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Author: Eugène Delacroix
Publisher: Penn State Press
ISBN: 0271090618
Category : Art
Languages : en
Pages : 143
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Book Description
In 1832, Eugène Delacroix accompanied a French diplomatic mission to Morocco, the first leg of a journey through the Maghreb and Andalusia that left an indelible impression on the painter. This comprehensive, annotated English-language translation of his notes and essays about this formative trip makes available a classic example of travel writing about the “Orient” from the era and provides a unique picture of the region against the backdrop of the French conquest of Algeria. Delacroix’s travels in Morocco, Algeria, and southern Spain led him to discover a culture about which he had held only imperfect and stereotypical ideas and provided a rich store of images that fed his imagination forever after. He wrote extensively about these experiences in several stunningly beautiful notebooks, noting the places he visited, routes he followed, scenes he observed, and people he encountered. Later, Delacroix wrote two articles about the trip, “A Jewish Wedding in Morocco” and the recently discovered “Memories of a Visit to Morocco,” in which he shared these extraordinary experiences, revealing how deeply influential the trip was to his art and career. Never before translated into English, Journey to the Maghreb and Andalusia, 1832 includes Delacroix’s two articles, four previously known travel notebooks, fragments of two additional, recently discovered notebooks, and numerous notes and drafts. Michèle Hannoosh supplements these with an insightful introduction, full critical notes, appendices, and biographies, creating an essential volume for scholars and readers interested in Delacroix, French art history, Northern Africa, and nineteenth-century travel and culture.
Author: Eugène Delacroix
Publisher: Penn State Press
ISBN: 0271090618
Category : Art
Languages : en
Pages : 143
Get Book Here
Book Description
In 1832, Eugène Delacroix accompanied a French diplomatic mission to Morocco, the first leg of a journey through the Maghreb and Andalusia that left an indelible impression on the painter. This comprehensive, annotated English-language translation of his notes and essays about this formative trip makes available a classic example of travel writing about the “Orient” from the era and provides a unique picture of the region against the backdrop of the French conquest of Algeria. Delacroix’s travels in Morocco, Algeria, and southern Spain led him to discover a culture about which he had held only imperfect and stereotypical ideas and provided a rich store of images that fed his imagination forever after. He wrote extensively about these experiences in several stunningly beautiful notebooks, noting the places he visited, routes he followed, scenes he observed, and people he encountered. Later, Delacroix wrote two articles about the trip, “A Jewish Wedding in Morocco” and the recently discovered “Memories of a Visit to Morocco,” in which he shared these extraordinary experiences, revealing how deeply influential the trip was to his art and career. Never before translated into English, Journey to the Maghreb and Andalusia, 1832 includes Delacroix’s two articles, four previously known travel notebooks, fragments of two additional, recently discovered notebooks, and numerous notes and drafts. Michèle Hannoosh supplements these with an insightful introduction, full critical notes, appendices, and biographies, creating an essential volume for scholars and readers interested in Delacroix, French art history, Northern Africa, and nineteenth-century travel and culture.
Author: Michèle Hannoosh
Publisher: Penn State University Press
ISBN: 9780271083575
Category :
Languages : en
Pages : 248
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Book Description
Demonstrates the crucial role that art-writing played as a tool of historical analysis in the work of the Romantic historian Jules Michelet's work, decisively influencing his most important historical concepts, his idea of history, and his view of the practice of the historian.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870996363
Category : Art
Languages : en
Pages : 464
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Book Description
From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR
Author: Elisabeth A. Fraser
Publisher: Routledge
ISBN: 1351042041
Category : Art
Languages : en
Pages : 221
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Book Description
For centuries artists, diplomats, and merchants served as cultural intermediaries in the Mediterranean. Stationed in port cities and other entrepôts of the Mediterranean, these go-betweens forged intercultural connections even as they negotiated and sometimes promoted cultural misunderstandings. They also moved objects of all kinds across time and space. This volume considers how the mobility of art and material culture is intertwined with greater Mediterranean networks from 1580 to 1880. Contributors see the movement of people and objects as transformational, emphasizing the trajectory of objects over single points of origin, multiplicity over unity, and mutability over stasis.
Author: Jerome Rothenberg
Publisher: Univ of California Press
ISBN: 0520273850
Category : Literary Criticism
Languages : en
Pages : 792
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Book Description
"Global anthology of twentieth-century poetry"--Back cover.
