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Author: Santiago Hernández
Publisher: WIT Press
ISBN: 1845644301
Category : Architecture
Languages : en
Pages : 625
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Book Description
This book contains most of the papers presented in the Eco-Architecture 2010 conference, which was the third edition of the International Conference on Harmonisation between Architecture and Nature. Previous editions, that were very successful were held previously in the New Forest, UK, in 2006 and the Algarve, Portugal in 2008 and demonstrated the importance of a forum like this to discuss the characteristics and challenges of such architectural vision. Eco-Architecture implies a new approach to the design process intended to harmonise its products with nature. This involves ideas such as minimum use of energy at each stage of the building process, taking into account the amount required during the extraction and transportation of materials, their fabrication, assembly, building erection, maintenance and eventual future recycling. Presentations in the conference were related to topics like building technologies, design by passive systems, design with nature, ecological and cultural sensitivity, life cycle assessment, quantifying sustainability in architecture, resources and rehabilitation, and issues from education, research and practice. Case studies from different places around the world were also presented.
Author: Santiago Hernández
Publisher: WIT Press
ISBN: 1845644301
Category : Architecture
Languages : en
Pages : 625
Get Book Here
Book Description
This book contains most of the papers presented in the Eco-Architecture 2010 conference, which was the third edition of the International Conference on Harmonisation between Architecture and Nature. Previous editions, that were very successful were held previously in the New Forest, UK, in 2006 and the Algarve, Portugal in 2008 and demonstrated the importance of a forum like this to discuss the characteristics and challenges of such architectural vision. Eco-Architecture implies a new approach to the design process intended to harmonise its products with nature. This involves ideas such as minimum use of energy at each stage of the building process, taking into account the amount required during the extraction and transportation of materials, their fabrication, assembly, building erection, maintenance and eventual future recycling. Presentations in the conference were related to topics like building technologies, design by passive systems, design with nature, ecological and cultural sensitivity, life cycle assessment, quantifying sustainability in architecture, resources and rehabilitation, and issues from education, research and practice. Case studies from different places around the world were also presented.
Author: Neil Jackson
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848222960
Category : Architecture
Languages : en
Pages : 0
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Book Description
This book discusses the architectural influence that Japan and the West have had on each other during the last 150 years. While the recent histories of Western and Japanese architecture have been well recorded, they have rarely been interwoven. Based on extensive research, Japan and the West provides a synthetic overview that brings together the main themes of Japanese and Western architecture since 1850 and shows that neither could exist in its present state without the other. It should be no surprise that Meiji architecture drew heavily upon Western precedents, or that Le Corbusier was strongly influenced by the Japanese minka. In considering these histories, this book demonstrates the mutual inter-dependence of both architectural cultures while, at the same time, acknowledging their differences. In conclusion, the book moves beyond style and structure to the Japanese concept of ma -- the pause or the space between, and demonstrates how this concept has found a place in Western architecture.
Author: Kazuo Nishi
Publisher: National Geographic Books
ISBN: 1568364121
Category : Architecture
Languages : en
Pages : 0
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Book Description
Traditional Japanese architecture—whether Buddhist temples or Shinto shrines, residences, castles, or teahouses—has become increasingly familiar around the world. Through the media of motion pictures, art books, T.V. documentaries and dramas such as Shogun, as well as through personal experience, more and more people have gained an acquaintance and appreciation of the architecture of premodern Japan. Some may even be able to name or recognize the oldest and the largest wooden structures in existence, which are to be found in Japan at Horyuji and Todaiji respectively. Yet often this knowledge is still rudimentary. Confusion abounds as to what distinguishes Japanese architecture from Chinese or Korean, or even Southeast Asian, not to mention what sets off a Buddhist temple from a Shinto shrine or, say, a residence of the tenth century from one of the eighteenth. Until now, there has been no recourse for those seeking, through a single book, to increase their appreciation of the whole range of traditional Japanese architecture. With the publication of What Is Japanese Architecture?, however, this situation has finally been rectified. Construction, design, carpentry, and the background of Japanese architecture, from prehistory to mid-nineteenth century, are here made available within the covers of a single, compact book. With over 300 drawings that illuminate the essentials of discussion more concretely than words could ever do, and a text that is succinct and always to the point, the book is divided into four parts—one each dealing chronologically with religious structures, residences, castles, and places of entertainment. The reader learns not only how each of these fields of architecture has evolved over the centuries and what distinguishes the buildings of one age from those of another, but something of the historical conditions and the people responsible for these changes as well as the role played by carpentry and methods of construction. The establishment and growth of the historic Japanese capitals—Nara, Kyoto, Edo—is brought sharply into focus, along with the rise and spread of other urban centers. Also highlighted are the mansions of the court nobility; the castles and residences of the samurai aristocracy; the homes of village elders; dwellings of the common people; educational institutions, and places of entertainment such as theaters, red-light districts, teahouses, and country villas. Any book that is as full of information as this, and readily accessible and clearly illustrated at the same time, will be of great interest and use to a wide range of people—architects, designers, historians, carpenters, movie buffs, tourists, garden designers, and others, whether amateur or professional. Whatever the readers' background, there is little doubt about one thing: they will emerge with an acuter eye and a greater sensitivity to the delights of traditional Japanese architecture.
