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Author: Lindsay Blair
Publisher: Reaktion Books
ISBN: 1780231601
Category : Art
Languages : en
Pages : 226
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Book Description
The "boxes" and collages constructed by Joseph Cornell (1903–72) are among the most intriguing and beguiling works of art made this century. Old toys, photos, magazine illustrations, bits of electrical wiring – anything in fact more usually left to molder in lumber rooms or junkshops – were hoarded by him as the elemental materials he needed for his constructions. The finished works are visually entrancing, but the intensely personal webs of reverie and association that determined their content make these boxes at once both oddly familiar yet ineluctably strange. Drawing on the widest range possible of primary material – virtually all Cornell's scrapbooks and source files, as well as correspondence and diaries – supplemented by further details gathered during more than fifty interviews undertaken with the artist's family and acquaintances, including Robert Motherwell and Susan Sontag, Lindsay Blair gives us the most detailed picture yet of an artist who hid so much of his life from the world. Her conclusion, wholly convincing in the light of the evidence she provides, is that Cornell's ultimate subject was the mind itself.
Author: Lindsay Blair
Publisher: Reaktion Books
ISBN: 1780231601
Category : Art
Languages : en
Pages : 226
Get Book Here
Book Description
The "boxes" and collages constructed by Joseph Cornell (1903–72) are among the most intriguing and beguiling works of art made this century. Old toys, photos, magazine illustrations, bits of electrical wiring – anything in fact more usually left to molder in lumber rooms or junkshops – were hoarded by him as the elemental materials he needed for his constructions. The finished works are visually entrancing, but the intensely personal webs of reverie and association that determined their content make these boxes at once both oddly familiar yet ineluctably strange. Drawing on the widest range possible of primary material – virtually all Cornell's scrapbooks and source files, as well as correspondence and diaries – supplemented by further details gathered during more than fifty interviews undertaken with the artist's family and acquaintances, including Robert Motherwell and Susan Sontag, Lindsay Blair gives us the most detailed picture yet of an artist who hid so much of his life from the world. Her conclusion, wholly convincing in the light of the evidence she provides, is that Cornell's ultimate subject was the mind itself.
Author: Lindsay Blair
Publisher: Reaktion Books
ISBN: 9780948462498
Category : Art
Languages : en
Pages : 232
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Book Description
The "boxes" and collages constructed by Joseph Cornell (1903-72) are among the most intriguing and beguiling works of art made this century. Drawing on the widest range possible of primary material and interviews, author Lindsay Blair gives us the most detailed picture yet of an artist whose boxes were built from a mass of intensely felt personal yearning, attachments, fears, and disappointments. 34 color and 90 b&w illustrations.
Author: Michael Schwartz
Publisher: Emerald Group Publishing
ISBN: 1787561674
Category : Business & Economics
Languages : en
Pages : 241
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Book Description
This volume includes six varied contributions to the study of visual ethics in organizations. The implications of our visual world for organizational life and personal behaviour have received scant research attention. This volume sets out to address that lack of research.
Author: Mary Clare McKinley
Publisher: Metropolitan Museum of Art
ISBN: 1588396274
Category : Art
Languages : en
Pages : 98
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Book Description
Between 1953 and 1966, New York assemblage artist Joseph Cornell created more than twenty works in homage to Juan Gris, specifically inspired by the Cubist’s collage masterpiece, The Man at the Café(1914). Cornell’s Gris boxes have as their centerpiece the image of a bird, the great white-crested cockatoo, whose delightful and erudite connections to the Cubist’s oeuvre and to Cornell’s own hobbies, love of music, and distinctive approach to modern art are comprehensively documented here for the first time.
Author: Marci Kwon
Publisher: Princeton University Press
ISBN: 0691181403
Category : Art
Languages : en
Pages : 272
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Book Description
"This book uncovers a largely overlooked strand of American modernism in Cornell's work that engaged with current issues through the metaphysical aspects of vernacular objects and experiences"--
Author: Deborah Solomon
Publisher: Other Press, LLC
ISBN: 1590517148
Category : Biography & Autobiography
Languages : en
Pages : 593
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Book Description
Deborah Solomon’s definitive biography of Joseph Cornell, one of America’s most moving and unusual twentieth-century artists, now reissued twenty years later with updated and extensively revised text Few artists ever led a stranger life than Joseph Cornell, the self-taught American genius prized for his enigmatic shadow boxes, who stands at the intersection of Surrealism, Abstract Expressionism, and Pop Art. Legends about Cornell abound—the shy hermit, the devoted family caretaker, the artistic innocent—but never before has he been presented for what he was: a brilliant, relentlessly serious artist whose stature has now reached monumental proportions.
