Author: Frederic A. Sharf
Publisher: Tsehai Publishers
ISBN: 9780972317245
Category : Art
Languages : en
Pages : 100
Book Description
"Although many of the works on show in the exhibition catalogued in this superb publication appeared at the time in the Illustrated London News, for most readers this will be their first opportunity to see them in colour. Indeed, several of the sketches have never before been published in their original form ? notably William Simpson?s drawing of Prince Alemayehou, which was executed only a few days after the death of his father, the Emperor Tewedros, and of whom very few images have been handed down to us. Readers are also treated to a number of fascinating tidbits, such as the methods practiced by publishers? studio staff to enhance landscape sketches with the addition of human figures, and many will be intrigued to learn of the ?cut and paste? origins of the graphic cover used to illustrate John Pridham?s musical composition commemorating the battle.Professors Pankhurst and Northrup are to be congratulated not only for a succinct and readable presentation of the historical background, but for their insight into the relationship between Ethiopia and the outside world prevailing in the mid-19th century. Whereas previous writers have tended to portray events leading up to the ?Abyssinian difficulty? through European eyes; the reader can now begin to see them in the Ethiopian context. It is a sad irony that it is only in the 21st century that we begin to see that Tewedros?s cultural values had more in common with the pre-Renaissance world of Prester John than with post-industrial revolution Britain. Clearly the British government?s outrage at the imprisonment of its consul, and Napier?s subsequent refusal to accept anything less than total surrender ? even after the release of the prisoners ? would not have been anticipated or even understood by an essentially medi?val monarch. Both Ethiopianists and lovers of military art will be grateful to Frederic Sharf for a unique and important publication. Following hard on the heels of Diary of a Journey to Abyssinia, this carefully prepared exhibition of paintings and drawings of Britain?s Abyssinia expedition fills some significant gaps in our knowledge of 19th century Ethiopia."Ian Campbell, Scholar on Ethiopian Art History
Abyssinia, 1867-1868
Author: Frederic A. Sharf
Publisher: Tsehai Publishers
ISBN: 9780972317245
Category : Art
Languages : en
Pages : 100
Book Description
"Although many of the works on show in the exhibition catalogued in this superb publication appeared at the time in the Illustrated London News, for most readers this will be their first opportunity to see them in colour. Indeed, several of the sketches have never before been published in their original form ? notably William Simpson?s drawing of Prince Alemayehou, which was executed only a few days after the death of his father, the Emperor Tewedros, and of whom very few images have been handed down to us. Readers are also treated to a number of fascinating tidbits, such as the methods practiced by publishers? studio staff to enhance landscape sketches with the addition of human figures, and many will be intrigued to learn of the ?cut and paste? origins of the graphic cover used to illustrate John Pridham?s musical composition commemorating the battle.Professors Pankhurst and Northrup are to be congratulated not only for a succinct and readable presentation of the historical background, but for their insight into the relationship between Ethiopia and the outside world prevailing in the mid-19th century. Whereas previous writers have tended to portray events leading up to the ?Abyssinian difficulty? through European eyes; the reader can now begin to see them in the Ethiopian context. It is a sad irony that it is only in the 21st century that we begin to see that Tewedros?s cultural values had more in common with the pre-Renaissance world of Prester John than with post-industrial revolution Britain. Clearly the British government?s outrage at the imprisonment of its consul, and Napier?s subsequent refusal to accept anything less than total surrender ? even after the release of the prisoners ? would not have been anticipated or even understood by an essentially medi?val monarch. Both Ethiopianists and lovers of military art will be grateful to Frederic Sharf for a unique and important publication. Following hard on the heels of Diary of a Journey to Abyssinia, this carefully prepared exhibition of paintings and drawings of Britain?s Abyssinia expedition fills some significant gaps in our knowledge of 19th century Ethiopia."Ian Campbell, Scholar on Ethiopian Art History
Publisher: Tsehai Publishers
ISBN: 9780972317245
Category : Art
Languages : en
Pages : 100
Book Description
