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Author: Mariana Whitmer
Publisher: Scarecrow Press
ISBN: 0810885018
Category : Music
Languages : en
Pages : 211
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Book Description
With its unique focus on pacifism, The Big Country was an unusual Western for audiences of the 1950s. Produced in 1958, this epic film featured an all-star cast that included Gregory Peck, Charlton Heston, and Oscar-winner Burl Ives. One of the most enduring elements of the film has been Jerome Moross’s score. Inspired to re-think the traditional Western score and approach it in a way that enhances the emotional content, rather than simply accompanying the action, Moross created a work that stands as one of the great achievements of cinematic music. In Jerome Moross’s The Big Country: A Film Score Guide, Mariana Whitmer examines Moross’s landmark work, a score that continues to attract listeners and influence composers of film, Westerns and otherwise. This book begins with a biographical survey of Moross’s formative years, his early dramatic compositions in ballet and musical theater, and his early film work, providing an historical context for understanding his approach to scoring The Big Country. Drawing upon Moross’s original manuscripts and correspondence, Whitmer looks carefully at the score itself. She relates the history of this magnificent score and how the film’s music differs significantly from contemporary trends in the Western. Whitmer also examines the music’s individual cues and describes how Moross approached the film as a dramatic entity, delineating sections of the narrative into mega-scenes through the music. Finally, the aftermath of this score is considered, including how it has influenced not only subsequent Westerns but also music videos. The first book devoted to a Western film score and the only biographical book on the composer, Jerome Moross’s The Big Country: A Film Score Guide, will be a valuable read for musicologists, film scholars, and anyone interested in Moross and his music.
Author: Mariana Whitmer
Publisher: Scarecrow Press
ISBN: 0810885018
Category : Music
Languages : en
Pages : 211
Get Book Here
Book Description
With its unique focus on pacifism, The Big Country was an unusual Western for audiences of the 1950s. Produced in 1958, this epic film featured an all-star cast that included Gregory Peck, Charlton Heston, and Oscar-winner Burl Ives. One of the most enduring elements of the film has been Jerome Moross’s score. Inspired to re-think the traditional Western score and approach it in a way that enhances the emotional content, rather than simply accompanying the action, Moross created a work that stands as one of the great achievements of cinematic music. In Jerome Moross’s The Big Country: A Film Score Guide, Mariana Whitmer examines Moross’s landmark work, a score that continues to attract listeners and influence composers of film, Westerns and otherwise. This book begins with a biographical survey of Moross’s formative years, his early dramatic compositions in ballet and musical theater, and his early film work, providing an historical context for understanding his approach to scoring The Big Country. Drawing upon Moross’s original manuscripts and correspondence, Whitmer looks carefully at the score itself. She relates the history of this magnificent score and how the film’s music differs significantly from contemporary trends in the Western. Whitmer also examines the music’s individual cues and describes how Moross approached the film as a dramatic entity, delineating sections of the narrative into mega-scenes through the music. Finally, the aftermath of this score is considered, including how it has influenced not only subsequent Westerns but also music videos. The first book devoted to a Western film score and the only biographical book on the composer, Jerome Moross’s The Big Country: A Film Score Guide, will be a valuable read for musicologists, film scholars, and anyone interested in Moross and his music.
Author: Jerome Moross
Publisher:
ISBN: 9781258348977
Category :
Languages : en
Pages : 160
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Book Description
Author: Mariana Whitmer
Publisher: Rowman & Littlefield
ISBN: 1442281804
Category : Performing Arts
Languages : en
Pages : 174
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Book Description
Released in late 1960, The Magnificent Seven was a Western reimagining of the 1954 Japanese film Seven Samurai. Despite such stars as Steve McQueen, Yul Brynner, and Charles Bronson, the film was not terribly successful when it premiered. However, in the years since, the film has become recognized as a classic of the genre. And though the movie received only one Academy Award nomination, that honor was bestowed on Elmer Bernstein’s rousing score. Beyond the scope of the film, the score has permeated American culture: the music has been used in countless commercials and referenced on television shows like Cheers and The Simpsons. But what makes this score so memorable? In Elmer Bernstein’s The Magnificent Seven: A Film Score Guide, Mariana Whitmer examines the creation and development of one of the most iconic soundtracks in the history of cinema. Whitmer explores the significance of the familiar score through a variety of lenses, first delving into the background of Elmer Bernstein and his emergence as one of the key composers of the Silver Age of film music. The author then traces Bernstein’s early musical endeavors and considers why he was attracted to “Americana” music, which particularly influenced his scoring of The Magnificent Seven. The book also summarizes Bernstein’s early Western scores, noting that although they are clearly in the mainstream of the genre’s musical style, they are also enhanced by Bernstein’s own distinctive touches. Providing unique insights into the creation of this iconic score—which was deemed one of the ten greatest film scores of all time by the American Film Institute—this book explains what makes this music so enduring. Elmer Bernstein’s The Magnificent Seven: A Film Score Guide will be of interest to cinema and music scholars in general, as well as to fans of film music and the work of one of Hollywood’s finest composers.