Author: Dana Buntrock
Publisher: Taylor & Francis
ISBN: 1136748644
Category : Architecture
Languages : en
Pages : 208
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Book Description
Architects throughout the world hold Japan's best architecture in high regard, considering the country's buildings among the world's most carefully crafted and innovative. While many books, magazines, and exhibitions have focused on the results of architectural practice in Japan, this book is the first to explain the reasons for Japan's remarkable structures. Architecture does not occur in isolation; Japan's architects are able to collaborate with a wide variety of people from professional consultants to constructors. Dana Buntrock discusses architecture as a part of the construction community, moving from historical precedents that predate the emergence of the architectural profession in Japan through to contemporary practices.
Author: 五十嵐太郎
Publisher:
ISBN: 9784866580210
Category :
Languages : en
Pages : 303
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Book Description
Author: Hideto Kishida
Publisher:
ISBN: 144377281X
Category : Architecture
Languages : en
Pages : 136
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Book Description
PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...
Author: Dana Buntrock
Publisher: Routledge
ISBN: 1134725019
Category : Architecture
Languages : en
Pages : 288
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Book Description
In this beautiful and perceptive book, Dana Buntrock examines, for the first time, how tradition is incorporated into contemporary Japanese architecture. Looking at the work of five architects – Fumihiko Maki, Terunobu Fujimori, Ryoji Suzuki, Kengo Kuma, and Jun Aoki – Buntrock reveals the aims influencing many wonderful works barely known in the West; the sensual side of Japanese architecture borne out of approaches often less concerned with professionalism than with people and place. The buildings described in this book illustrate an architecture that embraces uniqueness, expressing unusual stories in the rough outlines of rammed earth and rust, and demonstrating new paths opening up for architectural practice today. For some, these examples will offer new insight into expressions of tradition in Japanese architecture; for others, this book offers inspiration for their own efforts to assert the unique heritage of other regions around the world. Compelling, insightful and groundbreaking, this book is essential for everyone studying Japanese architecture and anyone trying to invoke narrative and tradition in contemporary design.
Author:
Publisher: Images Publishing
ISBN: 9781864700930
Category : Architecture
Languages : en
Pages : 228
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Book Description
Extensive research by IMAGES over a number of years pointed to the need for a comprehensive easy to follow guide to architectural details. Details in Architecture 3 depicts drawings and concept sketches alongside succinct summaries, and a photograph of t
Author: Arata Isozaki
Publisher: National Geographic Books
ISBN: 0262516055
Category : Architecture
Languages : en
Pages : 0
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Book Description
One of Japan's leading architects examines notions of Japan-ness as exemplified by key events in Japanese architectural history from the seventh to the twentieth century; essays on buildings and their cultural context. Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context—not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In Japan-ness in Architecture, he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization—what Isozaki calls "Japanesquization"—lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers.
Author: Robert Treat Paine
Publisher: Yale University Press
ISBN: 9780300053333
Category : Art
Languages : en
Pages : 530
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Book Description
Once slighted as mere copying from China, the arts of Japan are now seen as a unique alternation of advances and withdrawals. At times the islanders produced Chinese-style works of great beauty, unmatched on the continent. When they chose to be independent, their art differs at every level. Sculpture, and even more painting, are concrete, sensuous, and emotional, speaking directly to all.
