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Author: Thomas Burkdall
Publisher: Routledge
ISBN: 1136712186
Category : Literary Criticism
Languages : en
Pages : 134
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Book Description
Employing concepts from film theory, this much-needed study explores in-depth the "cinematic" quality of James Joyce's fiction from Dubliners to Finnegan's Wake.
Author: Thomas Burkdall
Publisher: Routledge
ISBN: 1136712186
Category : Literary Criticism
Languages : en
Pages : 134
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Book Description
Employing concepts from film theory, this much-needed study explores in-depth the "cinematic" quality of James Joyce's fiction from Dubliners to Finnegan's Wake.
Author: Janet Egleson Dunleavy
Publisher: University of Delaware Press
ISBN: 9780874134025
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Originally presented as papers at the 1987 James Joyce conference, this collection of essays is concerned with Ulysses, Finnegans Wake, and a variety of intriguing contexts by established Joyceans. Contributors include Fritz Senn, Richard Corballis, Shari Benstock, Bernard Benstock, Zack Bowen, Patrick A. McCarthy, Daniel P. Gunn, Suzette Henke, Susan Brienza, Vincent J. Cheng, Sidney Feshbach, and Mary Reynolds.
Author: Marco Canani
Publisher: Cambridge Scholars Publishing
ISBN: 1443859273
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Borrowed from optics, the concept of parallax identifies the apparently relative position of objects according to the lines of sight determined by the viewer’s standpoint. This concept proves particularly useful in opening new insights into the work of two major authors of Modernist literature: although coincidentally born and deceased in the same years (1882–1941), James Joyce and Virginia Woolf are seldom the object of a joint outlook. Such a watertight separation is witnessed by the scarcity of scholarly work concerned with the relationship between two authors who, on the other hand, often feature together in studies and anthologies on Modernism. Parallaxes fills this void by tackling the many implications of Woolf and Joyce’s difficult—if not failed—encounter, and provides new perspectives on the connections between their respective work. The essays in the volume investigate the works of the two writers—seven decades after their death—from a variety of angles, both singularly and jointly, stimulating dialogue between scholars in both Woolf and Joyce studies.
Author: David Bradshaw
Publisher: John Wiley & Sons
ISBN: 1405154675
Category : Literary Criticism
Languages : en
Pages : 616
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Book Description
The Companion combines a broad grounding in the essentialtexts and contexts of the modernist movement with the uniqueinsights of scholars whose careers have been devoted to the studyof modernism. An essential resource for students and teachers of modernistliterature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the mostdistinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture,contemporary intellectual and aesthetic movements, and all thegenres of modernist writing and art Features 25 essays on the signal texts of modernist literature,from James Joyce’s Ulysses to Zora NealHurston’s Their Eyes Were Watching God Pays close attention to both British and Americanmodernism
Author: James Joyce
Publisher: Broadview Press
ISBN: 1770485171
Category : Fiction
Languages : en
Pages : 338
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Book Description
This group of fifteen brief narratives connected by a place and a time—the city of Dublin at the beginning of the twentieth century—was written when James Joyce was a precocious young graduate of University College. With great subtlety and artistic restraint, Joyce suggests what lies beneath the pieties of Dublin society and its surface drive for respectability, suggesting the difficulties and despairs that were being endured on a daily basis in the homes, pubs, streets, and offices of the city: underemployment, domestic violence, alcoholism, poverty, hunger, emotional and sexual repression. No writer ever took more seriously the details, history, and culture of a particular place than Joyce did with his home city, and these stories combine dark humor with compassion and a searching eye for the causes of suffering. This new edition’s historical appendices include contemporary reviews (among them one by Ezra Pound) and materials on religion, the struggle for Irish independence, and Dublin’s musical and performance culture.
Author: Louise Hornby
Publisher: Oxford University Press
ISBN: 0190661224
Category : Art
Languages : en
Pages : 257
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Book Description
Includes bibliographical references (pages 221-232) and index.
Author: Anthony Paraskeva
Publisher: Edinburgh University Press
ISBN: 0748684913
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
This study examines the representation of gesture in modernist writing, performance and cinema.
Author: Jesse Schotter
Publisher: Edinburgh University Press
ISBN: 1474424791
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
Explores the transformative reign of the Catholic King James VII and the revolution that brought about his fall
Author: Martha C. Carpentier
Publisher: Springer
ISBN: 1137503629
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
These twelve essays analyze the complex pleasures and problems of engaging with James Joyce for subsequent writers, discussing Joyce's textual, stylistic, formal, generic, and biographical influence on an intriguing selection of Irish, British, American, and postcolonial writers from the 1940s to the twenty-first century.
Author: Laura Marcus
Publisher: OUP Oxford
ISBN: 0191615412
Category : Literary Criticism
Languages : en
Pages : 584
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Book Description
The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement. In examining the writings of early film critics and commentators in tandem with those of more specifically literary figures, including H.G.Wells and Virginia Woolf, and in bringing literary texts into this field, Laura Marcus provides a new account of relationships between cinema and literature. Intertwining two major strands of research - the exploration of early film criticism and theory and cinema's presence in literary texts - The Tenth Muse shows how issues central to an understanding of cinema (including questions of time, repetition, movement, vision, sound and silence) are threaded through both kinds of writing, and the ways in which discursive and fictional writings overlapped. The movement that defined cinema was also perceived as a more fragile and unstable ephemerality that inhered at every level, from the fleeting nature of the projected images to the vagaries of cinematic exhibition. It was the anxiety over the mutability of the medium and its exhibition which, from the 1920s onwards, led to the establishment of such institutional spaces for cinema as the London-based Film Society, the new film journals, and, in the 1930s, the first film archives. The Tenth Muse explores the continuities between these sites of cinematic culture and the conceptual, literary and philosophical understandings of the filmic medium.
