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Author: Tony Whyton
Publisher: Cambridge University Press
ISBN: 9781107610828
Category : Music
Languages : en
Pages : 0
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Book Description
Today, jazz history is dominated by iconic figures who have taken on an almost God-like status. From Satchmo to Duke, Bird to Trane, these legendary jazzmen form the backbone of the jazz tradition. Jazz icons not only provide musicians and audiences with figureheads to revere but have also come to stand for a number of values and beliefs that shape our view of the music itself. Jazz Icons explores the growing significance of icons in jazz and discusses the reasons why the music's history is increasingly dependent on the legacies of 'great men'. Using a series of individual case studies, Whyton examines the influence of jazz icons through different forms of historical mediation, including the recording, language, image and myth. The book encourages readers to take a fresh look at their relationship with iconic figures of the past and challenges many of the dominant narratives in jazz today.
Author: Tony Whyton
Publisher: Cambridge University Press
ISBN: 9781107610828
Category : Music
Languages : en
Pages : 0
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Book Description
Today, jazz history is dominated by iconic figures who have taken on an almost God-like status. From Satchmo to Duke, Bird to Trane, these legendary jazzmen form the backbone of the jazz tradition. Jazz icons not only provide musicians and audiences with figureheads to revere but have also come to stand for a number of values and beliefs that shape our view of the music itself. Jazz Icons explores the growing significance of icons in jazz and discusses the reasons why the music's history is increasingly dependent on the legacies of 'great men'. Using a series of individual case studies, Whyton examines the influence of jazz icons through different forms of historical mediation, including the recording, language, image and myth. The book encourages readers to take a fresh look at their relationship with iconic figures of the past and challenges many of the dominant narratives in jazz today.
Author: Dave Gelly
Publisher:
ISBN: 9781840441420
Category : Jazz
Languages : en
Pages : 168
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Book Description
"In celebration of the first hundred years of jazz, Icons of Jazz presents a selection of representatives from all aspects of the genre: the New Orleans and Dixieland of the first two decades of the 20th century; the swing and jump jive of the 1920s and 1930s; bebop and its legacy of the 1940s and 1950s; the free jazz of the 1960s; jazz-rock from the 1970s; and the melting pot that was jazz in the 1980s and throughout the 1990s. Each entry includes details of the life and work of the artist or band concerned, recommends essential recordings, and is illustrated with stunning black-and-white photographs."--
Author:
Publisher:
ISBN: 9788894428261
Category : Music
Languages : en
Pages : 160
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
The weekly source of African American political and entertainment news.
Author: Horace A. Porter
Publisher: University of Iowa Press
ISBN: 1587294052
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
Horace Porter is the chair of African American World Studies and professor of English at the University of Iowa. He is the author of Stealing Fire: The Art and Protest of James Baldwin and one of the editors of Call and Response: The Riverside Anthology of the African American Literary Tradition. The first book to reassess Ralph Ellison after his death and the posthumous publication ofJuneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison's writings and views on American culture through the lens of jazz music. Horace Porter's groundbreaking study addresses Ellison's jazz background, including his essays and comments about jazz musicians such as Louis Armstrong, Duke Ellington, and Charlie Parker. Porter further examines the influences of Ellington and Armstrong as sources of the writer's personal and artistic inspiration and highlights the significance of Ellison's camaraderie with two African American friends and fellow jazz fans—the writer Albert Murray and the painter Romare Bearden. Most notably, Jazz Country demonstrates how Ellison appropriated jazz techniques in his two novels, Invisible Man and Juneteenth. Using jazz as the key metaphor, Porter refocuses old interpretations of Ellison by placing jazz in the foreground and by emphasizing, especially as revealed in his essays, the power of Ellison's thought and cultural perception. The self-proclaimed “custodian of American culture,” Ellison offers a vision of “jazz-shaped” America—a world of improvisation, individualism, and infinite possibility.
Author: Hal Leonard Corp.
