Author: Ikkō Tanaka
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
Book Description
"Japan Color explores the relationship between color and feeling and shows its manifestation in all aspects of Japanese design, from the most traditional object to contemporary graphic design .. more than one hundred color photographs ... to demonstrate the cultural significance of color. Essays ... and detailed descriptions of each image ... accompany the photographs, documenting the history and evolution of color use in Japan"--Cover.
Japan Color
Author: Ikkō Tanaka
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
Book Description
"Japan Color explores the relationship between color and feeling and shows its manifestation in all aspects of Japanese design, from the most traditional object to contemporary graphic design .. more than one hundred color photographs ... to demonstrate the cultural significance of color. Essays ... and detailed descriptions of each image ... accompany the photographs, documenting the history and evolution of color use in Japan"--Cover.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
Book Description
"Japan Color explores the relationship between color and feeling and shows its manifestation in all aspects of Japanese design, from the most traditional object to contemporary graphic design .. more than one hundred color photographs ... to demonstrate the cultural significance of color. Essays ... and detailed descriptions of each image ... accompany the photographs, documenting the history and evolution of color use in Japan"--Cover.
Traditional Colors of Japan
Author: Teruko Sakurai
Publisher: Tuttle Publishing
ISBN: 1462922678
Category : Art
Languages : en
Pages : 293
Book Description
Expert colorist Teruko Sakurai takes you to the end of the rainbow--and beyond--in this inspiring color dictionary! Over 2,750 traditional Japanese color combinations are presented, organized into 100 different themes associated with the seasons, landscapes and artistic heritage of Japan. Whether it's a shower of pink cherry blossoms, the flutter of a carp flap or the austere and cool tones of Mt. Fuji, flipping the pages of this color dictionary is like taking a stroll through the sensual delights of Japanese culture in all its dazzling tones, hues and palettes. Each two-page section in this richly-illustrated book presents a different theme with the following information: An introduction to the color scheme and a description of how it can be used A number-coded nine-color palette board showing the range of shades and hues that complement and comprise the scheme CMYK, RGB and HEX (the color code used in Japan) references for all nine colors 26 examples including two- and three-color combinations with photos and illustrations This is an indispensable guide for graphic designers, illustrators, decorators, artists and publishing professionals. It will also be enjoyable and inspiring for readers planning their own home design or art projects.
Publisher: Tuttle Publishing
ISBN: 1462922678
Category : Art
Languages : en
Pages : 293
Book Description
Expert colorist Teruko Sakurai takes you to the end of the rainbow--and beyond--in this inspiring color dictionary! Over 2,750 traditional Japanese color combinations are presented, organized into 100 different themes associated with the seasons, landscapes and artistic heritage of Japan. Whether it's a shower of pink cherry blossoms, the flutter of a carp flap or the austere and cool tones of Mt. Fuji, flipping the pages of this color dictionary is like taking a stroll through the sensual delights of Japanese culture in all its dazzling tones, hues and palettes. Each two-page section in this richly-illustrated book presents a different theme with the following information: An introduction to the color scheme and a description of how it can be used A number-coded nine-color palette board showing the range of shades and hues that complement and comprise the scheme CMYK, RGB and HEX (the color code used in Japan) references for all nine colors 26 examples including two- and three-color combinations with photos and illustrations This is an indispensable guide for graphic designers, illustrators, decorators, artists and publishing professionals. It will also be enjoyable and inspiring for readers planning their own home design or art projects.
Male Colors
Author: Gary Leupp
Publisher: Univ of California Press
ISBN: 052091919X
Category : Social Science
Languages : en
Pages : 441
Book Description
Tokugawa Japan ranks with ancient Athens as a society that not only tolerated, but celebrated, male homosexual behavior. Few scholars have seriously studied the subject, and until now none have satisfactorily explained the origins of the tradition or elucidated how its conventions reflected class structure and gender roles. Gary P. Leupp fills the gap with a dynamic examination of the origins and nature of the tradition. Based on a wealth of literary and historical documentation, this study places Tokugawa homosexuality in a global context, exploring its implications for contemporary debates on the historical construction of sexual desire. Combing through popular fiction, law codes, religious works, medical treatises, biographical material, and artistic treatments, Leupp traces the origins of pre-Tokugawa homosexual traditions among monks and samurai, then describes the emergence of homosexual practices among commoners in Tokugawa cities. He argues that it was "nurture" rather than "nature" that accounted for such conspicuous male/male sexuality and that bisexuality was more prevalent than homosexuality. Detailed, thorough, and very readable, this study is the first in English or Japanese to address so comprehensively one of the most complex and intriguing aspects of Japanese history.
Publisher: Univ of California Press
ISBN: 052091919X
Category : Social Science
Languages : en
Pages : 441
Book Description
Tokugawa Japan ranks with ancient Athens as a society that not only tolerated, but celebrated, male homosexual behavior. Few scholars have seriously studied the subject, and until now none have satisfactorily explained the origins of the tradition or elucidated how its conventions reflected class structure and gender roles. Gary P. Leupp fills the gap with a dynamic examination of the origins and nature of the tradition. Based on a wealth of literary and historical documentation, this study places Tokugawa homosexuality in a global context, exploring its implications for contemporary debates on the historical construction of sexual desire. Combing through popular fiction, law codes, religious works, medical treatises, biographical material, and artistic treatments, Leupp traces the origins of pre-Tokugawa homosexual traditions among monks and samurai, then describes the emergence of homosexual practices among commoners in Tokugawa cities. He argues that it was "nurture" rather than "nature" that accounted for such conspicuous male/male sexuality and that bisexuality was more prevalent than homosexuality. Detailed, thorough, and very readable, this study is the first in English or Japanese to address so comprehensively one of the most complex and intriguing aspects of Japanese history.
Color Woodcut International
Author: Chazen Museum of Art
Publisher: Chazen Museum of Art
ISBN: 9780932900647
Category : Art
Languages : en
Pages : 154
Book Description
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
Publisher: Chazen Museum of Art
ISBN: 9780932900647
Category : Art
Languages : en
Pages : 154
Book Description
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
Handbook of Japan-United States Environment-Behavior Research
Author: Jack Demick
Publisher: Springer Science & Business Media
ISBN: 1489902864
Category : Science
Languages : en
Pages : 447
Book Description
This volume is an outgrowth of research on the relations between human beings and their environments, which has developed internationally. This development is evident in environment-behavior research studies conducted in countries other than the United States. See Stokols and Altman (1987) for examples of such work in Australia, Japan, France, Germany, the Netherlands, Sweden, the United King dom, the former Soviet Union, and Latin and North America. The international development of this research area is also evident in the establishment of profes sional organizations in different countries such as the Environment-Behavior De sign Research Association (EDRA) in the United States, the Man-Environment Research Association (MERA) in Japan, the International Association for People-En vironment Studies (lAPS) in Great Britain, and the People and Physical Environ ment Research Association (PAPER) in Australia. This volume focuses on environment-behavior research within Japan and the United States as well as cross-cultural studies involving both countries. As we note in detail in Chapter 1, the conference on which the work presented herein is based was preceded by three Japan-United States conferences on environment-behavior research, the first of which took place in Tokyo in 1980. As currently conceived, the present volume stands alone as a compendium of a Significant proportion of cross-cultural research on environment-behavior relations in Japan and the United States that has been developing over the last 15 years. As such, we envision the volume as a basic interdisciplinary reference for anthropolgists, archi tects, psychologists, SOCiologists, urban planners, and environmental geographers.
Publisher: Springer Science & Business Media
ISBN: 1489902864
Category : