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Author: John Scott Colley
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 224
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Book Description
This volume accounts for some of Marston's oddities of expression and describes the shape of his startling and original satirical plays. It contains an analysis of his highly theatrical style and suggests intellectual and theological movements which may have affected his imagination.
Author: John Scott Colley
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 224
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Book Description
This volume accounts for some of Marston's oddities of expression and describes the shape of his startling and original satirical plays. It contains an analysis of his highly theatrical style and suggests intellectual and theological movements which may have affected his imagination.
Author: T. F. Wharton
Publisher: Cambridge University Press
ISBN: 0521651360
Category : Drama
Languages : en
Pages : 251
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Book Description
This is an invaluable collection of critical essays on the work of dramatist John Marston.
Author: George L. Geckle
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838621578
Category : Drama
Languages : en
Pages : 238
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Book Description
A work of historical criticism that offers new interpretations of the nine plays attributed solely to John Marston. Explores his use of literary, historical, and intellectual sources and focuses on recurrent major images and themes in the plays.
Author: Michael Scott
Publisher: Springer
ISBN: 1349033685
Category : Literary Criticism
Languages : en
Pages : 135
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Book Description
Author: Macdonald Pearman Jackson
Publisher: Cambridge University Press
ISBN: 9780521217460
Category : Literary Collections
Languages : en
Pages : 580
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Book Description
This edition brings five of Marston's most interesting plays together in a readable and helpful form. They are collected with modern spelling, full commentaries, textual notes and introductions, in texts newly edited from the original quartos. A survey of criticism of Marston is included. The edition of Sophonisba (a play highly praised by T. S. Eliot) is the first modernised text to appear in one hundred years. Another textual innovation is the relegation to an appendix of Webster's obtrusive additions to The Malcontent. Marston's plays have enjoyed popular revivals in English theatres over the last decade, and the authors' commentary is designed to alert readers to theatrical effects. The playwright's language is elucidated here far more fully than in any other collection.
Author: Rebecca Yearling
Publisher: Springer
ISBN: 1137563990
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
This book examines the influence of John Marston, typically seen as a minor figure among early modern dramatists, on his colleague Ben Jonson. While Marston is usually famed more for his very public rivalry with Jonson than for the quality of his plays, this book argues that such a view of Marston seriously underestimates his importance to the theatre of his time. In it, the author contends that Marston's plays represent an experiment in a new kind of satiric drama, with origins in the humanist tradition of serio ludere. His works—deliberately unpredictable, inconsistent and metatheatrical—subvert theatrical conventions and provide confusingly multiple perspectives on the action, forcing their spectators to engage actively with the drama and the moral dilemmas that it presents. The book argues that Marston's work thus anticipates and perhaps influenced the mid-period work of Ben Jonson, in plays such as Sejanus, Volpone and The Alchemist.
Author: David L. Smith
Publisher: Cambridge University Press
ISBN: 9780521526159
Category : History
Languages : en
Pages : 312
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Book Description
A collection of interdisciplinary essays on the 'theatrical' in Renaissance London.
Author: Barbara Wooding
Publisher: Routledge
ISBN: 1317110641
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
Even for scholars who have devoted their careers to the early modern theatre, the name John Lowin may not instantly evoke recognition-until now, the actor's life and contribution to the theatre of the period has never been the subject of a full-length publication. In this study, Barbara Wooding provides a comprehensive overview of the life and times of Lowin, a leader of the King's Men's Company and one of the greatest actors of the seventeenth century. She examines his involvement in the Jacobean/Caroline world as performer, citizen and company manager, and contextualizes his life and career within the socio-economic and political framework of the period. Although references to him in the archives are patchy and sporadic, information about his activities within the King's Men's Company is well documented. In the course of analysing less familiar plays of the period and the characters Lowin played in them, Wooding supplements critical understanding of the scope and range of Caroline drama. Because Lowin's career burgeoned after Shakespeare's and Burbage's death, his life in Southwark and his career with the same company furnishes the opportunity for an examination of the changing status of actors, and the exercising of their skills within the drama of the later playhouse period.
Author: Ann C. Hall
Publisher: Bloomsbury Publishing
ISBN: 135037170X
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
Ghosts haunt the stages of world theatre, appearing in classical Greek drama through to the plays of 21st-century dramatists. Tracing the phenomenon across time and in different cultures, the chapters collected here examine their representation, dramatic function, and what they may tell us about the belief systems of their original audiences and the conditions of theatrical production. As illusions of illusions, they foreground many dramatic themes common to a wide variety of periods and cultures. Arranged chronologically, this collection examines how ghosts represent political change in Athenian culture in three plays by Aeschylus; their function in traditional Japanese drama; the staging of the supernatural in the dramatic liturgy of the early Middle Ages; ghosts within the dramatic works of Middleton, George Peele, and Christopher Marlowe, and the technologies employed in the 18th and 19th centuries to represent the supernatural on stage. Coverage of the dramatic representation of ghosts in the 20th and 21st centuries includes studies of Noël Coward's Blithe Spirit, August Wilson's Pittsburgh Cycle, plays by Sam Shepard, David Mamet, and Sarah Ruhl, Paddy Chayefsky's The Tenth Man, Suzan-Lori Parks' Topdog/Underdog, and the spectral imprint of Shakespeare's ghosts in the Irish drama of Marina Carr, Martin McDonagh, William Butler Yeats, and Samuel Beckett. The volume closes by examining three contemporary American indigenous plays by Anishinaabe author, Alanis King.
Author: Jeffrey Masten
Publisher: Northwestern University Press
ISBN: 0810119560
Category : Drama
Languages : en
Pages : 264
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Book Description
Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.