Publisher: Hal Leonard
ISBN: 1480384224
Category : Music
Languages : en
Pages : 1022
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Book Description
(Fake Book). This amazing collection transcribes nearly 150 of the best-known jazz solos (regardless of the instrument) exactly as recorded by icons of the trade, including: Autumn Leaves (Chet Baker) * Blue in Green (Toots Thielemans) * Blue Train (John Coltrane) * Bright Size Life (Jaco Pastorius) * Dolphin Dance (Herbie Hancock) * Footprints (Wayne Shorter) * I Do It for Your Love (Bill Evans) * I Mean You (Thelonius Monk) * Isreal (Bill Evans) * K.C. Blues (Charlie Parker) * Milestones (Miles Davis) * New Orleans (Wynton Marsalis) * Nuages (Django Reinhardt) * Quiet Nights of Quiet Stars (Oscar Peterson) * Spring Ain't Here (Pat Metheny) * Stella by Starlight (Ray Brown) * Waltz for Debby (Cannonball Adderley) * West End Blues (Louis Armstrong) * and many more.
Author: Roger Fagge
Publisher: Routledge
ISBN: 1351973134
Category : Music
Languages : en
Pages : 341
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Book Description
New Jazz Conceptions: History, Theory, Practice is an edited collection that captures the cutting edge of British jazz studies in the early twenty-first century, highlighting the developing methodologies and growing interdisciplinary nature of the field. In particular, the collection breaks down barriers previously maintained between jazz historians, theorists and practitioners with an emphasis on interrogating binaries of national/local and professional/amateur. Each of these essays questions popular narratives of jazz, casting fresh light on the cultural processes and economic circumstances which create the music. Subjects covered include Duke Ellington’s relationship with the BBC, the impact of social media on jazz, a new view of the ban on visiting jazz musicians in interwar Britain, a study of Dave Brubeck as a transitional figure in the pages of Melody Maker and BBC2’s Jazz 625, the issue of ‘liveness’ in Columbia’s Ellington at Newport album, a musician and promoter's views of the relationship with audiences, a reflection on Philip Larkin, Kingsley Amis and Eric Hobsbawm as jazz critics, a musician’s perspective on the oral and generational tradition of jazz in a British context, and a meditation on Alan Lomax’s Mr. Jelly Roll, and what it tells us about cultural memory and historical narratives of jazz.
Author: Michael Borshuk
Publisher: Cambridge University Press
ISBN: 1009420178
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
This book offers an entry point for understanding the comprehensive way this uniquely American artistic form has influenced literature, art, film, and other art forms, while also providing a cultural space for political commentary or social critique.
Author: Aurwin Nicholas
Publisher: Lulu.com
ISBN: 1365838285
Category : History
Languages : en
Pages : 497
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Book Description
The History of Jazz is a story rich with innovation, experimentation, controversy and emotion, this coffee table book concept provides an ideal setting to share the cultural history of the people and places that helped shape the development and progression of the history of jazz. And is presented in an eclectic format to preserve the works of the original authors of this subject matter. The Jazz Sippers Group presents these collective writings through interpretive techniques designed to educate and entertain, and seeks to preserve information and resources associated with the origins of the history of jazz. The musicians are the men and women who, made and still make the music, the leaders as well as the sidemen, and side women who have and continue to make jazz a popular music.
Author: Stuart Nicholson
Publisher: Northeastern University Press
ISBN: 1555538398
Category : Music
Languages : en
Pages : 313
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Book Description
Noted jazz scholar, biographer, and critic Stuart Nicholson has written an entertaining and enlightening consideration of the music's global past, present, and future. Jazz's emergence on the world scene coincided with America's rise as a major global power. The uniqueness of jazz's origins--America's singularly original gift of art to the world, developed by African Americans--adds a level of complexity to any appreciation of jazz's global presence. In this volume, Nicholson covers such diverse and controversial topics as jazz in the iPod musical economy, issues of globalization and authenticity, jazz and American exceptionalism, jazz as colonial tip of the sword, global interpretation, and the limits of jazz as a genre. Nicholson caps the volume with fascinating and anecdote-rich discussions of jazz as a form of "modernism" in the twentieth century, the history of jazz fads (such as the cakewalk) that elicited very different reactions among American and European audiences, and a hearty defense of Paul Whiteman and his efforts to legitimize jazz as art. Stuart Nicholson has written a thought-provoking and opinionated work that should equally engage and enrage all manner of jazz lovers, scholars, and aficionados.