Author: Elisabeth Ann Fraser
Publisher: Penn State University Press
ISBN: 9780271073200
Category : Artists
Languages : en
Pages : 0
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Book Description
Focusing on travel images and cross-cultural exchange, examines interactions between the Ottoman Empire and Europeans from 1774 to 1839, highlighting mutual dependence and reciprocity.
Author: Jessica Gerschultz
Publisher: Refiguring Modernism
ISBN: 9780271083186
Category : Art schools
Languages : en
Pages : 0
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Book Description
"Examines the gendering of tapestry and decorative arts in mid-twentieth-century Tunis, with a focus on how collaborations across art schools destabilized the boundary between art and craft as women gained entry into ateliers and workshops previously dominated by men. Explores how art and feminism were entwined with socialist modernizing projects i
Author: Michele Hannoosh
Publisher:
ISBN: 9780691043944
Category : Ut pictura poesis (Aesthetics)
Languages : en
Pages : 221
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Book Description
The "Journal" of Eugene Delacroix is one of the most important works in the literature of art history: the record of a life at once public and private, it is also one of the richest and most fascinating aesthetic documents of the nineteenth century, as Delacroix reflects throughout on the relations between the arts, especially painting and writing. Indeed, he approaches the question from a unique perspective, that of a painter who wrote extensively and theorized his own writing in the "Journal," a painter who had a passion for literature and a powerful literary imagination, a narrative painter whose work is rooted in literature and the literary. This book is the first to explore the crucial importance of this relation for Delacroix's aesthetic theory and artistic practice. Countering the long critical tradition which sees his writing as the inverse of his painting, it argues that, through his diary and art criticism, he sought to develop a painter's writing, proper to painting itself, and that such a writing is closely related to his conception of pictorial art. This approach has significant implications for interpreting the narratives of his public decorations, four of which are analyzed here: the library schemes of the Senate and the Assemblee Nationale, the Apollo Gallery in the Louvre, and the Chapel of the Holy Angels at the church of Saint-Sulpice. Delacroix's ideas on the theoretical and practical relations between writing and painting, narrative and the image, are shown to be central not only to his aesthetic, but also to his views on civilization, history, and culture, and on the role of the artist in the modern world.
Author: Bruce Maddy-Weitzman
Publisher: University of Texas Press
ISBN: 0292725876
Category : History
Languages : en
Pages : 305
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Book Description
Like many indigenous groups that have endured centuries of subordination, the Berber/Amazigh peoples of North Africa are demanding linguistic and cultural recognition and the redressing of injustices. Indeed, the movement seeks nothing less than a refashioning of the identity of North African states, a rewriting of their history, and a fundamental change in the basis of collective life. In so doing, it poses a challenge to the existing political and sociocultural orders in Morocco and Algeria, while serving as an important counterpoint to the oppositionist Islamist current. This is the first book-length study to analyze the rise of the modern ethnocultural Berber/Amazigh movement in North Africa and the Berber diaspora. Bruce Maddy-Weitzman begins by tracing North African history from the perspective of its indigenous Berber inhabitants and their interactions with more powerful societies, from Hellenic and Roman times, through a millennium of Islam, to the era of Western colonialism. He then concentrates on the marginalization and eventual reemergence of the Berber question in independent Algeria and Morocco, against a background of the growing crisis of regime legitimacy in each country. His investigation illuminates many issues, including the fashioning of official national narratives and policies aimed at subordinating Berbers in an Arab nationalist and Islamic-centered universe; the emergence of a counter-movement promoting an expansive Berber "imagining" that emphasizes the rights of minority groups and indigenous peoples; and the international aspects of modern Berberism.
Author: Margrit Pernau
Publisher: Cambridge University Press
ISBN: 1108911080
Category : Political Science
Languages : en
Pages : 135
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Book Description
This Element brings together the history of emotions and temporalities, offering a new perspective on both. Time was often imagined as a movement from the past to the future: the past is gone and the future not yet here. Only present-day subjects could establish relations to other times, recovering history as well as imagining and anticipating the future. In a movement paralleling the emphasis on the porous self, constituted by emotions situated not inside but between subjects, this Element argues for a porous present, which is open to the intervention of ghosts coming from the past and from the future. What needs investigating is the flow between times as much as the creation of boundaries between them, which first banishes the ghosts and then denies their existence. Emotions are the most important way through which subjects situate and understand themselves in time.
