Author: Victoria Walters
Publisher: LIT Verlag Münster
ISBN: 3643901054
Category : Art
Languages : en
Pages : 412
Book Description
During the 1970s, the German sculptor Joseph Beuys made a number of trips to Ireland and Scotland. This interdisciplinary study of the artist's work in the "Celtic world" assesses whether the practice shown or developed during these visits could be seen, in any sense, as a language practice - more specifically, as a "language of healing" - and whether Beuys could be said to have interpreted and performed notions of "Celticity" in these places. The book reflects on the anthropological aspect of Beuys' work and includes interview material with artists who worked with or met him during this time. (Series: European Studies in Culture and Policy - Vol. 10)
Joseph Beuys and the Celtic Wor(l)d
Author: Victoria Walters
Publisher: LIT Verlag Münster
ISBN: 3643901054
Category : Art
Languages : en
Pages : 412
Book Description
During the 1970s, the German sculptor Joseph Beuys made a number of trips to Ireland and Scotland. This interdisciplinary study of the artist's work in the "Celtic world" assesses whether the practice shown or developed during these visits could be seen, in any sense, as a language practice - more specifically, as a "language of healing" - and whether Beuys could be said to have interpreted and performed notions of "Celticity" in these places. The book reflects on the anthropological aspect of Beuys' work and includes interview material with artists who worked with or met him during this time. (Series: European Studies in Culture and Policy - Vol. 10)
Publisher: LIT Verlag Münster
ISBN: 3643901054
Category : Art
Languages : en
Pages : 412
Book Description
During the 1970s, the German sculptor Joseph Beuys made a number of trips to Ireland and Scotland. This interdisciplinary study of the artist's work in the "Celtic world" assesses whether the practice shown or developed during these visits could be seen, in any sense, as a language practice - more specifically, as a "language of healing" - and whether Beuys could be said to have interpreted and performed notions of "Celticity" in these places. The book reflects on the anthropological aspect of Beuys' work and includes interview material with artists who worked with or met him during this time. (Series: European Studies in Culture and Policy - Vol. 10)
Joseph Beuys and the Celtic World
Author: Sean Rainbird
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 100
Book Description
Published to accompany an exhibition at Tate Modern.
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 100
Book Description
Published to accompany an exhibition at Tate Modern.
Art and the Nation State
Author: Róisín Kennedy
Publisher:
ISBN: 1789622352
Category : Art
Languages : en
Pages : 304
Book Description
Art and the Nation State is a wide-ranging study of the reception and critical debate on modernist art from the foundation of the Irish Free State in 1922 to the end of the modernist era in the 1970s. Drawing on art works, media coverage, reviews, writings and the private papers of key Irish and international artists, critics and commentators including Samuel Beckett, Thomas MacGreevy, Clement Greenberg, James Johnson Sweeney, Herbert Read and Brian O'Doherty, the study explores the significant contribution of Irish modernist art to post-independence cultural debate and diverging notions of national Irish identity. Through an analysis of major controversies, the book examines how the reputations of major Irish artists was moulded by the prevailing demands of national identity, modernization and the dynamics of the international art world. Debate about the relevance of the work of leading international modernists such as the Irish-American sculptor, Andrew O'Connor, the French expressionist painter, Georges Rouault, the British sculptor Henry Moore and the Irish born, but ostensibly British, artist Francis Bacon to Irish cultural life is also analysed, as is the equally problematic positioning of Northern Irish artists.
Publisher:
ISBN: 1789622352
Category : Art
Languages : en
Pages : 304
Book Description
Art and the Nation State is a wide-ranging study of the reception and critical debate on modernist art from the foundation of the Irish Free State in 1922 to the end of the modernist era in the 1970s. Drawing on art works, media coverage, reviews, writings and the private papers of key Irish and international artists, critics and commentators including Samuel Beckett, Thomas MacGreevy, Clement Greenberg, James Johnson Sweeney, Herbert Read and Brian O'Doherty, the study explores the significant contribution of Irish modernist art to post-independence cultural debate and diverging notions of national Irish identity. Through an analysis of major controversies, the book examines how the reputations of major Irish artists was moulded by the prevailing demands of national identity, modernization and the dynamics of the international art world. Debate about the relevance of the work of leading international modernists such as the Irish-American sculptor, Andrew O'Connor, the French expressionist painter, Georges Rouault, the British sculptor Henry Moore and the Irish born, but ostensibly British, artist Francis Bacon to Irish cultural life is also analysed, as is the equally problematic positioning of Northern Irish artists.
