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Author: Mary Jane Jacob
Publisher: University of Chicago Press
ISBN: 0226389626
Category : Art
Languages : en
Pages : 391
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Book Description
The image of a tortured genius working in near isolation has long dominated our conceptions of the artist’s studio. Examples abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a “factory,” artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. The Studio Reader pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist’s practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually—at the center of an art world that careens across institutions, markets, and disciplines. A companion for anyone engaged with the spectacular sites of art at its making, The Studio Reader reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
Author: Mary Jane Jacob
Publisher: University of Chicago Press
ISBN: 0226389626
Category : Art
Languages : en
Pages : 391
Get Book Here
Book Description
The image of a tortured genius working in near isolation has long dominated our conceptions of the artist’s studio. Examples abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a “factory,” artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. The Studio Reader pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist’s practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually—at the center of an art world that careens across institutions, markets, and disciplines. A companion for anyone engaged with the spectacular sites of art at its making, The Studio Reader reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
Author: Donald Barthelme
Publisher: National Geographic Books
ISBN: 1593761732
Category : Poetry
Languages : en
Pages : 0
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Book Description
The wildly varied essays in Not–Knowing combine to form a posthumous manifesto of one of America's masters of literary experiment. Here are Barthelme's thoughts on writing (his own and others); his observations on art, architecture, film, and city life; interviews, including two previously unpublished; and meditations on everything from Superman III to the art of rendering "Melancholy Baby" on jazz banjolele. This is a rich and eclectic selection of work by the man Robert Coover has called "one of the great citizens of contemporary world letters."
Author: Michael Newman
Publisher: Reaktion Books
ISBN: 1861896794
Category : Art
Languages : en
Pages : 266
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Book Description
An international movement that followed specific geographical-cultural patterns, Conceptual Art built on the legacy of Marcel Duchamp, redefining the institutional and social relationships among production, work and audience in ways which have comprehensively transformed the nature of the art object and forms of artistic practice, both historically and in the present. Investigating and documenting the histories, theories and forms of Conceptual Art, this timely book, including both established writers and a new generation of art historians, shows that Conceptual Art was a broad movement encompassing a range of artistic tendencies. This is the most stimulating account of the movement to date, arguing forcefully for its vitality and potential as well as examining its influence on art today. With essays by Alex Alberro, Stephen Bann, Jon Bird, David Campany, Helen Molesworth, Michael Newman, Peter Osborne, Birgit Pelzer, Desa Philipagesi, Anne Rorimer, Peter Wollen and William Wood.
Author: Spyros Papapetros
Publisher: MIT Press
ISBN: 0262027593
Category : Art
Languages : en
Pages : 288
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Book Description
Scholars and artists revisit a hugely influential essay by Rosalind Krauss and map the interactions between art and architecture over the last thirty-five years. Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art's transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. Krauss tried to clarify what these art practices were, what they were not, and what they could become if logically combined. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss's hugely influential text and maps the ensuing interactions between art and architecture. Responding to Krauss and revisiting the milieu from which her text emerged, artists, architects, and art historians of different generations offer their perspectives on the legacy of “Sculpture in the Expanded Field.” Krauss herself takes part in a roundtable discussion (moderated by Hal Foster). A selection of historical documents, including Krauss's essay, presented as it appeared in October, accompany the main text. Neither eulogy nor hagiography, Retracing the Expanded Field documents the groundbreaking nature of Krauss's authoritative text and reveals the complex interchanges between art and architecture that increasingly shape both fields. Contributors Stan Allen, George Baker, Yve-Alain Bois, Benjamin Buchloh, Beatriz Colomina, Penelope Curtis, Sam Durant, Edward Eigen, Kurt W. Forster, Hal Foster, Kenneth Frampton, Branden W. Joseph, Rosalind Krauss, Miwon Kwon, Sylvia Lavin, Sandro Marpillero, Josiah McElheny, Eve Meltzer, Michael Meredith, Mary Miss, Sarah Oppenheimer, Matthew Ritchie, Julia Robinson, Joe Scanlan, Emily Eliza Scott, Irene Small, Philip Ursprung, Anthony Vidler
Author: James Ijames
Publisher: Dramatists Play Service, Inc.
ISBN: 0822238136
Category : Drama
Languages : en
Pages : 74
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Book Description
Gus is an artist. Vanessa is an actress. Gus wants to be presented in a major exhibition for artists of color, so he hires Vanessa to perform as Balkonaé Townsend, a brash and political artist that will fit the museum’s desire for “new voices.” Everything is great, until Balkonaé takes over and Gus has to deal with the mess he’s made. This plays spins out of control as it explores issues of race, gender, sexuality, and art.