"Although many of the works on show in the exhibition catalogued in this superb publication appeared at the time in the Illustrated London News, for most readers this will be their first opportunity to see them in colour. Indeed, several of the sketches have never before been published in their original form ? notably William Simpson?s drawing of Prince Alemayehou, which was executed only a few days after the death of his father, the Emperor Tewedros, and of whom very few images have been handed down to us. Readers are also treated to a number of fascinating tidbits, such as the methods practiced by publishers? studio staff to enhance landscape sketches with the addition of human figures, and many will be intrigued to learn of the ?cut and paste? origins of the graphic cover used to illustrate John Pridham?s musical composition commemorating the battle.Professors Pankhurst and Northrup are to be congratulated not only for a succinct and readable presentation of the historical background, but for their insight into the relationship between Ethiopia and the outside world prevailing in the mid-19th century. Whereas previous writers have tended to portray events leading up to the ?Abyssinian difficulty? through European eyes; the reader can now begin to see them in the Ethiopian context. It is a sad irony that it is only in the 21st century that we begin to see that Tewedros?s cultural values had more in common with the pre-Renaissance world of Prester John than with post-industrial revolution Britain. Clearly the British government?s outrage at the imprisonment of its consul, and Napier?s subsequent refusal to accept anything less than total surrender ? even after the release of the prisoners ? would not have been anticipated or even understood by an essentially medi?val monarch. Both Ethiopianists and lovers of military art will be grateful to Frederic Sharf for a unique and important publication. Following hard on the heels of Diary of a Journey to Abyssinia, this carefully prepared exhibition of paintings and drawings of Britain?s Abyssinia expedition fills some significant gaps in our knowledge of 19th century Ethiopia."Ian Campbell, Scholar on Ethiopian Art History
A History of the Abyssinian Expedition
Author: Sir Clements Robert Markham
Publisher:
ISBN:
Category : Abyssinia
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Abyssinia
Languages : en
Pages : 464
Book Description
Women and Slavery: Africa, the Indian Ocean world, and the medieval north Atlantic
Author: Gwyn Campbell
Publisher: Ohio University Press
ISBN: 0821417231
Category : Slavery
Languages : en
Pages : 433
Book Description
The particular experience of enslaved women, across different cultures and many different eras is the focus of this work.
Publisher: Ohio University Press
ISBN: 0821417231
Category : Slavery
Languages : en
Pages : 433
Book Description
The particular experience of enslaved women, across different cultures and many different eras is the focus of this work.
Catalogue of an Extensive Collection of Books ... Relating to Africa and African Islands [for Sale By] Francis Edwards
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
Publishers' circular and booksellers' record
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
Book Description
Brokering Culture in Britain's Empire and the Historical Novel
Author: Matthew C. Salyer
Publisher: Rowman & Littlefield
ISBN: 1498562914
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
Brokering Culture in Britain's Empire and the Historical Novel examines the relationship between the historical sensibilities of nineteenth-century British and American “romancers” and the conceptual frameworks that eighteenth-century imperial interlocutors used to imagine and critique their own experiences of Britain’s diffused, tenuous, and often accidental authority. Salyer argues that this cultural experience, more than what Lukács had in mind when he wrote of a mass historical consciousness after Napoleon, gave rise to the Romantic historiographical approach of writers such as Walter Scott, James Fenimore Cooper, Charles Brockden Brown and Frederick Marryat. This book traces the conversion of the eighteenth-century imperial speaker into the nineteenth-century “romance” hero through a number of proto-novelistic responses to the problem of Imperial history, including Edmund Burke in the Annual Register and the celebrated court case of James Annesley, among others. The author argues that popular Romantic novels such as Scott’s Waverley and Cooper’s The Pioneers convert the problem of narrating the political geographies of eighteenth-century Empire into a discourse of history, placing the historical realities of negotiating Imperial authority at the heart of a nineteenth-century project that fictionalized the possibilities and limits of political historical agency in the modern nation state.