The Road to Meikle Seggie
Author: Richard Demarco
Publisher: Luath Press Ltd
ISBN: 1913025977
Category : Art
Languages : en
Pages : 160
Book Description
To travel the road to Meikle Seggie is to undertake any journey which offers unexpected opportunities for intellectual growth and self-discovery. In the 1970s, Richard Demarco embarked on a series of journeys, starting in Edinburgh, to recover a sense of our living culture in the environments around us. These radiated out across Europe, underpinning the internationalism of this unique Scottish-Italian artist's own extraordinary journey. Forty years later, the journey is renewed with this reproduction of Demarco's original artwork and his first Meikle Seggie essay, along with a new translation into Italian and a new introduction.
Publisher: Luath Press Ltd
ISBN: 1913025977
Category : Art
Languages : en
Pages : 160
Book Description
To travel the road to Meikle Seggie is to undertake any journey which offers unexpected opportunities for intellectual growth and self-discovery. In the 1970s, Richard Demarco embarked on a series of journeys, starting in Edinburgh, to recover a sense of our living culture in the environments around us. These radiated out across Europe, underpinning the internationalism of this unique Scottish-Italian artist's own extraordinary journey. Forty years later, the journey is renewed with this reproduction of Demarco's original artwork and his first Meikle Seggie essay, along with a new translation into Italian and a new introduction.
Felt
Author: Chris Thompson
Publisher: U of Minnesota Press
ISBN: 0816653542
Category : Art
Languages : en
Pages : 351
Book Description
What happens when nothing happens?
Publisher: U of Minnesota Press
ISBN: 0816653542
Category : Art
Languages : en
Pages : 351
Book Description
What happens when nothing happens?
Heimatkunde
Author: Mairéad Nic Craith
Publisher: LIT Verlag Münster
ISBN: 3643914431
Category :
Languages : en
Pages : 330
Book Description
An integrative Heimatkunde – defined as the holistic study of localities and regions – has been a core interest in Ullrich (aka Ulli) Kockel’s research since he first graduated with a double primary in 1984. Frequently described as an interdisciplinary – and sometimes undisciplined – academic, his research draws liberally on art, geography, human ecology, philosophical anthropology, political economy, and social anthropology, with its primary focus located in the field of Empirical Cultural Science / European ethnology. The contributions to this collection celebrate Ulli’s explorations of place and belonging at different junctures on his quest for Heimatkunde. Laid out in four thematic sections – Borders, Regions and Frontiers; Human Ecology; Creative Ethnology; and, Memories – they feature creative work along with research essays. Given Ulli’s love of cooking and food, we describe our offering as a ‘feast-script’.
Publisher: LIT Verlag Münster
ISBN: 3643914431
Category :
Languages : en
Pages : 330
Book Description
An integrative Heimatkunde – defined as the holistic study of localities and regions – has been a core interest in Ullrich (aka Ulli) Kockel’s research since he first graduated with a double primary in 1984. Frequently described as an interdisciplinary – and sometimes undisciplined – academic, his research draws liberally on art, geography, human ecology, philosophical anthropology, political economy, and social anthropology, with its primary focus located in the field of Empirical Cultural Science / European ethnology. The contributions to this collection celebrate Ulli’s explorations of place and belonging at different junctures on his quest for Heimatkunde. Laid out in four thematic sections – Borders, Regions and Frontiers; Human Ecology; Creative Ethnology; and, Memories – they feature creative work along with research essays. Given Ulli’s love of cooking and food, we describe our offering as a ‘feast-script’.
