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Author: Alison M. Gingeras
Publisher: Rizzoli Publications
ISBN: 0847868133
Category : Art
Languages : en
Pages : 0
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Book Description
A revealing look at the evolution of male iconography in the work of one of the foremost painters of his generation. Since raising the ire of the early-1990s arts establishment with his deliberately provocative portrayals of women, John Currin has been best known for his brazen, militantly incorrect female iconography. Yet Currin has represented a range of masculine identities throughout his career as well. This volume is the first to focus exclusively on this aspect of his work, examining the evolution of his equally provocative depictions of men. It ranges from little-known early works on paper and a series of kitschy paintings of men with beards to signature eccentric figures such as the elderly reader in the painting 2070 (2005) and his more baroque genre scenes featuring male couples. Published to accompany the exhibition John Currin: My Life as a Man at the Dallas Contemporary, it offers a revealing new assessment of Currin's pictorial examinations of sexual politics.
Author: Alison M. Gingeras
Publisher: Rizzoli Publications
ISBN: 0847868133
Category : Art
Languages : en
Pages : 0
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Book Description
A revealing look at the evolution of male iconography in the work of one of the foremost painters of his generation. Since raising the ire of the early-1990s arts establishment with his deliberately provocative portrayals of women, John Currin has been best known for his brazen, militantly incorrect female iconography. Yet Currin has represented a range of masculine identities throughout his career as well. This volume is the first to focus exclusively on this aspect of his work, examining the evolution of his equally provocative depictions of men. It ranges from little-known early works on paper and a series of kitschy paintings of men with beards to signature eccentric figures such as the elderly reader in the painting 2070 (2005) and his more baroque genre scenes featuring male couples. Published to accompany the exhibition John Currin: My Life as a Man at the Dallas Contemporary, it offers a revealing new assessment of Currin's pictorial examinations of sexual politics.
Author: Wells Tower
Publisher: Rizzoli Publications
ISBN: 0847836894
Category : Art
Languages : en
Pages : 0
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Book Description
A catalogue of new work by American artist John Currin, one of the world’s foremost figurative painters. John Currin’s work draws upon a broad range of cultural influences that include Renaissance oil paintings, 1950s women’s magazine advertisements, and contemporary politics. Labeled as mannerist, caricaturist, radical conservative, or satirist, Currin continues to confound expectations and evade categorization. While his virtuosic technique is indebted to the history of classical painting, the images engage startlingly contemporary ideas about the representation of the human figure. Currin paints challengingly perverse images of female subjects, from lusty doe-eyed nymphs to more ethereal feminine prototypes. With his uncanny ability to locate the point at which the beautiful and the grotesque are in perfect balance, he produces subversive portraits of idiosyncratic women in conventional settings. This much-anticipated volume comes four years after the definitive John Currin, and it features an interview with the artist by Angus Cook and six short-fiction essays by Wells Tower.
Author: Philip Roth
Publisher: Random House
ISBN: 1446400743
Category : Fiction
Languages : en
Pages : 336
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Book Description
A fiction-within-a-fiction, My Life as a Man centres on the fraught marriage of Peter, a gifted young writer and Maureen Tarnopol, the woman who wants to be his muse but who instead becomes his nemesis. Their union is based on fraud and powered by moral blackmail. And yet, the the couple's relationship is so perversely durable that, long after Maureen's death, Peter is still trying - and failing - to write his way free of it. Out of desperate inventions and scorching truths, acts of weakness and shocking cruelty, Philip Roth creates a fierce tragedy about a fatal impasse between a man and a woman.
Author: Rosetta Brooks
Publisher: Rizzoli Publications
ISBN: 0847846881
Category : Art
Languages : en
Pages : 0
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Book Description
Published on the occasion of the spring 2015 Metropolitan Museum of Art exhibition Fatal Attraction: Piotr Uklański Photographs, and an accompanying exhibition—curated by Uklański—of works from the Met’s permanent collection, Piotr Uklański: Selects from the Met Collection, this book presents an in-depth examination of Uklański’s photographic oeuvre as well as images from the Met collection exhibition. A luxurious, richly illustrated monograph, Piotr Uklański: Fatal Attraction consists of images of works made by Piotr Uklański, as well as groupings of images of artworks selected by Uklański from the Met’s collections for an accompanying exhibition. Both exhibitions are based on the classical themes of love and death.