Publisher: Rowman & Littlefield
ISBN: 1498562914
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
Brokering Culture in Britain's Empire and the Historical Novel examines the relationship between the historical sensibilities of nineteenth-century British and American “romancers” and the conceptual frameworks that eighteenth-century imperial interlocutors used to imagine and critique their own experiences of Britain’s diffused, tenuous, and often accidental authority. Salyer argues that this cultural experience, more than what Lukács had in mind when he wrote of a mass historical consciousness after Napoleon, gave rise to the Romantic historiographical approach of writers such as Walter Scott, James Fenimore Cooper, Charles Brockden Brown and Frederick Marryat. This book traces the conversion of the eighteenth-century imperial speaker into the nineteenth-century “romance” hero through a number of proto-novelistic responses to the problem of Imperial history, including Edmund Burke in the Annual Register and the celebrated court case of James Annesley, among others. The author argues that popular Romantic novels such as Scott’s Waverley and Cooper’s The Pioneers convert the problem of narrating the political geographies of eighteenth-century Empire into a discourse of history, placing the historical realities of negotiating Imperial authority at the heart of a nineteenth-century project that fictionalized the possibilities and limits of political historical agency in the modern nation state.
Catalogue of the Library of Congress
Author: Library of Congress
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1094
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 1094
Book Description
The Catalogue of the Public Library of Victoria
Author: Public Library of Victoria
Publisher:
ISBN:
Category : Public libraries
Languages : en
Pages : 998
Book Description
Publisher:
ISBN:
Category : Public libraries
Languages : en
Pages : 998
Book Description
Frontiers of Violence in North-East Africa
Author: Richard J. Reid
Publisher: OUP Oxford
ISBN: 0191615927
Category : History
Languages : en
Pages : 336
Book Description
Northeast Africa has one of the richest histories in the world, and yet also one of the most violent. Richard Reid offers an historical analysis of violent conflict in northeast Africa through the nineteenth and twentieth centuries, incorporating the Ethiopian and Eritrean highlands and their escarpment and lowland peripheries, stretching between the modern Eritrean Red Sea coast and the southern and eastern borderlands of present day Ethiopia. Sudanese and Somali frontiers are also examined insofar as they can be related to ethnic, political, and religious conflict, and the violent state- and empire-building processes which have defined the region since c.1800. Reid argues that this modern warfare is not solely the product of modern political 'failure', but rather has its roots in a network of frontier zones which are both violent and creative. Such borderlands have given rise to markedly militarised political cultures which are rooted in the violence of the nineteenth century, and which in recent decades are manifest in authoritarian systems of government. Reid thus traces the history of Amhara and Tigrayan imperialisms to the nationalist and ethnic revolutions which represented the march of volatile borderlands on the hegemonic centre. He suggests a new interpretation of Ethiopian and Eritrean history, arguing that the key to understanding the region's turbulent present lies in an appreciation of the role of the armed, and politically fertile, frontier in its deeper past.
Publisher: OUP Oxford
ISBN: 0191615927
Category : History
Languages : en
Pages : 336
Book Description
Northeast Africa has one of the richest histories in the world, and yet also one of the most violent. Richard Reid offers an historical analysis of violent conflict in northeast Africa through the nineteenth and twentieth centuries, incorporating the Ethiopian and Eritrean highlands and their escarpment and lowland peripheries, stretching between the modern Eritrean Red Sea coast and the southern and eastern borderlands of present day Ethiopia. Sudanese and Somali frontiers are also examined insofar as they can be related to ethnic, political, and religious conflict, and the violent state- and empire-building processes which have defined the region since c.1800. Reid argues that this modern warfare is not solely the product of modern political 'failure', but rather has its roots in a network of frontier zones which are both violent and creative. Such borderlands have given rise to markedly militarised political cultures which are rooted in the violence of the nineteenth century, and which in recent decades are manifest in authoritarian systems of government. Reid thus traces the history of Amhara and Tigrayan imperialisms to the nationalist and ethnic revolutions which represented the march of volatile borderlands on the hegemonic centre. He suggests a new interpretation of Ethiopian and Eritrean history, arguing that the key to understanding the region's turbulent present lies in an appreciation of the role of the armed, and politically fertile, frontier in its deeper past.
Catalogue of the Ohio State Library
Author: Ohio State Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 752
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 752
Book Description