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Author: John Jacob ENCK
Publisher:
ISBN:
Category :
Languages : en
Pages : 281
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Book Description
Author: John Jacob ENCK
Publisher:
ISBN:
Category :
Languages : en
Pages : 281
Get Book Here
Book Description
Author: John J. Enck
Publisher:
ISBN:
Category :
Languages : en
Pages : 281
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 281
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Book Description
Author: David Farley-Hills
Publisher: Springer
ISBN: 1349050083
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Author: Rocco Coronato
Publisher: BRILL
ISBN: 9004458557
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Ben Jonson has often been accused of needless erudition and of a morose refusal to join in the festive spirit. Further aggravation has come from the application of Bakhtin’s theory of carnival, especially in its posthumous form as a political allegory portraying the clash of high and low cultures. In an attempt to turn the tables on this tradition, Jonson Versus Bakhtin goes back to the sources, arguing that Jonson’s theatre allows for an original interpretation of the grotesque as a formal culture of antithesis and opposition that includes carnival. A robust observer of popular myths of festive liberation by way of a uniquely compendious adaptation of his sources, Jonson’s grotesque uncannily delves deep into the Renaissance theory of the coincidence of opposites as a way of envisaging virtue and other concepts of the mind, rather than serving up a pompous application of moral precepts or offering a political arena for ritual transgression. While richly based on an appropriate repertory of underlying sources, Jonson Versus Bakhtin steers away from any tiresome reference hunting mania, appealing to a broader audience interested in re-appraising Ben Jonson’s genius for richly contrastive imagery, as well as re-considering the relevance of Bakhtin’s theory to Elizabethan and Jacobean drama and to the Renaissance culture of the grotesque.
Author: John Gordon Sweeney
Publisher: Princeton University Press
ISBN: 1400857139
Category : Drama
Languages : en
Pages : 257
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Book Description
This book is a study of Ben Jonson's relationship with his audience in the public theater, as the relationship changed in the course of his career from the comical satires to Bartholomew Fair. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Robert C. Evans
Publisher: Bucknell University Press
ISBN: 9780838752685
Category : Literature and history
Languages : en
Pages : 252
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Book Description
"Ben Jonson was one of the most important writers of the English Renaissance, and this study both reflects and contributes to the growing focus on the concrete details of his art and career. By examining specific works, particular historical circumstances, and complex relations with various individuals, author Robert C. Evans tries to locate Jonson's writings in the contexts that helped shape their artistry." "This book presumes that the more one knows about Jonson's various contexts, the more richly one can appreciate the complicated significance of the texts he produced. In fact, a major purpose of the book is the presentation of new archival data. The individual chapters all assume that Jonson could not ignore his relations with other people and the effects that those relations might have had on his life and writings." "The first chapter raises explicitly many of the questions involved in the historical study of literature, contributing to recent dialogue about the meaning and value of the so-called New Historicism. This chapter also offers one of the few sustained examinations of one of Jonson's most typical and significant poems, the epistle to Edward Sackville." "Chapter 2 suggests why Jonson's relations with rivals and patrons were particularly significant. It discusses one of his most important rivalries - the "poetomachia" - and its significance for the early years of his life as a writer. The chapter then jumps to the end of Jonson's career and emphasizes works he addressed to the Earl of Newcastle, one of his most important later patrons. This initial emphasis on patronage and rivalry recurs in one way or another in all the subsequent chapters, which follow a roughly chronological scheme." "Chapter 3 looks at the earliest and perhaps still the best of Jonson's great plays, Volpone, and explores new evidence suggesting that Jonson may have used this comedy to mock a powerful and wellknown contemporary. Chapter 4 explores The Devil is an Ass (1616) and attempts to suggest the very complicated political and social circumstances in which it was enmeshed. Chapter 5 tries to show how the important masque entitled Pleasure Reconciled to Virtue offered a detailed response to another aristocratic entertainment written a few months earlier, and chapter 6 surveys the poet's apparently contentious relations with the highly talented Thomas Campion." "Chapters 7 and 8 focus on the closing years of Jonson's career. They explore his little-known friendship with Joseph Webbe, an important language theorist whose ideas were quite controversial at the time, and examine Jonson's relations with significant Caroline patrons in an attempt to show the complicated ways in which the patronage "system" - so often discussed in the abstract could operate in actuality. A brief afterword summarizes some of the general critical assumptions on which all the preceding chapters are based."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Richard Burt
Publisher: Cornell University Press
ISBN: 1501722425
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
A dramatist whose own works were repeatedly censored early in his career and who later stood in succession to become the court censor himself, Ben Jonson embodies the contradictions and complexities of theater censorship in the early Stuart period. Focusing on Jonson's writings and the political vicissitudes of his career, Richard Burt offers a provocative reinterpretation of Jacobean and Caroline theater censorship and theatrical culture. Informed by the writings of Foucault and Bourdieu, Licensed by Authority historicizes censorship, arguing that it was less a matter of denying dramatists liberty of speech than a network of productive strategies for legitimating and delegitimating specific discursive practices. Burt draws on a rich body of archival and literary evidence, including plays by Shakespeare and by Jonson's Caroline contemporaries, in order to demonstrate that censorship was nurtured and sustained not only by a culturally diverse Stuart court but also by the playwrights themselves, along with theatrical entrepreneurs, printers, poets, and critics.
Author: John S. Mebane
Publisher: U of Nebraska Press
ISBN: 9780803281790
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In Renaissance Magic and the Return of the Golden Age John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted.
Author: Ben Jonson
Publisher: Yale University Press
ISBN: 9780300094701
Category : Drama
Languages : en
Pages : 248
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Book Description
Not as well known today as Volpne and The Alchemist, this comedy of London’s lower classes was a great favorite of Ben Jonson’s contemporaries. The richness of its comic invention and the complexity of its plot and satirical view have returned it to its former high repute, and Professor Waith’s skillful and illuminating critical Introduction vividly demonstrates its artistic excellence. The high standards for textual accuracy and critical apparatus set for Volpone, the first volume of the Yale edition of Ben Jonson, are maintained here, and the format is identical. In addition, the editor has supplied an appendix and the original staging of the play that assists the reader greatly and is in itself a valuable contribution to studies of Elizabethan and Jacobean stagecraft. Eugene M. Waith is professor of English at Yale University. The Yale Ben Jonson, 2.