Author: Jennifer Higgie
Publisher: Simon and Schuster
ISBN: 1643138049
Category : Art
Languages : en
Pages : 248
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Book Description
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Author: Nell Painter
Publisher: Catapult
ISBN: 1640092005
Category : Biography & Autobiography
Languages : en
Pages : 353
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Book Description
A New York Times Book Review Editor’s Choice Finalist for the National Book Critics Circle Award A Princeton professor-turned-artist recounts her late-in-life career change in this “feisty and delightfully irreverent memoir” about art and coming-of-age in your 60s (Boston Globe). “A glorious achievement . . . a cup of courage for everyone who wants to change their lives.” —Tayari Jones, author of An American Marriage Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school—in her sixties—to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit of art and the inevitable, sometimes painful demands of a life fully lived. How are women and artists seen and judged by their age, looks, and race? What does it mean when someone says, “You will never be an artist”? Who defines what an artist is and all that goes with such an identity, and how are these ideas tied to our shared conceptions of beauty, value, and difference? Bringing to bear incisive insights from two careers, Painter weaves a frank, funny, and often surprising tale of her move from academia to art in this “glorious achievement—bighearted and critical, insightful and entertaining. This book is a cup of courage for everyone who wants to change their lives” (Tayari Jones, author of An American Marriage).
Author: Robert Williams
Publisher: Fantagraphics Books
ISBN: 1683960270
Category : Art
Languages : en
Pages : 486
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Book Description
Robert Williams: The Father of Exponential Imagination is a comprehensive career spanning, comprehensive collection of the iconic painter’s fine art, including every one of his remarkable oil paintings along with a presentation of his drawings, sculptures, and works in other media. Simply put, this is the art book of the decade, and the book that Williams has been working toward his entire career. In the late 20th and early 21st century, diverse forms of commonplace and popular art appeared to be coalescing into a formidable faction of new painted realism. The new school of imagery was a product of art that didn’t fit comfortably into the accepted definition of fine art. It embraced some of the figurative graphics that formal art academia tended to reject: comic books, movie posters, trading cards, surfer art, hot rod illustration, to mention a few. This alternative art movement found its most apt participant in one of America’s most controversial underground artists, the painter, Robert Williams. It was this artist who brought the term “lowbrow” into the fine arts lexicon, with his groundbreaking 1979 book, The Lowbrow Art of Robt. Williams. Williams pursued a career as a fine arts painter years before joining the art studio of Ed “Big Daddy” Roth in the mid-1960s. From this position he moved into the rebellious, anti-war circles of early underground comix, as one of the celebrated ZAP cartoonists. Featuring an introductory essay by Coagula Art Journal founder Mat Gleason along with a new art manifesto and foreword by Williams himself, as well as tons of rare photos and ephemera.
Author: Mark Scala
Publisher: Vanderbilt University Press
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
Paint Made Flesh examines the ways in which European and American painters have used oil paint and the human body to convey enduring human vulnerabilities, among them anxieties about desire, appearance, illness, aging, war, and death. In the tradition of great figure painting stretching back to Rembrandt and Titian, the 34 artists in the exhibition, working in the years since World War II, exploit oil paint's visual and tactile properties to mirror those of the body, while exploring the body's capacity to reflect the soul.Drawn from private and public collections and arranged by chronology and nationality, the 43 paintings in the exhibition reflect a wide range of styles. Strong colors and vigorous brushwork associated with German expressionism give crude life to figures by artists ranging from the San Francisco Bay area painters to a younger generation, including Markus Lüpertz and Susan Rothenberg. Candid depictions of flesh by British painters Francis Bacon and Lucian Freud suggest psychological pain at the margins of society, while paint as skin betrays the inner feelings of Jenny Saville's swollen females.
Author: Damien Hirst
Publisher: Other Criteria
ISBN:
Category : Art
Languages : en
Pages : 146
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Book Description
Published to accompany the exhibition held at the Serpentine Galley, London, entitled, 'In the darkest hour there may be light: works from Damien Hirst's murderme colection', 25 November 2006 - 28 January 2007.
Author: Peter Schjeldahl
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
This title allows the reader access behind the scenes of the art world, with profiles of leading figures such as the gallerist Marian Goodman, and accounts of visits to artists' studios.
