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Author: Reinhard Bek
Publisher:
ISBN: 9783952399040
Category : Art museums
Languages : en
Pages : 551
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Book Description
The Museum Tinguely, opened in Basel in 1996, is dedicated to the work of the artist Jean Tinguely (1925 –1991). The collection can for the most part be traced back to a donation by Tinguely’s widow, Niki de Saint Phalle, and contains sculptures, drawings, sketches and archived documents that record the accomplishments of the important avant-garde artist up until his later work. As a Swiss artist in Paris, Tinguely was a member of the Nouveaux Réalistes along with Yves Klein, Christo and Daniel Spoerri. His kinetic sculptures helped to shape the artistic awakening of his time, and with happenings such as Homage to New York, and the Studies for an End of the World he can be said to have been partially responsible for a radical expansion of the definition of art in the early 1960s. The catalog depicts all the sculptures in the collection as well as a generous selection of drawings and sketches. It encompasses a thorough biography, a text on the happenings and events in which Tinguely was involved, recently compiled directories as well as an essay on the restoration of the machine sculptures in the museum.
Author: Reinhard Bek
Publisher:
ISBN: 9783952399040
Category : Art museums
Languages : en
Pages : 551
Get Book Here
Book Description
The Museum Tinguely, opened in Basel in 1996, is dedicated to the work of the artist Jean Tinguely (1925 –1991). The collection can for the most part be traced back to a donation by Tinguely’s widow, Niki de Saint Phalle, and contains sculptures, drawings, sketches and archived documents that record the accomplishments of the important avant-garde artist up until his later work. As a Swiss artist in Paris, Tinguely was a member of the Nouveaux Réalistes along with Yves Klein, Christo and Daniel Spoerri. His kinetic sculptures helped to shape the artistic awakening of his time, and with happenings such as Homage to New York, and the Studies for an End of the World he can be said to have been partially responsible for a radical expansion of the definition of art in the early 1960s. The catalog depicts all the sculptures in the collection as well as a generous selection of drawings and sketches. It encompasses a thorough biography, a text on the happenings and events in which Tinguely was involved, recently compiled directories as well as an essay on the restoration of the machine sculptures in the museum.
Author: Roland Wetzel
Publisher: Kehrer Verlag
ISBN: 9783868282283
Category : Automobiles
Languages : en
Pages : 0
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Book Description
Presents the automobile as a source of inspiratio for the art of the last 100 years. Starting with the futurists, who saw in the car's beastly roar and thrilling, dangerous speed a new ideal of beauty, this visual study provides an overview of the most powerful and culturally important artworks inspired by the car. Among them are examples of Pop Art by the Nouveaux Realistes, with Jean Tinguely known as a major Formula 1 fan These are presented through the themes of Traffic Withdrawal and Escape and a Fascination with Accident.
Author: Pontus Hultén
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 378
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Book Description
Author: Rachel Rivenc
Publisher: Getty Publications
ISBN: 1606065378
Category : Art
Languages : en
Pages : 378
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Book Description
Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.
Author: Andreas Broeckmann
Publisher: MIT Press
ISBN: 0262035065
Category : Art
Languages : en
Pages : 400
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Book Description
An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.
Author: Kerry Brougher
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Timely and wide-ranging, this volume explores in-depth the theme of destruction in international contemporary art. While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration. Including works by such diverse artists as Jean Tinguely, Andy Warhol, Bruce Conner, Yoko Ono, Gordon Matta-Clark, Pipilotti Rist, Yoshitomo Nara, and Laurel Nakadate, the book reaches beyond art to enable a broader understanding of culture and society in the aftermath of World War II, under the looming fear of annihilation in the atomic age, and in the age of terrorism and other disasters, real and imagined.
