Author: John Bonham, Murray Feely Fine Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
John Bonham, Murray Feely Fine Art
Author: John Bonham, Murray Feely Fine Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Surrealism in Britain
Author: Michael Remy
Publisher: Routledge
ISBN: 042962719X
Category : Art
Languages : en
Pages : 475
Book Description
This book was originally published in 1999, and is the first comprehensive study of the British surrealist movement and its achievements. Lavishly illustrated, the book provides a year-by-year narrative of the development of surrealism among artists, writers, critics and theorists in Britain. Surrealism was imported into Britain from France by pioneering little magazines. The 1936 International Surrealist Exhibition in London, put together by Herbert Read and Roland Penrose, marked the first attempt to introduce the concept to a wider public. Relations with the Soviet Union, the Spanish Civil War and World War Two fractured the nascent movement as writers and artists worked out their individual responses and struggled to earn a living in wartime. The book follows the story right through to the present day. Michael Remy draws on 20 years of studying British surrealism to provide this authoritative and biographically rich account, a major contribution to the understanding of the achievements of the artists and writers involved and their allegiance to this key twentieth-century movement.
Publisher: Routledge
ISBN: 042962719X
Category : Art
Languages : en
Pages : 475
Book Description
This book was originally published in 1999, and is the first comprehensive study of the British surrealist movement and its achievements. Lavishly illustrated, the book provides a year-by-year narrative of the development of surrealism among artists, writers, critics and theorists in Britain. Surrealism was imported into Britain from France by pioneering little magazines. The 1936 International Surrealist Exhibition in London, put together by Herbert Read and Roland Penrose, marked the first attempt to introduce the concept to a wider public. Relations with the Soviet Union, the Spanish Civil War and World War Two fractured the nascent movement as writers and artists worked out their individual responses and struggled to earn a living in wartime. The book follows the story right through to the present day. Michael Remy draws on 20 years of studying British surrealism to provide this authoritative and biographically rich account, a major contribution to the understanding of the achievements of the artists and writers involved and their allegiance to this key twentieth-century movement.
Pictorial Narrative in the Nazi Period
Author: Deborah Schultz
Publisher: Routledge
ISBN: 1317967518
Category : Art
Languages : en
Pages : 492
Book Description
This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative. It analyses their contrasting aesthetic strategies and their innovative forms of artistic production. In contrast with the autonomous, modernist art object, their works were explicitly linked with the historical conditions under which they were produced – the pressures of persecution and exile. Conditions in the slave labour camps and ghettos in the Ukraine, which shaped the paintings and drawings of Daghani, are contrasted with the experiences of exile in Belgium and France, which inspired Nussbaum and Salomon. In defiance of conventional artistic practice, they produced word-image combinations that can be read as narrative sequences, incorporating specific references to political events. While there has been a wealth of literary, philosophical and historical studies relating to the Holocaust, aesthetic debate has developed less extensively. This is the first comparative study of three artists who are only belatedly achieving recognition and the recent reception of their work is evaluated. By identifying the aesthetic principles and narrative strategies underlying their work, the book reassesses their achievement in creating new forms of modernism with an unmistakable political momentum. This book was published as a special issue of Word & Image.
Publisher: Routledge
ISBN: 1317967518
Category : Art
Languages : en
Pages : 492
Book Description
This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative. It analyses their contrasting aesthetic strategies and their innovative forms of artistic production. In contrast with the autonomous, modernist art object, their works were explicitly linked with the historical conditions under which they were produced – the pressures of persecution and exile. Conditions in the slave labour camps and ghettos in the Ukraine, which shaped the paintings and drawings of Daghani, are contrasted with the experiences of exile in Belgium and France, which inspired Nussbaum and Salomon. In defiance of conventional artistic practice, they produced word-image combinations that can be read as narrative sequences, incorporating specific references to political events. While there has been a wealth of literary, philosophical and historical studies relating to the Holocaust, aesthetic debate has developed less extensively. This is the first comparative study of three artists who are only belatedly achieving recognition and the recent reception of their work is evaluated. By identifying the aesthetic principles and narrative strategies underlying their work, the book reassesses their achievement in creating new forms of modernism with an unmistakable political momentum. This book was published as a special issue of Word & Image.
