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Author: Joseph Howard Parks
Publisher: LSU Press
ISBN: 9780807124659
Category : History
Languages : en
Pages : 644
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Book Description
Joseph Brown was a pivotal figure in southern history and a prototype of a new breed of southern politician in the mid-nineteenth century-the hill country newcomer who was considered to represent the “common man.” As governor of Georgia from 1857 to 1865, Brown enthusiastically supported the Confederacy in the early years of the war, though he refused to sacrifice what he considered states’ rights to the interest of a Confederate victory. Brown was constantly at odds with Jefferson Davis concerning Georgia’s supply of Confederate troops and was openly hostile, to the .point of urging Davis’ removal over the matters of conscription and the suspension of habeas corpus. When defeat came for the South, Brown accepted the collapse of the old economic order as quickly as he did the loss of slavery and states’ rights. He advocated a new South and amassed a fortune in the development of real estate, mining, and railroads. He turned Republican and promoted congressional Reconstruction measures, temporarily losing his influence in Georgia. But in 1871 he rejoined the Democratic party and served in the United States Senate from 1880 to 1891. Here is the first full-scale biography of a man of meager education and limited political experience who worked his way from the North Georgia mountains to the positions of governor and United States senator. Drawing on previously unavailable documents, Parks captures the mood of Georgia as well as the personality of this astute and controversial politician.
Author: Joseph Howard Parks
Publisher: LSU Press
ISBN: 9780807124659
Category : History
Languages : en
Pages : 644
Get Book Here
Book Description
Joseph Brown was a pivotal figure in southern history and a prototype of a new breed of southern politician in the mid-nineteenth century-the hill country newcomer who was considered to represent the “common man.” As governor of Georgia from 1857 to 1865, Brown enthusiastically supported the Confederacy in the early years of the war, though he refused to sacrifice what he considered states’ rights to the interest of a Confederate victory. Brown was constantly at odds with Jefferson Davis concerning Georgia’s supply of Confederate troops and was openly hostile, to the .point of urging Davis’ removal over the matters of conscription and the suspension of habeas corpus. When defeat came for the South, Brown accepted the collapse of the old economic order as quickly as he did the loss of slavery and states’ rights. He advocated a new South and amassed a fortune in the development of real estate, mining, and railroads. He turned Republican and promoted congressional Reconstruction measures, temporarily losing his influence in Georgia. But in 1871 he rejoined the Democratic party and served in the United States Senate from 1880 to 1891. Here is the first full-scale biography of a man of meager education and limited political experience who worked his way from the North Georgia mountains to the positions of governor and United States senator. Drawing on previously unavailable documents, Parks captures the mood of Georgia as well as the personality of this astute and controversial politician.
Author: Waldo W. Braden
Publisher: LSU Press
ISBN: 9780807125168
Category : History
Languages : en
Pages : 304
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Book Description
The thirty years prior to the Civil War were flamboyant and fiery times for the South. People had a passion for political issues and an ear for the lusty oratory that could be heard at any gathering, social or political. In Oratory in the Old South, Waldo Braden and his associates looked past the popular myths of that era and uncovered the true nature of the oratory of the times.In this sequel to that earlier volume, Braden and seven other speech scholars examine the oratory of accommodation that dominated the southern forum in the post-Civil War years. Speakers of this era, they find, had to overcome problems of spirit and morale; their challenge was to build up the political and personal confidence of a people who were defeated. By the same token, these speakers had to adapt their oratory to outside influences that had the power to exert military pressure, withhold funds, and employ negative political coercion. The eight essays of the book are developed topically, and the issues of racism, women's rights, states' rights, industrialization, and education are delineated as they weave into the developing story of the New South. Among the topics dealt with are the promotion of cultural myths, the tactics of Henry W. Grady as a propagandist for the New South, the oratory of the United Confederate Veterans, and the emergence of women as speakers for reform.The oft-repeated myths and encouragements of the orators helped giver southerners the distinction they thought lost, a sense of nationalism. Once created, this cohesive regionalism wrought a power, pride, and prestige so strong that they defied challenge and made many southerners impervious to change and progress until well after 1950. Oratory in the New South reveals many sources of the South's modern self-concept and stands as a unique account of this formative period.
