psyche, enabling his stories to resonate beyond their particular milieu. This collection features seven pieces, drawn from four different collections, that together present the struggle of individuals against powerful forces. The characters try to make sense of a world of shifting borders and changing names that make the idea of a "homeland"—either literal or figurative—a dream rather than a reality.
Author: Gian Balsamo
Publisher: Univ of South Carolina Press
ISBN: 9781570035524
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
In his study of negative existence and how it affects James Joyce's principal characters, Gian Balsamo joins the ongoing debate about the Irish writer's relationship to Dante and considers the centrality of messianism to that relationship. Finding in Dante a negative poetics that becomes a model for Joyce, Balsamo suggests that the inception and cessation of life - two occurrences that conventionally are deemed impossible to experience personally and directly - typically frame the existential experiences of Joyce's main characters. Balsamo perceives Stephen, Leopold, and Shem as messianic figures because they rebel against this convention, clustering their lives around the very events of inception and burial. Balsamo traces the engagement of each of the three characters in a negative existence immune from the rules and limitations of ordinary experience. Each struggles to express rather than exorcise the fecundity of his own mortality; each reinvents his biography as involving the pivotal transaction of one death - be it a mother's, a son's, or even that of his own body - in return for catharsis. Durkheim, and Noam Chomsky, Balsamo challenges the current debate by identifying the messianic thread that ties together the biographies of Joyce's three characters. Faced with the fissure between history and poetic vocation, Stephen embraces the sacrificial poetry of silence. Faced with the domestic squalor provoked by the loss of his son, Leopold renews at every meal the cathartic exchange of food and semen. Faced with a destiny of death and decomposition, Shem reenacts the tradition of the medieval cycle drama, stretching his own body like a parchment on a cross and then rubricating it like a sacred manuscript.
Author: John Issitt
Publisher: Routledge
ISBN: 1351155067
Category : History
Languages : en
Pages : 192
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Book Description
Jeremiah Joyce was one of the accused in the famous Treason Trials of 1794 which marked the suppression of radical agitation in Britain for the ensuing twenty years. He was a political radical who imbibed the traditions of the 'commonwealthman' and actively campaigned for a more democratic and representative state. Through the early 1790s he acted as the metropolitan political agent for his patron the Earl of Stanhope and he liased between radical groups whilst also distributing radical literature including Tom Paine's Rights of Man. He was one of the very few artisans at the end of the eighteenth century adopted by the literary and scientific intelligentsia and was unique in training to become a Unitarian minister at the age of 23 after serving a seven-year trade apprenticeship and having worked as a journeyman. This work traces the legacies, traditions and visions of the English Enlightenment as they are expressed through Joyce's life and literary production. It explores the evolution of these traditions against the threatening background of the French revolution and the developing imperatives for education in general, and science education in particular. By tracing the linkages between political, educational, scientific and publishing cultures, it reflects on the issues of late eighteenth century patronage, the literary forms of popular science and the evolution of the metropolitan book trade. In so doing the book recovers the life of a hitherto much neglected science writer and political activist and contributes to the histories of politics, education, science and the developing discipline of book history.
Author: Geert Lernout
Publisher: A&C Black
ISBN: 1847142966
Category : Literary Criticism
Languages : en
Pages : 595
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Book Description
James Joyce is now widely considered the most influential writer of the twentieth century. His name and his most important works appeared again and again in fin-de-millennium surveys. This is the case not only in the English-speaking world, but also in many European literatures. Joyce's influence is most pronounced in French, German and Italian literatures, where translations of most of his works appeared during his life-time and where he had a clear impact on his fellow-writers. In other countries and cultures, his influence took more time to register, sometimes after the war in the fifties and sixties, and sometimes only in the final decade of the century. This was the case in most of the languages of Eastern Europe, where the translation of Joyce's work could only begin after the collapse of the Soviet Union in the 1990s. This book contains two volumes. Series Editor: Dr Elinor Shaffer FBA, Institute of Germanic & Romance Studies, School of Advanced Study, University of London Contributors to the volume include: Sonja Basic (University of Zagreb) Eric Bulson, (Columbia University) Astradur Eysteinsson (University of Reykjavik) Kalina Filipova (University of Sofia) Marta Goldmann (University of Budapest) Jakob Greve (University of Copenhagen) Manana Khergiani (New York) Teresa Iribarren (University of Barcelona) Onno R. Kosters and Ron Hoffman (The Netherlands) Alberto Lázaro (University of Alcalá, Madrid) Marisol Morales Ladrón (University of Alcalá, Madrid) Maria Filomena Louro (University of Minho, Portugal) Tina Mahkota (University of Ljubljana) John McCourt (University of Trieste) Patrick O'Neill (Queen's University, Canada) Adrian Otoiu (North University of Baia Mare, Rumania) Miltos Pehlivanos (Aristotle University, Greece) Aleš Pogacnik (Slovenia) Jina Politi (Aristotle University, Greece) Steen Klitgård Povlsen (University of Aarhus) H.K.Riikonen (University of Helsinki) Frank Sewell (University of Ulster) Sam Slote (University of Buffalo) Per Svenson (Sweden) Emily Tall (University of Buffalo) Björn Tysdahl (University of Oslo) Tomo Virk (University of Ljubljana) Jolanta W. Wawrzycka (Radford University) Robert Weninger (Oxford Brookes University) Wolfgang Wicht (University of Potsdam) Serenella Zanotti (University of Rome)
