Jean-Baptiste Lully and the Music of the French Baroque

Jean-Baptiste Lully and the Music of the French Baroque PDF Author: James R. Anthony
Publisher: Cambridge University Press
ISBN: 9780521352635
Category : Biography & Autobiography
Languages : en
Pages : 360

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Book Description
This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.

Jean-Baptiste Lully and the Music of the French Baroque

Jean-Baptiste Lully and the Music of the French Baroque PDF Author: James R. Anthony
Publisher: Cambridge University Press
ISBN: 9780521352635
Category : Biography & Autobiography
Languages : en
Pages : 360

Get Book Here

Book Description
This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.

Dance and Drama in French Baroque Opera

Dance and Drama in French Baroque Opera PDF Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 1107137896
Category : Music
Languages : en
Pages : 505

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Book Description
Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.

Lully Studies

Lully Studies PDF Author: John Hajdu Heyer
Publisher: Cambridge University Press
ISBN: 9780521621830
Category : Music
Languages : en
Pages : 356

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Book Description
Presents the best research on the life and work of Baroque composer Jean-Baptiste Lully.

The Cambridge Companion to French Music

The Cambridge Companion to French Music PDF Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 0521877946
Category : Music
Languages : en
Pages : 441

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Book Description
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.

Music and the Language of Love

Music and the Language of Love PDF Author: Catherine Gordon-Seifert
Publisher: Indiana University Press
ISBN: 0253000858
Category : Music
Languages : en
Pages : 409

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Book Description
Simple songs or airs, in which a male poetic voice either seduces or excoriates a female object, were an influential vocal genre of the French Baroque era. In this comprehensive and interdisciplinary study, Catherine Gordon-Seifert analyzes the style of airs, which was based on rhetorical devices of lyric poetry, and explores the function and meaning of airs in French society, particularly the salons. She shows how airs deployed in both text and music an encoded language that was in sensuous contrast to polite society's cultivation of chaste love, strict gender roles, and restrained discourse.

The Cambridge Companion to the Organ

The Cambridge Companion to the Organ PDF Author: Nicholas Thistlethwaite
Publisher: Cambridge University Press
ISBN: 1107494036
Category : Music
Languages : en
Pages : 358

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Book Description
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.

Touched by the Graces

Touched by the Graces PDF Author: Buford Norman
Publisher: Summa Publications, Inc.
ISBN: 9781883479350
Category : Drama
Languages : en
Pages : 428

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Book Description
After situating the libretti in the context of French classicism, the author first discusses the prologues to the Quinault-Lully operas, then devotes a chapter to each of the libretti in which he examines such traditional literary elements as performance history, plot, characterization, and style, as well as issues more specifically related to musical theater. The concluding chapter summarizes what opera can tell us about French classicism and explores in depth some of the key theoretical issues such as representation, imitation, and recognition.

French Baroque Music from Beaujoyeulx to Rameau

French Baroque Music from Beaujoyeulx to Rameau PDF Author: James R. Anthony
Publisher: Hal Leonard Corporation
ISBN: 9781574670219
Category : Music
Languages : en
Pages : 604

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Book Description
First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.

Music and Theatre in France, 1600-1680

Music and Theatre in France, 1600-1680 PDF Author: John S. Powell
Publisher: Clarendon Press
ISBN: 9780198165996
Category : History
Languages : en
Pages : 622

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Book Description
During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.

A History of Baroque Music

A History of Baroque Music PDF Author: George J. Buelow
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732

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Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.