Author: Kathryn Kalinak
Publisher: Routledge
ISBN: 1136620575
Category : Music
Languages : en
Pages : 242
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Book Description
Music in the Western: Notes from the Frontier presents essays from both film studies scholars and musicologists on core issues in western film scores: their history, their generic conventions, their operation as part of a narrative system, their functioning within individual filmic texts and their ideological import, especially in terms of the western’s construction of gender, sexuality, race and ethnicity. The Hollywood western is marked as uniquely American by its geographic setting, prototypical male protagonist and core American values. Music in the Western examines these conventions and the scores that have shaped them. But the western also had a resounding international impact, from Europe to Asia, and this volume distinguishes itself by its careful consideration of music in non-Hollywood westerns, such as Ravenous and The Good, the Bad, and the Ugly and in the “easterns” which influenced them, such as Yojimbo. Other films discussed include Wagon Master, High Noon, Calamity Jane, The Big Country, The Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country for Old Men. Contributors Ross Care Corey K. Creekmur Yuna de Lannoy K. J. Donnelly Caryl Flinn Claudia Gorbman Kathryn Kalinak Charles Leinberger Matthew McDonald Peter Stanfield Mariana Whitmer Ben Winters The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.
Author: Glenn Erickson
Publisher: Wildside Press LLC
ISBN: 0809510987
Category : Performing Arts
Languages : en
Pages : 346
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Book Description
A compilation of selected review essays from Erickson's DVD Savant internet column.
Author: Christopher Palmer
Publisher: Marion Boyars Publishers
ISBN:
Category : History
Languages : en
Pages : 360
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Book Description
Christopher Palmer discusses the life and work of eleven great Hollywood composers -- Steiner, Korngold, Newman, Waxman, Tiomkin, Webb, Rozsa, Herrmann, North, Bernstein, and Rosenman -- analyzing the scores of many well-known films. Each chapter is written in clear non-technical language for the general reader as well as film and music enthusiasts.
Author: John Steinbeck
Publisher: Penguin
ISBN: 9780140187397
Category : Fiction
Languages : en
Pages : 132
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Book Description
A Penguin Classic Written at a time of profound anxiety caused by the illness of his mother, Nobel Prize winner John Steinbeck draws on his memories of childhood in these stories about a boy who embodies both the rebellious spirit and the contradictory desire for acceptance of early adolescence. Unlike most coming-of-age stories, the cycle does not end with a hero “matured” by circumstances. As John Seelye writes in his introduction, reversing common interpretations, The Red Pony is imbued with a sense of loss. Jody’s encounters with birth and death express a common theme in Steinbeck’s fiction: They are parts of the ongoing process of life, “resolving” nothing. The Red Pony was central not only to Steinbeck’s emergence as a major American novelist but to the shaping of a distinctly mid twentieth-century genre, opening up a new range of possibilities about the fictional presence of a child’s world. This edition contains an introduction by John Seelye. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1495000982
Category : Music
Languages : en
Pages : 908
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Book Description
(Piano Solo Songbook). This unique collection features 100 piano solo arrangements of light classics by George Gershwin, Leroy Anderson, Edith Piaf, and more. Songs include: An American in Paris * Bohemian Rhapsody * Bugler's Holiday * Clair de Lune * Come Sunday * Eleanor Rigby * Forrest Gump Main Title (Feather Theme) * Great Escape * Hymne a L'Amour * James Bond Theme * A Lover's Concerto * Midnight Cowboy * The Music of the Night * Nessun Dorma * Theme from "Ordinary People" * Rhapsody in Blue * River Flows in You * Somewhere in Time * Star Wars (Main Theme) * Waltz of the Flowers * A Whiter Shade of Pale * and many more.
Author: Paula Musegades
Publisher: Eastman Studies in Music
ISBN: 1580469914
Category : Biography & Autobiography
Languages : en
Pages : 209
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Book Description
A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles.
Author: Matt Lawson
Publisher: Rowman & Littlefield
ISBN: 1538103680
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
The background music on a film can make or break the audience experience. Imagine the shower scene in Psycho without the shrieking violins or Jaws without the ominous notes thatportend the shark’s attack! Musical accompaniment helps create atmosphere for the viewer, from subtle undertones to compositions that heighten the drama. In 100 Greatest Film Scores, authors Matt Lawson and Laurence E. MacDonald consider the finest music produced for cinema since the development of motion picture sound. Each entry includes background details about the film, biographical information about the composer, a concise analysis of the score, and a summary of the score’s impact both within the film and on cinematic history. Among the many films cited here are iconic scores for The Adventures of Robin Hood, A Beautiful Mind,The Big Country, Chariots of Fire, Citizen Kane, Edward Scissorhands, Fargo, Gonewith the Wind, The Great Escape, Jurassic Park, King Kong, Lawrence of Arabia, The Lion in Winter, North by Northwest, On the Waterfront, Out of Africa, The Pink Panther, Raiders of the Lost Ark, Vertigo, and Up. Arranged alphabetically and featuring a photo of each movies, the entries in this volume give the reader insight into how music functions across a wide spectrum of film genres. Representing some of the greatest composers in the history of cinema including Elmer Bernstein, Bernard Herrmann, Alfred Newman, John Williams, and Hans Zimmer, 100 Greatest Film Scores will be of interest to fans of movie music everywhere.