Artists in Britain since 1945
Author: David Buckman
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 856
Book Description
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 856
Book Description
Historical Dictionary of Surrealism
Author: Keith Aspley
Publisher: Scarecrow Press
ISBN: 0810858479
Category : Art
Languages : en
Pages : 575
Book Description
Despite surrealism's celebration of the subconscious and eschewal of reason, the movement was nevertheless concerned with definitions. Andre Breton included a dictionary-style entry for surrealisme in his 1924 Manifeste du surrealisme and later explored juxtapositions of the absurd and the mundane in the 1938 Dictionnaire abrege du surrealisme. To the mountain of literature that seeks to organize the far-reaching intellectual movement, Aspley (honorary fellow, Univ. of Edinburgh) adds this handy volume that organizes the breadth of surrealism into concise entries on artists, writers, artworks, and themes. A chronology highlights events that sparked the surrealist imagination, activities of formal surrealist groups, and exhibitions. An introductory essay and extensive bibliography are included. One of the few English-language reference sources about surrealism published in the last decade, Aspley's dictionary is useful for quick access to key terms and biographies. For a book devoted to a movement characterized by arresting visual imagery, the lack of illustrations is annoying. Even Rene Passeron's 1978 Phaidon Encyclopedia of Surrealism (CH, May'79) reprints artworks in color. For a richly illustrated and comprehensive history, see Gerard Durozi's History of the Surrealist Movement (CH, Nov'02, 40-1316). Summing Up: Recommended. Lower-level undergraduates through graduate students. Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students. Reviewed by A. H. Simmons.
Publisher: Scarecrow Press
ISBN: 0810858479
Category : Art
Languages : en
Pages : 575
Book Description
Despite surrealism's celebration of the subconscious and eschewal of reason, the movement was nevertheless concerned with definitions. Andre Breton included a dictionary-style entry for surrealisme in his 1924 Manifeste du surrealisme and later explored juxtapositions of the absurd and the mundane in the 1938 Dictionnaire abrege du surrealisme. To the mountain of literature that seeks to organize the far-reaching intellectual movement, Aspley (honorary fellow, Univ. of Edinburgh) adds this handy volume that organizes the breadth of surrealism into concise entries on artists, writers, artworks, and themes. A chronology highlights events that sparked the surrealist imagination, activities of formal surrealist groups, and exhibitions. An introductory essay and extensive bibliography are included. One of the few English-language reference sources about surrealism published in the last decade, Aspley's dictionary is useful for quick access to key terms and biographies. For a book devoted to a movement characterized by arresting visual imagery, the lack of illustrations is annoying. Even Rene Passeron's 1978 Phaidon Encyclopedia of Surrealism (CH, May'79) reprints artworks in color. For a richly illustrated and comprehensive history, see Gerard Durozi's History of the Surrealist Movement (CH, Nov'02, 40-1316). Summing Up: Recommended. Lower-level undergraduates through graduate students. Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students. Reviewed by A. H. Simmons.
Arnold Daghani's Memories of Mikhailowka
Author: Arnold Daghani
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
'Why aren't you painting yourself a loaf of bread?' Arnold Daghani was asked in May 1943 by one of the guards at Mikhailowka, the Nazi slave labour camp in Ukraine. Like other Jewish prisoners, the artist and his wife went in constant fear of starvation and death, but Daghani persisted in making a record of their sufferings by means of striking watercolours and a cryptic diary, secretly composed in English in a shorthand notebook. It was indeed his artistic gifts that earned them the right to spend a few nights outside the barbed wire, enabling them to make a daring escape.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
'Why aren't you painting yourself a loaf of bread?' Arnold Daghani was asked in May 1943 by one of the guards at Mikhailowka, the Nazi slave labour camp in Ukraine. Like other Jewish prisoners, the artist and his wife went in constant fear of starvation and death, but Daghani persisted in making a record of their sufferings by means of striking watercolours and a cryptic diary, secretly composed in English in a shorthand notebook. It was indeed his artistic gifts that earned them the right to spend a few nights outside the barbed wire, enabling them to make a daring escape.
The Surrealist World of Desmond Morris
Author: Michel Remy
Publisher: Jonathan Cape
ISBN:
Category : Art
Languages : en
Pages : 226
Book Description
Publisher: Jonathan Cape
ISBN:
Category : Art
Languages : en
Pages : 226
Book Description
The Birmingham Group
Author: John Bonham, Murray Feeley Fine Art (London)
Publisher:
ISBN:
Category : Birmingham Group (Group of artists)
Languages : en
Pages : 5
Book Description
Publisher:
ISBN:
Category : Birmingham Group (Group of artists)
Languages : en
Pages : 5
Book Description
Art Index Retrospective
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1152
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1152
Book Description
List of works exhibition in five exhibitions
Author: John Bonham, Murray Feely Fine Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 22
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 22
Book Description