John Paizs's Crime Wave PDF Download
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Author: Jonathan Ball
Publisher: University of Toronto Press
ISBN: 1442616172
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
In John Paizs's 'Crime Wave, ' writer and filmmaker Jonathan Ball offers the first book-length study of this curious Canadian film.
Author: Jonathan Ball
Publisher: University of Toronto Press
ISBN: 1442616172
Category : Performing Arts
Languages : en
Pages : 208
Get Book
Book Description
In John Paizs's 'Crime Wave, ' writer and filmmaker Jonathan Ball offers the first book-length study of this curious Canadian film.
Author: Jonathan Ball
Publisher: University of Toronto Press
ISBN: 1442670002
Category : Performing Arts
Languages : en
Pages : 208
Get Book
Book Description
John Paizs’s ‘Crime Wave’ examines the Winnipeg filmmaker’s 1985 cult film as an important example of early postmodern cinema and as a significant precursor to subsequent postmodern blockbusters, including the much later Hollywood film Adaptation. Crime Wave’s comic plot is simple: aspiring screenwriter Steven Penny, played by Paizs, finds himself able to write only the beginnings and endings of his scripts, but never (as he puts it) “the stuff in-between.” Penny is the classic writer suffering from writer’s block, but the viewer sees him as the (anti)hero in a film told through stylistic parody of 1940s and 50s B-movies, TV sitcoms, and educational films. In John Paizs’s ‘Crime Wave,’ writer and filmmaker Jonathan Ball offers the first book-length study of this curious Canadian film, which self-consciously establishes itself simultaneously as following, but standing apart from, American cinematic and television conventions. Paizs’s own story mirrors that of Steven Penny: both find themselves at once drawn to American culture and wanting to subvert its dominance. Exploring Paizs’s postmodern aesthetic and his use of pastiche as a cinematic technique, Ball establishes Crime Wave as an overlooked but important cult classic.
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Category : Arts
Languages : en
Pages : 516
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Book Description
Author: Yoram Allon
Publisher: London : Wallflower
ISBN:
Category : Performing Arts
Languages : en
Pages : 572
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Book Description
A guide to North American film directors arranged in alphabetical order.
Author: Karen Mazurkewich
Publisher:
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Category : Biography & Autobiography
Languages : en
Pages : 344
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Category : Experimental films
Languages : en
Pages : 442
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Category : Filmstrips
Languages : en
Pages : 802
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Category : Motion pictures
Languages : en
Pages : 424
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Category : American literature
Languages : en
Pages : 382
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Book Description
Author: Robert Casillo
Publisher: University of Toronto Press
ISBN: 080209113X
Category : Performing Arts
Languages : en
Pages : 641
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Book Description
Widely acclaimed as America's greatest living film director, Martin Scorsese is also, some argue, the pre-eminent Italian American artist. Although he has treated various subjects in over three decades, his most sustained filmmaking and the core of his achievement consists of five films on Italian American subjects - Who's That Knocking at My Door?, Mean Streets, Raging Bull, GoodFellas, and Casino - as well as the documentary Italianamerican. In Gangster Priest Robert Casillo examines these films in the context of the society, religion, culture, and history of Southern Italy, from which the majority of Italian Americans, including Scorsese, derive. Casillo argues that these films cannot be fully appreciated either thematically or formally without understanding the various facets of Italian American ethnicity, as well as the nature of Italian American cinema and the difficulties facing assimilating third-generation artists. Forming a unified whole, Scorsese's Italian American films offer what Casillo views as a prolonged meditation on the immigrant experience, the relationship between Italian America and Southern Italy, the conflicts between the ethnic generations, and the formation and development of Italian American ethnicity (and thus identity) on American soil through the generations. Raised as a Catholic and deeply imbued with Catholic values, Scorsese also deals with certain forms of Southern Italian vernacular religion, which have left their imprint not only on Scorsese himself but also on the spiritually tormented characters of his Italian American films. Casillo also shows how Scorsese interrogates the Southern Italian code of masculine honour in his exploration of the Italian American underworld or Mafia, and through his implicitly Catholic optic, discloses its thoroughgoing and longstanding opposition to Christianity. Bringing a wealth of scholarship and insight into Scorsese's work, Casillo's study will captivate readers interested in the director's magisterial artistry, the rich social history of Southern Italy, Italian American ethnicity, and the sociology and history of the Mafia in both Sicily and the United States.