Author:
Publisher:
ISBN: 9781938221316
Category : Art
Languages : en
Pages : 268
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Book Description
A biography by Nicole Rudick told in Saint Phalle's own words, assembled from rare and unseen materials Known best for her exuberant, often large-scale sculptural works that celebrate the abundance and complexity of female desire, imagination and creativity, Niki de Saint Phalle viewed making art as a ritual, a performance--a process connecting life to art. This unconventional, illuminated biography, told in the first person in Saint Phalle's voice and her own hand, dilates large and small moments in Saint Phalle's life which she sometimes reveals with great candor, at other times carefully unwinding her secrets. Editor Nicole Rudick, in a kind of collaboration with the artist, has assembled a gorgeous and detailed mosaic of Saint Phalle's visual and textual works from a trove of paintings, drawings, sketches and writings, many previously unpublished or long unavailable, that trace her mistakes and successes, her passions and her radical sense of joy. Saint Phalle's invocation--her "bringing to life"--writes Rudick, "is an apt summation of the overlap of Saint Phalle's life and art: both a bringing into existence and a bringing to bear. These are visions from the frontiers of consciousness." Born in France, Niki de Saint Phalle (1930-2002) was raised in New York and began making art at age 23, pursuing a revelatory vision informed both by the monumental works of Antonin Gaudí and the Facteur Cheval, and by aspects of her own life. In addition to her Tirs ("shooting paintings") and Nanas and her celebrated large-scale projects--including the Stravinsky Fountain at the Centre Pompidou, Golem in Jerusalem and the Tarot Garden in Tuscany--Saint Phalle produced writing and works on paper that delve into her own biography: childhood and her break with her family, marriage to Harry Mathews, motherhood, a long collaborative relationship with Jean Tinguely, numerous health crises and her late, productive years in Southern California. Saint Phalle has most recently been the subject of retrospectives at the Guggenheim Museum Bilbao, in 2015, and at MoMA P.S.1, in 2021. Nicole Rudick is a critic and an editor. Her writing on art, literature and comics has been published in the New York Review of Books, the New York Times, the New Yorker, Artforum and elsewhere. She was managing editor of the Paris Review for nearly a decade. She is the editor, most recently, of a new edition of Gary Panter's legendary comic Jimbo: Adventures in Paradise (New York Review Comics, 2021).
Author: IJsbrand M. C. Hummelen
Publisher: Archetype Publications
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 452
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Book Description
Presenting the conservation challenges related to different media and materials of considerable art-historical value, the studies in this volume include symposium papers by art historians, physicists, philosophers, artists, conservators and critics, on topics such as accidental damage, working with artists, packing and transport, and installation.
Author: Wim Delvoye
Publisher: Rectapublishers
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Borrowing its name from the ancient sewer in Rome, Belgian conceptualist Wim Delvoye's new and improved "Cloaca" is a room-sized shit-making machine whose bowels process two meals a day, serving up a mouthful of complex themes: scatalogy and disgust, high and low culture, man as machine and vice-versa, and the inversion of art semiotics. Many of these same concerns are processed in Delvoye's other work, like the life-sized carved walnut replica of a cement truck, the wood cabinet stocked with 32 circular saw blades painted with scenes in Delft China blue, and a herd of pigs tatooed by Antwerp's finest needle-men. Feces and other anal subjects are parsed in accompanying essays by such luminaries as Milan Kundera, Gerardo Mosquera, Dan Cameron, Georges Bataille and Salvador Dali.
Author: Roland Wetzel
Publisher:
ISBN: 9783969000182
Category : Artists
Languages : en
Pages : 251
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Book Description
From around 1864 until 1971 the Impasse Ronsin in Paris was home to a warren of studios used by wide variety of artists. This curious cul-de-sac hidden away in Montparnasse served as home and atelier to some 220 artists, from academic sculptor Alfred Boucher to Argentine performance artist Marta Minujin. If Constantin Brancusi was its most famous resident, its most infamous was Madame Steinheil, mistress and maybe murderer of the French President whose artist-husband also met a brutal end, turning the Impasse Ronsin into one of the most notorious crime scenes of the early 20th century.