Author: Heather Warren-Crow
Publisher: Dartmouth College Press
ISBN: 1611685745
Category : Art
Languages : en
Pages : 247
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Book Description
You are girlish, our images tell us. You are plastic. Girlhood and the Plastic Image explains how, revealing the increasing girlishness of contemporary media. The figure of the girl has long been prized for its mutability, for the assumed instability and flexibility of the not-yet-woman. The plasticity of girlish identity has met its match in the plastic world of digital art and cinema. A richly satisfying interdisciplinary study showing girlish transformation to be a widespread condition of mediation, Girlhood and the Plastic Image explores how and why our images promise us the adaptability of youth. This original and engaging study will appeal to a broad interdisciplinary audience including scholars of media studies, film studies, art history, and women's studies.
Author: Bill Nowlin
Publisher: U of Nebraska Press
ISBN: 1496204395
Category : Biography & Autobiography
Languages : en
Pages : 736
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Book Description
2019 SABR Baseball Research Award Few people have influenced a team as much as did Tom Yawkey (1903-76) as owner of the Boston Red Sox. After purchasing the Red Sox for $1.2 million in 1932, Yawkey poured millions into building a better team and making the franchise relevant again. Although the Red Sox never won a World Series under Yawkey's ownership, there were still many highlights. Lefty Grove won his three hundredth game; Jimmie Foxx hit fifty home runs; Ted Williams batted .406 in 1941, and both Williams and Carl Yastrzemski won Triple Crowns. Yawkey was viewed by fans as a genial autocrat who ran his ball club like a hobby more than a business and who spoiled his players. He was perhaps too trusting, relying on flawed cronies rather than the most competent executives to run his ballclub. One of his more unfortunate legacies was the accusation that he was a racist, since the Red Sox were the last Major League team to integrate, and his inaction in this regard haunted both him and the team for decades. As one of the last great patriarchal owners in baseball, he was the first person elected to the Baseball Hall of Fame who hadn't been a player, manager, or general manager. Bill Nowlin takes a close look at Yawkey's life as a sportsman and as one of the leading philanthropists in New England and South Carolina. He also addresses Yawkey's leadership style and issues of racism during his tenure with the Red Sox.
Author: Renate Dohmen
Publisher: Bloomsbury Publishing
ISBN: 1786720256
Category : Art
Languages : en
Pages : 297
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Book Description
Encounters Beyond the Gallery challenges the terms of their exclusion, looking to relational art, Deleuze-Guattarean aesthetics and notions of perception, as well as anthropological theory for ways to create connections between seemingly disparate worlds. Embracing a unique and experimental format, the book imagines encounters between the art works and art worlds of Rirkrit Tiravanija, Tamil women, the Shipibo-Conibo of Eastern Peru and a fictional female contemporary artist named Rikki T, in order to rethink normative aesthetic and cultural categories. Its method reflects the message of the book, and embraces a plurality of voices and perspectives to steer critical attention towards the complexity of artistic life beyond the gallery.
Author: Michael A. Krysko
Publisher: Springer
ISBN: 0230301932
Category : History
Languages : en
Pages : 299
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Book Description
Interwar era efforts to expand US radio into China floundered in the face of flawed US policies and approaches. Situated at the intersection of media studies, technology studies, and US foreign relations, this study frames the ill-fated radio initiatives as symptomatic of an increasingly troubled US-East Asian relationship before the Pacific War.
Author: Kimberly Drew
Publisher: Penguin
ISBN: 0593095464
Category : Young Adult Nonfiction
Languages : en
Pages : 66
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Book Description
"Drew's experience teaches us to embrace what we are afraid of and be true to ourselves. She uses her passion to change the art world and invites us to join her."--Janelle Monáe, award-winning singer, actress, and producer "Powerful and compelling, this book gives us the courage to discover our own journeys into art."--Hans Ulrich Obrist, artistic director of the Serpentine Galleries in Kensington Gardens, and co-editor of the Cahiers d'Art review "This deeply personal and boldly political offering inspires and ignites."-- Kirkus Reviews, starred review In this powerful and hopeful account, arts writer, curator, and activist Kimberly Drew reminds us that the art world has space not just for the elite, but for everyone. Pocket Change Collective is a series of small books with big ideas from today's leading activists and artists. In this installment, arts writer and co-editor of Black Futures Kimberly Drew shows us that art and protest are inextricably linked. Drawing on her personal experience through art toward activism, Drew challenges us to create space for the change that we want to see in the world. Because there really is so much more space than we think.