Author: Enrico Terrinoni
Publisher: Cambridge Scholars Publishing
ISBN: 1443808660
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Ulysses is in many ways an occult text, in that it deliberately hides meanings and significances from sight, and compels the reader to unveil its secrets by reading it backwards, from deceiving surfaces to underlying truths. To discuss the occult in Joyce is to analyse “the hidden” in the text. Ulysses is a “human” book. Its most profound meanings are encrypted beneath the surface of its “body.” To discover what’s concealed behind it implies an effort of anthropological archaeology. Accordingly, readers become really interpreters of the occult. Only by following the traces and signs left on the textual surface will they eventually dig out what lies dormant beneath. Joyce was extremely well-read in the occult. The variety of texts on the subject he possessed shows that his position was very eclectic, as if the occult were a kind of amalgam of different traditions, all marked by the signature of secrecy. In his own view, theosophy, mysticism, magic, spiritism, and the so-called occult science blend together to form a cluster of obscure erudition where he finds provocative ideas, helpful in building up his own cryptic system. To read Ulysses hermetically is also a way to show that the act of reading itself is always an experiment. The good thing about readings is that they are always provisional. Reading as a creative process implies the awareness that one will always be quite uncertain as to what lies hidden behind those concatenations of syllables and words we call texts. Interpretation is in fact a mark of our freedom, and all original readings are always subversive and provocative. Criticism to some extent implies often some kind of a subversive attitude, and the game of literature is a useful working ground for attempting to change its possible worlds. To see through surface inanity, in Ulysses, helps us understand that to read is often an act of revolt and resistance to past authoritative interpretations. Excavating the occult in Joyce’s masterpiece is a way to face more canonical readings that preferred not to acknowledge fully the author’s fondness for, and deep knowledge of, the subject. "This is a book which has the gift of explanation rather than simplification - and it will help to move Joyce Studies into new and exciting areas of investigation." Prof. Declan Kiberd, UCD Dublin School of English and Drama "Dr. Terrinoni's work is a very well researched and penetrating study of the occult and hidden in 'Ulysses' finding connections and meanings ignored or misunderstood by other scholars. It is a real contribution to Joyce Studies." Prof. Clive Bloom, Middlesex University
Author: Zack R. Bowen
Publisher: Greenwood
ISBN:
Category : Literary Collections
Languages : en
Pages : 840
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Book Description
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Author: David Pierce
Publisher: Routledge
ISBN: 1317865065
Category : Language Arts & Disciplines
Languages : en
Pages : 473
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Book Description
`Is there one who understands me?' So wrote James Joyce towards the end of his final work, Finnegans Wake. The question continues to be asked about the author who claimed that he had put so many enigmas into Ulysses that it would `keep the professors busy for centuries' arguing over what he meant. For Joyce this was a way of ensuring his immortality, but it could also be claimed that the professors have served to distance Joyce from his audience, turning his writings into museum pieces, pored over and admired, but rarely touched. In this remarkable book, steeped in the learning gained from a lifetime's reading, David Pierce blends word, life and image to bring the works of one of the great modern writers within the reach of every reader. With a sharp eye for detail and an evident delight in the cadences of Joyce's work, Pierce proves a perfect companion, always careful and courteous, pausing to point out what might otherwise be missed. Like the best of critics, his suggestive readings constantly encourage the reader back to Joyce's own words. Beginning with Dubliners and closing with Finnegans Wake, Reading Joyce is full of insights that are original and illuminating, and Pierce succeeds in presenting Joyce as an author both more straightforward and infinitely more complex than we had perhaps imagined. T. S. Eliot wrote of Joyce's masterpiece, Ulysses, that it is `a book to which we are all indebted, and from which none of us can escape'. With David Pierce as a guide, the debt we owe to Joyce becomes clearer, and the need to flee is greatly reduced.
Author: Luca Crispi
Publisher: Oxford University Press, USA
ISBN: 0198718853
Category : Literary Criticism
Languages : en
Pages : 359
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Book Description
This book is both a study of how James Joyce created two of the most iconic characters in literature--Leopold Bloom and Marion Tweedy Bloom--as well as a history of the genesis of Ulysses. From a genetic critical perspective, it explores the conception and evolution of the Blooms as fictional characters in the work's wide range of surviving notes and manuscripts. At the same time, it also chronicles the production of Ulysses from 1917 to its first edition in 1922 and beyond. Based on decades of research, it is an original engagement with the textual archive of Ulysses, including the exciting, recently-discovered manuscripts now in the National Library of Ireland. Luca Crispi excavates the raw material and examines the creative processes Joyce deployed in the construction of the Blooms and so the writing of Ulysses. Framed by a contextual introduction and four bibliographical appendices, the seven main chapters are a critical investigation of the fictional events and memories that constitute the "lives" of the Blooms. Thereby, it is also a commentary on Joyce's conception of Ulysses more generally. Crispi analyzes how the stories in the published book achieved their final form and discloses previously unexamined versions of them for everyone who enjoys reading Ulysses. This book demonstrates the various ways in which specialist textual work on the genesis of Ulysses directly intersects with other critical and interpretive readings. Joyce's Creative Process is a behind-the-scenes guide to the creation of one of the most important books ever written.