Author: C. Vann Woodward
Publisher: LSU Press
ISBN: 0807158208
Category : History
Languages : en
Pages : 671
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Book Description
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Author: William W. Freehling
Publisher: Oxford University Press, USA
ISBN: 0195079450
Category : History
Languages : en
Pages : 192
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Book Description
The critical northern antebellum debate matched the rhetorical skills of Abraham Lincoln and Stephen A. Douglas in an historic argument over the future of slavery in a westward-expanding America. Two years later, an equally historic oratorical showdown between secessionists and Unionists in Georgia generated as much popular interest south of the Mason-Dixon line, and perhaps had an even more profound immediate effect on the future of the United States. With Abraham Lincoln's "Black Republican" triumph in the presidential election of 1860 came ardent secessionist sentiment in the South. But Unionists were equally zealous and while South Carolina—a bastion of Disunionism since 1832—seemed certain to secede, the other fourteen slave states were far from decided. In the deep South, the road to disunion depended much on the actions of Georgia, a veritable microcosm of the divided South and geographically in the middle of the Cotton South. If Georgia went for the Union, secessionist South Carolina could be isolated. So in November of 1860 all the eyes of Dixie turned to tiny Milledgeville, pre-war capital of Georgia, for a legislative confrontation that would help chart the course toward civil war. In Secession Debated, William W. Freehling and Craig M. Simpson have for the first time collected the seven surviving speeches and public letters of this greatest of southern debates over disunion, providing today's reader with a unique window into a moment of American crisis. Introducing the debate and debaters in compelling fashion, the editors help bring to life a sleepy Southern town suddenly alive with importance as a divided legislature met to decide the fate of Georgia, and by extension, that of the nation. We hear myriad voices, among them the energetic and self-righteous governor Joseph E. Brown who, while a slaveholder and secessionist, was somewhat suspect as a native North Georgian; Alexander H. Stephens, the eloquent Unionist whose "calm dispassionate approach" ultimately backfired; and fiery secessionist Robert Toombs who, impatient with Brown's indecisiveness and the caution of the Unionists, shouted to legislators: "Give me the sword! but if you do not place it in my hands, before God! I will take it." The secessionists' Henry Benning and Thomas R.R. Cobb as well as the Unionists Benjamin Hill and Herschel Johnson also speak to us across the years, most with eloquence, all with the patriotic, passionate conviction that defined an era. In the end, the legislature adopted a convention bill which decreed a popular vote on the issue in early January, 1861. The election results were close, mirroring the intense debate of two months before: 51% of Georgians favored immediate secession, a slim margin which the propaganda-conscious Brown later inflated to 58%. On January 19th the Georgia Convention sanctioned secession in a 166-130 vote, and the imminent Confederacy had its Southern hinge. Secession Debated is a colorful and gripping tale told in the words of the actual participants, one which sheds new light on one of the great and hitherto neglected verbal showdowns in American history. It is essential to a full understanding of the origins of the war between the states.
Author: William B. McCash
Publisher:
ISBN: 9780865540491
Category : Biography & Autobiography
Languages : en
Pages : 216
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Book Description
Author: Henry Woodfin Grady
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 302
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Book Description
Author: John Brown
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 276
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Book Description
Author: John C. Inscoe
Publisher: University of Georgia Press
ISBN: 082034138X
Category : History
Languages : en
Pages : 321
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Book Description
"A project of the New Georgia Encyclopedia"
Author: Tera W. Hunter
Publisher: Harvard University Press
ISBN: 0674893085
Category : Social Science
Languages : en
Pages : 336
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Book Description
As the Civil War drew to a close, newly emancipated black women workers made their way to Atlanta--the economic hub of the newly emerging urban and industrial south--in order to build an independent and free life on the rubble of their enslaved past. In an original and dramatic work of scholarship, Tera Hunter traces their lives in the postbellum era and reveals the centrality of their labors to the African-American struggle for freedom and justice. Household laborers and washerwomen were constrained by their employers' domestic worlds but constructed their own world of work, play, negotiation, resistance, and community organization. Hunter follows African-American working women from their newfound optimism and hope at the end of the Civil War to their struggles as free domestic laborers in the homes of their former masters. We witness their drive as they build neighborhoods and networks and their energy as they enjoy leisure hours in dance halls and clubs. We learn of their militance and the way they resisted efforts to keep them economically depressed and medically victimized. Finally, we understand the despair and defeat provoked by Jim Crow laws and segregation and how they spurred large numbers of black laboring women to migrate north. Hunter weaves a rich and diverse tapestry of the culture and experience of black women workers in the post-Civil War south. Through anecdote and data, analysis and interpretation, she manages to penetrate African-American life and labor and to reveal the centrality of women at the inception--and at the heart--of the new south.
Author: Deborah C. Pollack
Publisher: Univ of South Carolina Press
ISBN: 1611174333
Category : Art
Languages : en
Pages : 371
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Book Description
Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies "cultural strivers"—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city.
