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Author: Brian Harker
Publisher: Prentice Hall
ISBN: 9780131679641
Category : Music
Languages : en
Pages : 358
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Book Description
0131679643 / 9780131679641 Jazz: An American Journey with CD & 2 CD Set Package Package consists of: 013098261X / 9780130982612 Jazz: An American Journey 0131831240 / 9780131831247 3 Compact Disc Set
Author: Brian Harker
Publisher: Prentice Hall
ISBN: 9780131679641
Category : Music
Languages : en
Pages : 358
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Book Description
0131679643 / 9780131679641 Jazz: An American Journey with CD & 2 CD Set Package Package consists of: 013098261X / 9780130982612 Jazz: An American Journey 0131831240 / 9780131831247 3 Compact Disc Set
Author: Gregory Clark
Publisher: University of Chicago Press
ISBN: 022621821X
Category : Language Arts & Disciplines
Languages : en
Pages : 211
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Book Description
Greg Clark welcomes his readers by asking them to accompany him on a trip to a New Orleans club, where the warmth of the music and the warmth of the audience instill a special feeling of communion, of getting along. Clark s book treats the idea that jazz demands from those who make it as well as those who listen a form of life that substantiates the seemingly impossible American value that is "e pluribus unum." The process of getting along (in communication, in community) is something the great student of culture and rhetoric, Kenneth Burke, spent his life trying to describe. Clark has found that jazz, as an activity and a cultural form, goes a long way toward illustrating that process. Jazz is often described as democratic. Burke s rhetorical and aesthetic ideas explain how this is so. Working with others to address immediate problems they share can align for a time individuals who are otherwise very different. That is what jazz does: it enables people who are different and even in conflict with each other to combine in cooperation toward an end that matters to all of them just now. And this, too, is what civic life in democratic cultures demands. In chapters that deal with such issues as what jazz does and how jazz works, Clark uses examples from jazz history (from Louis Armstrong and Earl Hines to Miles Davis and Bill Evans), but also from contemporary jazz, both recorded and live, e.g., pianist Jonathan Batiste and his Social Music, drummer Terri Lyne Carrington and her collaborative Mosaic Project, or the newly emergent vocalist, Cecile Mclorin Salvant, all of this in the service of making improvisation and ensemble work yield the experience of transcendence that results from intense engagement with jazz as aesthetic form (for players and listeners alike). The resulting book is a study of jazz in the context of American aspirations toward democratic interaction "and" a study of Kenneth Burke s democratic rhetorical theory and practice as essentially aesthetic in function and effect. Marcus Roberts, the much-lionized neoclassical pianist, crafts a Foreword that points to practical ways these ideas can work to improve and inspire both musicians and citizens."
Author: Woody Woodward
Publisher:
ISBN:
Category : California
Languages : en
Pages : 138
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Book Description
Author: Grover Sales
Publisher: Da Capo Press
ISBN: 9780306804915
Category : Music
Languages : en
Pages : 256
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Book Description
Jazz: America's Classical Music is a delightful introduction and guide to this complex and compelling music and to its rich history. In an engaging and conversational style, renowned jazz teacher Grover Sales tells of the lives and music of the greats—Ellington, Tatum, Hawkins, Coltrane, Parker, Hines, Goodman, Armstrong, and many others—with a mix of important facts, fascinating anecdotes, and brilliant interpretations. Illustrated with astonishing photographs of the artists in performance, Jazz: America's Classical Music is a classic text, an ideal book for beginners and an inspiring one for serious students of the art of jazz.