Author: Andrew Brink
Publisher: Peter Lang
ISBN: 9780820497211
Category : Art
Languages : en
Pages : 226
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Book Description
Desire and Avoidance in Art argues that while early developmental traumas can produce life-long creative endeavors with striking aesthetic results, they may also, for the male artist, result in destructive relations with women. Brink introduces the scheme of personality formation - as found in the work on infant and child development of John Bowlby, Mary Ainsworth, Mary Main, Patricia Crittenden, Allen N. Schore, and others - to explore a new venture in psychobiography. He effectively uses the concept of «anxious attachment» to describe mother-infant/child relations and their sequelae. Using pertinent developmental data found in each artist's childhood, Andrew Brink accounts for the anxious-avoidant attachment style (or, in Crittenden's terminology, the Anxious/Controlling style) from which these artists suffered. He aims to explain why partnerships with women are sometimes hazardous and frequently tragic for male artists by referencing various feminist writers. Based on their viewpoints, Brink extracts psychodynamic explanations that are largely based on what the artists' imagery reveals. Furthermore, he explains how the attachment theory of attraction-avoidance is shown to supplement and enrich other ways of understanding chronically tense relations between the sexes. Brink focuses his attention on artists such as Picasso, Bellmer, Balthus, and Cornell, who are culturally powerful and often stimulate discussion about misogynic figures within a social context.
Author: Charles Simic
Publisher: New York Review of Books
ISBN: 1590174860
Category : Art
Languages : en
Pages : 121
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Book Description
Now in Paperback In Dime-Store Alchemy, poet Charles Simic reflects on the life and work of Joseph Cornell, the maverick surrealist who is one of America’s great artists. Simic’s spare prose is as enchanting and luminous as the mysterious boxes of found objects for which Cornell is justly renowned.
Author: John Scanlan
Publisher: Reaktion Books
ISBN: 1861896344
Category : Philosophy
Languages : en
Pages : 212
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Book Description
How do we decide what is junk? The discarded remnants of our daily lives may no longer be useful to us, yet John Scanlan proposes in On Garbage that our trash is actually a treasure trove of artifacts that reveals intriguing insights into the modern human condition and the evolution of Western culture. On Garbage is the first book to examine the detritus of Western culture in full range—not only material waste and ruin, but also residual or "broken" knowledge and the lingering remainders of cultural thought systems. Scanlan considers how Western philosophy, science, and technology attained mastery over nature through what can be seen as a prolonged act of cleansing, as scientists and philosophers weeded out incorrect, outmoded, or superseded knowledge. He also analyzes how disposal not only produces overwhelming mountains of waste, but creates dead bits of useless knowledge that permeate the reality of modern Western societies. He argues that physical and intellectual debris reveal new insights into the basic tenets of Western culture and, ultimately, that the abject reality of our disposable lives has led to us becoming the "garbage" of our times.
Author: Catriona McAra
Publisher: Routledge
ISBN: 1315390566
Category : Art
Languages : en
Pages : 180
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Book Description
In A Surrealist Stratigraphy of Dorothea Tanning’s Chasm, Catriona McAra offers the first critical study of the literary work of the celebrated American painter and sculptor Dorothea Tanning (1910–2012). McAra fills a major gap in the scholarship, repositioning Tanning’s writing at the centre of her entire creative oeuvre and focusing on a little-known short story "Abyss," a gothic-flavoured, desert adventure which Tanning worked on intermittently throughout her creative life, finally publishing it in 2004 as Chasm: A Weekend. McAra performs a major reassessment of the visual and literary principles upon which the surrealist movement was initially founded. Combining a groundbreaking methodological approach with reference to cultural theory and feminist aesthetics as well as Tanning’s unpublished journals and notes, McAra reveals Tanning as a key player in contemporary art practice as well as in the historical surrealist milieu.