Joseph Beuys, Das Ende des 20. Jahrhunderts
Author: Susanne Willisch
Publisher: Schirmer/Mosel
ISBN:
Category : Art
Languages : en
Pages : 404
Book Description
In 1984 Joseph Beuys assembled his monumental The End of the 20th Century in Haus der Kunst in Munich: 44 basalt blocks with conical sections drilled out of them, the resulting "stoppers" slotted back into place using a bed of felt and clay. He arranged the blocks to create an animated vibrant formation that charged the entire room with meaning. The relocation of the work to the new Munich Pinakothek der Moderne set an almost impossible challenge for conservators, not least owing to the fiery debate whether an aeuvre an artist had himself laid out could be touched in the first place. But in the end, they succeeded: a key late 20th-century artwork was given a new location and none of its suggestive powers had been forfeited in the process.
Publisher: Schirmer/Mosel
ISBN:
Category : Art
Languages : en
Pages : 404
Book Description
In 1984 Joseph Beuys assembled his monumental The End of the 20th Century in Haus der Kunst in Munich: 44 basalt blocks with conical sections drilled out of them, the resulting "stoppers" slotted back into place using a bed of felt and clay. He arranged the blocks to create an animated vibrant formation that charged the entire room with meaning. The relocation of the work to the new Munich Pinakothek der Moderne set an almost impossible challenge for conservators, not least owing to the fiery debate whether an aeuvre an artist had himself laid out could be touched in the first place. But in the end, they succeeded: a key late 20th-century artwork was given a new location and none of its suggestive powers had been forfeited in the process.
The Digital Arts and Humanities
Author: Charles Travis
Publisher: Springer
ISBN: 3319409530
Category : Science
Languages : en
Pages : 206
Book Description
The case studies in this book illuminate how arts and humanities tropes can aid in contextualizing Digital Arts and Humanities, Neogeographic and Social Media activity and data through the creation interpretive schemas to study interactions between visualizations, language, human behaviour, time and place.
Publisher: Springer
ISBN: 3319409530
Category : Science
Languages : en
Pages : 206
Book Description
The case studies in this book illuminate how arts and humanities tropes can aid in contextualizing Digital Arts and Humanities, Neogeographic and Social Media activity and data through the creation interpretive schemas to study interactions between visualizations, language, human behaviour, time and place.
Starting from Language
Author: Nina Schallenberg
Publisher: Hatje Cantz Verlag
ISBN: 377575038X
Category : Art
Languages : en
Pages : 208
Book Description
1985 äußerte Joseph Beuys in der Reihe »Reden über das eigene Land: Deutschland« an den Münchner Kammerspielen, dass er sein Werk »von der Sprache aus« entwickelt habe. Er verstand die Sprache – den bildnerischen Gestaltungsmitteln ebenbürtig – als plastisches Material, durch das jede Einzelne und jeder Einzelne körperlich, intellektuell und kommunikativ an der Neuordnung der Gesellschaft teilhaben könne. Seine Auseinandersetzung mit Sprache reicht vom Schweigen bis zur stundenlangen Diskussion, von animalisch klingenden Lauten bis zu präzisen Begriffserörterungen und verrätselten Schriften. Entsprechend gliedern sich die Kapitel in die Themen Schweigen, Laute, Begriffe, Schrift, Geheimnis, Legende und Sprechen. Ausstellung und Katalog versammeln Skulpturen, Zeichnungen, Installationen, Filme, Plakate und Dokumente aus den Beständen der Nationalgalerie, der Sammlung Marx, des Kupferstichkabinetts und der Kunstbibliothek der SMB.
