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Author: Antonín Dufek
Publisher: Kant
ISBN: 9788074371073
Category : Photography
Languages : en
Pages : 0
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Book Description
This is the first substantial monograph to examine the photography of Jaromír Funke (1896-1945), an innovator of modernist photography, comparable to contemporaries such as Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albery Renger-Patzsch, Aleksander Rodchenko, Paul Strand and Edward Weston. Funke initially worked within abstract photography, but eventually he invented his own genre called "photogenism"; in the 1920s, he was one of the first to embrace Surrealist innovations in photography. Also aligned with the Bauhaus, Funke was additionally influenced by Cubism, New Objectivity and Constructivism. In the second half of the 1930s, Funke established what he called "emotional photography," based on theories and writings by Surrealist André Breton. Made in cooperation with Funke's daughter, this book focuses primarily on the ideas that shaped and transformed Funke's work, while placing it within the context of European avant-garde photography and culture.
Author: Antonín Dufek
Publisher: Kant
ISBN: 9788074371073
Category : Photography
Languages : en
Pages : 0
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Book Description
This is the first substantial monograph to examine the photography of Jaromír Funke (1896-1945), an innovator of modernist photography, comparable to contemporaries such as Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albery Renger-Patzsch, Aleksander Rodchenko, Paul Strand and Edward Weston. Funke initially worked within abstract photography, but eventually he invented his own genre called "photogenism"; in the 1920s, he was one of the first to embrace Surrealist innovations in photography. Also aligned with the Bauhaus, Funke was additionally influenced by Cubism, New Objectivity and Constructivism. In the second half of the 1930s, Funke established what he called "emotional photography," based on theories and writings by Surrealist André Breton. Made in cooperation with Funke's daughter, this book focuses primarily on the ideas that shaped and transformed Funke's work, while placing it within the context of European avant-garde photography and culture.
Author: Matthew S Witkovsky
Publisher: Thames and Hudson
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
A brilliantly illustrated survey of modernist photography in Central Europe, published in association with the National Gallery of Art. In the 1920s and 1930s, photography became an immense phenomenon across Germany, Czechoslovakia, Hungary, Austria, and Poland. Through magazines and books, in advertisements and at exhibitions, from amateur clubs to avant-garde schools, photographs emerged as a key vehicle of modern consciousness. This book presents the work of approximately one hundred individuals whose creations exemplify the potential of photography in Central Europe between the two World Wars. Foto brings together for the first time works by recognized masters such as the Russian El Lissitzky, the Hungarian László Moholy-Nagy, and the German Hannah Hóch—all of whom developed their photographic ideas in Germany—with contemporaries like Karel Teige and Jaromír Funke (Czechoslovakia), Kazimierz Podsadecki (Poland), Károly Escher (Hungary), and Trude Fleischmann (Austria), who are less well known today. Organized thematically, the book explores topics from photomontage and war to gender identity, modern living, and the spread of Surrealism. It shows the shared experience of modernity in the region, whereby recently founded nations and dismantled empires alike sought their place within the new world order established in the aftermath of World War I. The illustrations, drawn from more than seventy collections in America and abroad, include several previously unpublished works as well as many others never before available in high-quality reproductions.
Author: Jaromír Funke
Publisher:
ISBN:
Category : Photography
Languages : fr
Pages : 254
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Book Description
Étudiant à Prague, Funke rencontre Josef Sudek en 1922, il réalisa des abstractions et des photogrammes dans les années 20. Professeur en 31, il publie de nombreuses critiques dans la presse et participe aux activités des jeunes mouvements artistiques tchécoslo-vaques influencés par le surréalisme.¦
Author: Lynne Warren
Publisher: Routledge
ISBN: 1135205434
Category : Photography
Languages : en
Pages : 1849
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Book Description
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Author: Howard Greenberg
Publisher:
ISBN:
Category : Photography
Languages : cs
Pages : 238
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Book Description
Edited by Howard Greenberg, Annette Kicken, Rudolf Kicken. Preface by Suzanne Pastor. Text by Vladimir Birgus, et. al.
Author: Stephen Vizinczey
Publisher: University of Chicago Press
ISBN: 9780226858869
Category : Fiction
Languages : en
Pages : 196
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Book Description
"A cool, comic survey of the sexual education of a young Hungarian, from his first encounter, as a twelve-year-old refugee with the American forces, to his unsatisfactory liaison with a reporter's wife in Canada at the belated end of his youth, when he was twenty-three . . . elegantly erotic, with masses of that indefinable quality, style . . . this has the real stuff of immortality."—B. A. Young, Punch "A pleasure. Vizinczey writes of women beautifully, with sympathy, tact and delight, and he writes about sex with more lucidity and grace than most writers ever acquire."—Larry McMurtry, Houston Post "Like James Joyce, who was as far from being a writer of erotica as Dostoevsky, Vizinczey has a refreshing message to deliver: Life is not about sex, sex is about life."—John Podhoretz, Washington Times "The gracefully written story of a young man growing up among older women . . . although some passages may well arouse the reader, this novel brims with what the courts have termed "redeeming literary merit."—Clarence Petersen, Chicago Tribune "A funny novel about sex, or rather (which is rarer) a novel which is funny as well as touching about sex . . . elegant, exact and melodious—has style, presence and individuality."—Isabel Quigly, Sunday Telegraph "The delicious adventures of a young Casanova who appreciates maturity while acquiring it himself. In turn naive, sophisticated, arrogant, disarming, the narrator woos his women and his tale wins the reader."—Polly Devlin, Vogue
Author: Mitra Abbaspour
Publisher: Museum of Modern Art, New York
ISBN: 9780870709418
Category : Photography
Languages : en
Pages : 400
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Book Description
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
Author: Vladimír Birgus
Publisher:
ISBN: 9788074370274
Category : Photography
Languages : en
Pages : 0
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Book Description
"Czech Photography of the 20th Century, published simultaneously in Czech and English versions, is the first book to present the main trends, figures, and works of Czech photography from the beginning to the end of the last century to such a large extent. Its 517 plates include not only the most important, well-known photographs and photomontages, but also works that have long been forgotten or are published for the first time. The book is arranged in seventeen chapters, supplemented with chronologies of the most important events in twentieth-century Czech photography and history." --Publisher's website.
Author: Josef Sudek
Publisher: Aperture
ISBN: 9780893814243
Category : History
Languages : en
Pages : 83
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Book Description
Author: Laurent Roosens
Publisher: A&C Black
ISBN: 0720123542
Category : Photography
Languages : en
Pages : 458
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Book Description
The fourth volume in a history of photography, this is a bibliography of books on the subject.