Author: Lee Zimmerman
Publisher: Texas A&M University Press
ISBN: 1623497027
Category : Music
Languages : en
Pages : 334
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Book Description
With roots in Appalachia, the Mississippi Delta, New Orleans, the Piedmont, Memphis, and the prairies of Texas and the American West, the musical genre called Americana can prove difficult to define. Nevertheless, this burgeoning trend in American popular music continues to expand and develop, winning new audiences and engendering fresh, innovative artists at an exponential rate. As Lee Zimmerman illustrates in Americana Music: Voices, Visionaries, and Pioneers of an Honest Sound, “Americana” covers a gamut of sounds and styles. In its strictest sense, it is a blanket term for bluegrass, country, mountain music, rockabilly, and the blues. By a broader definition, it can encompass roots rock, country rock, singer/songwriters, R&B, and their various combinations. Bob Dylan, Hank Williams, Carl Perkins, and Tom Petty can all lay valid claims as purveyors of Americana, but so can Elvis Costello, Solomon Burke, and Jason Isbell. Americana is new and old, classic and contemporary, trendy and traditional. Mining the firsthand insights of those whose stories help shape the sound—people such as Ralph Stanley, John McEuen (Nitty Gritty Dirt Band), Chris Hillman (Byrds, Flying Burrito Brothers), Paul Cotton and Rusty Young (Poco), Shawn Colvin, Kinky Friedman, David Bromberg, the Avett Brothers, Amanda Shires, Ruthie Foster, and many more—Americana Music provides a history of how Americana originated, how it reached a broader audience in the ’60s and ’70s with the merging of rock and country, and how it evolved its overwhelmingly populist appeal as it entered the new millennium.
Author: Peter Townsend
Publisher: Univ. Press of Mississippi
ISBN: 9781578063246
Category : History
Languages : en
Pages : 222
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Book Description
A persuasive appreciation of what jazz is and of how it has permeated and enriched the culture of America
Author: Craig Harris
Publisher: Rowman & Littlefield
ISBN: 0810889056
Category : Biography & Autobiography
Languages : en
Pages : 226
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Book Description
Includes previously unpublished interviews and photos: “His research is extensive, but the overall pace through these two hundred pages is breezy and entertaining.” —Vintage Rock At a time when acid rock and heavy metal dominated popular music, The Band rebelled against the rebellion with tight ensemble arrangements, masterful musicianship, highly literate lyrics, and a respect for the musical traditions of the American South. Comprised of Canadians Robbie Robertson, Rick Danko, Richard Manuel, and Garth Hudson, and Arkansas-born Levon Helm, The Band sparked a new appreciation for America’s musical roots, fusing R&B, jump blues, country, folk, boogie-woogie, swing, Cajun, New Orleans-style jazz, and rock, and setting the foundations for the Americana that would take hold thirty years later. The Band: Pioneers of Americana Music explores the diverse influences on the quintet’s music, and the impact that their music had in turn on contemporary music and American society. Through previously unpublished interviews with Robbie Robertson, Eric Andersen, Pete Seeger, and the late Rick Danko, as well as numerous other sources, Craig Harris surveys The Band’s musical journey from sidemen for, among others, Ronnie Hawkins and Bob Dylan to rock legends in their own right. Touching on the evolution of rock and roll, the electrifying of folk music, unionism, the Civil Rights Movement, changes in radio formatting, shifting perceptions of the American South, and the commercializing of the counterculture, as well as drug dependency, alcoholism, suicide, greed, and the struggle against cancer, Harris takes readers from The Band’s groundbreaking albums, Music from Big Pink and The Band, through their final releases and solo recordings, as well as their historic appearances at Woodstock, the Isle of Wight Festival (with Dylan), Watkins Glen (with the Allman Brothers Band and the Grateful Dead), and the filmed final concert known as the Last Waltz (with an all-star cast). Sixteen previously unpublished photographs, by the author, are included.
Author: Michael Borshuk
Publisher: Cambridge University Press
ISBN: 1009420194
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
This book explores jazz as a cultural lodestone and source of critical inquiry for over a century.
Author: Iain Anderson
Publisher: University of Pennsylvania Press
ISBN: 0812201124
Category : History
Languages : en
Pages : 262
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Book Description
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.
Author: Ralph Ellison
Publisher: Modern Library
ISBN: 0375760237
Category : Music
Languages : en
Pages : 338
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Book Description
Before Ralph Ellison became one of America’s greatest writers, he was a musician and a student of jazz, writing widely on his favorite music for more than fifty years. Now, jazz authority Robert O’Meally has collected the very best of Ellison’s inspired, exuberant jazz writings in this unique anthology.