Publisher: Hatje Cantz Verlag
ISBN: 377575038X
Category : Art
Languages : en
Pages : 208
Book Description
1985 äußerte Joseph Beuys in der Reihe »Reden über das eigene Land: Deutschland« an den Münchner Kammerspielen, dass er sein Werk »von der Sprache aus« entwickelt habe. Er verstand die Sprache – den bildnerischen Gestaltungsmitteln ebenbürtig – als plastisches Material, durch das jede Einzelne und jeder Einzelne körperlich, intellektuell und kommunikativ an der Neuordnung der Gesellschaft teilhaben könne. Seine Auseinandersetzung mit Sprache reicht vom Schweigen bis zur stundenlangen Diskussion, von animalisch klingenden Lauten bis zu präzisen Begriffserörterungen und verrätselten Schriften. Entsprechend gliedern sich die Kapitel in die Themen Schweigen, Laute, Begriffe, Schrift, Geheimnis, Legende und Sprechen. Ausstellung und Katalog versammeln Skulpturen, Zeichnungen, Installationen, Filme, Plakate und Dokumente aus den Beständen der Nationalgalerie, der Sammlung Marx, des Kupferstichkabinetts und der Kunstbibliothek der SMB.
Refiguring the Spiritual
Author: Mark C. Taylor
Publisher: Columbia University Press
ISBN: 0231527772
Category : Religion
Languages : en
Pages : 253
Book Description
Mark C. Taylor provocatively claims that contemporary art has lost its way. With the art market now mirroring the art of finance, many artists create works solely for the purpose of luring investors and inspiring trade among hedge funds and private equity firms. When art is commodified, corporatized, and financialized, it loses its critical edge and is transformed into a financial instrument calculated to maximize profitable returns. Joseph Beuys, Matthew Barney, James Turrell, and Andy Goldsworthy are artists who differ in style, yet they all defy the trends that have diminished art's potential in recent decades. They understand that art is a transformative practice drawing inspiration directly and indirectly from ancient and modern, Eastern and Western forms of spirituality. For Beuys, anthroposophy, alchemy, and shamanism drive his multimedia presentations; for Barney and Goldsworthy, Celtic mythology informs their art; and for Turrell, Quakerism and Hopi myth and ritual shape his vision. Eluding traditional genres and classifications, these artists combine spiritually inspired styles and techniques with material reality, creating works that resist merging space into cyberspace in a way that overwhelms local contexts with global networks. Their art reminds us of life's irreducible materiality and humanity's inescapability of place. For them, art is more than just an object or process—it is a vehicle transforming human awareness through actions echoing religious ritual. By lingering over the extraordinary work of Beuys, Barney, Turrell, and Goldsworthy, Taylor not only creates a novel and personal encounter with their art but also opens a new understanding of overlooked spiritual dimensions in our era.
Publisher: Columbia University Press
ISBN: 0231527772
Category : Religion
Languages : en
Pages : 253
Book Description
Mark C. Taylor provocatively claims that contemporary art has lost its way. With the art market now mirroring the art of finance, many artists create works solely for the purpose of luring investors and inspiring trade among hedge funds and private equity firms. When art is commodified, corporatized, and financialized, it loses its critical edge and is transformed into a financial instrument calculated to maximize profitable returns. Joseph Beuys, Matthew Barney, James Turrell, and Andy Goldsworthy are artists who differ in style, yet they all defy the trends that have diminished art's potential in recent decades. They understand that art is a transformative practice drawing inspiration directly and indirectly from ancient and modern, Eastern and Western forms of spirituality. For Beuys, anthroposophy, alchemy, and shamanism drive his multimedia presentations; for Barney and Goldsworthy, Celtic mythology informs their art; and for Turrell, Quakerism and Hopi myth and ritual shape his vision. Eluding traditional genres and classifications, these artists combine spiritually inspired styles and techniques with material reality, creating works that resist merging space into cyberspace in a way that overwhelms local contexts with global networks. Their art reminds us of life's irreducible materiality and humanity's inescapability of place. For them, art is more than just an object or process—it is a vehicle transforming human awareness through actions echoing religious ritual. By lingering over the extraordinary work of Beuys, Barney, Turrell, and Goldsworthy, Taylor not only creates a novel and personal encounter with their art but also opens a new understanding of overlooked spiritual dimensions in our era.