Author: Kalman A. Burnim
Publisher: SIU Press
ISBN: 9780809321230
Category : Art
Languages : en
Pages : 304
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Book Description
For this catalog, Kalman A. Burnim has selected more than 360 portraits from various editions of the John Bell publication Bell's Shakespeare (including John Barker's continuation of 1799-1800) and from Bell's British Theatre (including George Cawthorn's 1797 edition). Philip H. Highfill Jr. has furnished the introductory essay for the catalog. Most of these portraits are by James Roberts and Samuel De Wilde, who were among the leading painters of actors and actresses between 1770 and 1820. Richard Cosway, William Hamilton, Gilbert Stuart, and other painters also have work represented in the catalog. The engraved versions are by James Thornthwaite, William Leney, Philippe Audinet, and others. When possible, each entry is illustrated by a reproduction of the engraving or by an original picture. For each entry, Burnim provides details of publication, the provenance and related pictures, the locations of the originals, and commentary.
Author: Sidney Jackson Jowers
Publisher: Routledge
ISBN: 1136746420
Category : Art
Languages : en
Pages : 542
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Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Jim Davis
Publisher: Cambridge University Press
ISBN: 1107098858
Category : Art
Languages : en
Pages : 291
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Book Description
An original study of the relationship between comic acting and the visual arts in late-Georgian and Regency England.
Author: Ileana Baird
Publisher: Cambridge Scholars Publishing
ISBN: 1443871354
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
In an attempt to better account for the impressive diversity of positions and relations that characterizes the eighteenth-century world, this collection proposes a new methodological frame, one that is less hierarchical in approach and more focused, instead, on the nature of these interactions, on their Addisonian “usefulness,” declared goals, and (un)intended results. By shifting focus from a cultural-historicist approach to sociability to the rhizomatic nature of eighteenth-century associations, this collection approaches them through new methodological lenses that include social network analysis, assemblage and graph theory, social media and digital humanities scholarship. Imagining the eighteenth-century world as a networked community rather than a competing one reflects a recent interest in novel forms of social interaction facilitated by new social media—from Internet forums to various types of social networking sites—and also signals the increasing involvement of academic communities in digital humanities projects that use new technologies to map out patterns of intellectual exchange. As such, the articles included in this collection demonstrate the benefits of applying interdisciplinary approaches to eighteenth-century sociability, and their role in shedding new light on the way public opinion was formed and ideas disseminated during pre-modern times. The issues addressed by our contributors are of paramount importance for understanding the eighteenth-century culture of sociability. They address, among other things, clubbing practices and social networking strategies (political, cultural, gender-based) in the eighteenth-century world, the role of clubs and other associations in “improving” knowledge and behaviors, conflicting views on publicity, literary and political alliances and their importance for an emerging celebrity culture, the role of cross-national networks in launching pan-European and transatlantic trends, Romantic modes of sociability, as well as the contribution of voluntary associations (clubs, literary salons, communities of readers, etc.) to the formation of the public sphere. This collection demonstrates how relevant social networking strategies were to the context of the eighteenth-century world, and how similar they are to the congeries of new practices shaping the digital public sphere of today.
Author: Stuart Sillars
Publisher: Cambridge University Press
ISBN: 1107193249
Category : Art
Languages : en
Pages : 315
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Book Description
Shows how illustrated editions and paintings of the plays were originally produced and read as critical, social and political statements.
Author: Thomas F. Bonnell
Publisher: OUP Oxford
ISBN: 0191559733
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
A publishing phenomenon began in Glasgow in 1765. Uniform pocket editions of the English Poets printed by Robert and Andrew Foulis formed the first link in a chain of literary products that has grown ever since, as we see from series like Penguin Classics and Oxford World Classics. Bonnell explores the origins of this phenomenon, analysing more than a dozen multi-volume poetry collections that sprang from the British press over the next half century. Why such collections flourished so quickly, who published them, what forms they assumed, how they were marketed and advertised, how they initiated their readers into the rites of mass-market consumerism, and what role they played in the construction of a national literature are all questions central to the study. The collections played out against an epic battle over copyright law, and involved fierce contention for market share in the 'classics' among rival publishers. It brought despair to the most powerful of London printers, William Strahan, who prophesied that competition of this nature would ruin bookselling, turning it into 'the most pitiful, beggarly, precarious, unprofitable, and disreputable Trade in Britain'. Samuel Johnson's Lives of the Poets were part of such a collection, dubbed 'Johnson's Poets'. The third edition of this collection, published in 1810, brought the national project to its high water mark: it contained 129 poets, plus extensive translations from the Greek and Roman classics. By this point, all the features that characterize modern series of vernacular classics had been established, and never since has such an ambitious expression of the poetic canon been repeated, as Bonnell shows by peering forward into the nineteenth century and beyond. Based on work with archival materials, newspapers, handbills, prospectuses, and above all the books themselves, Bonnell's findings shed light on all aspects of the book trade. Valuable bibliographical data is presented regarding every collection, forming an indispensable resource for future work on the history of the English poetry canon.
Author: Fiona Ritchie
Publisher: Cambridge University Press
ISBN: 0521898609
Category : Drama
Languages : en
Pages : 469
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Book Description
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Author: Katrin Horn
Publisher: Routledge
ISBN: 1000433404
Category : Social Science
Languages : en
Pages : 220
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Book Description
This book investigates transnational processes through the analytic lens of cultural performance. Structured around key concepts of performance studies––commons, skills, and traces––this edited collection addresses the political, normative, and historical implications of cultural performances beyond the limits of the (US) nation-state. These three central aspects of performance function as entryways to inquiries into transnational processes and allow the authors to shift the discussion away from text-centered approaches to intercultural encounters and to bring into focus the dynamic field that opens up between producer, art work, context, setting, and audience in the moment of performance as well as in its afterlife. The chapters provide fresh, performance-based approaches to notions of transcultural mobility and circulation, transnational cultural experience and knowledge formation, transnational public spheres, and identities’ rootedness in both specific local places and diasporic worlds beyond the written word. This book will be of great interest to scholars and students of American studies, performance studies, and transnational studies
Author: Samantha Matthews
Publisher:
ISBN: 0198857942
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
This is the first book to tell the story of the Romantic album and its original poetry. It rediscovers a huge number of overlooked Romantic poems, and reconstructs how albums and their owners were represented in print
Author: Luisa Cale
Publisher: Oxford University Press
ISBN: 0199267383
Category : Art
Languages : en
Pages : 290
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Book Description
Fuseli's Milton Gallery challenges the antipictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other literary galleries developed within an expanding market for illustrated books and a culture of anthologization used to reading British and other 'classics' in terms of the visualization of key moments in the text. Thus transformedinto repositories of virtual pictures literary texts became ideal sources of subjects for painters. Illustrating British literature was a way of inventing a national 'grand style' to fit the needs of a consumer society.Cale calls into question the separation of reading and viewing as autonomous aesthetic practices. To 'turn readers into spectators' meant to place readers and reading within the dizzying world of associations offered by an emerging culture of exhibitions. Attending to the energized reading effects developed by Fuseli's Gallery we rediscover a new side of the Romantic imagination which is not the solitary mentalist experience preferred by Wordsworth and Coleridge, nor divorced from the senses,let alone a refuge from the crowded public spaces of the Revolutionary period. Rather, Fuseli's embodied aesthetic exemplifies the associationist psychology espoused by the radical circle convening around the publisher Joseph Johnson, including Joseph Priestley and Mary Wollstonecraft. This bookanalyses exhibitions as important sites of Romantic sociability and one of many interrelated mediums for the literature, debates and controversies of the Revolutionary period.
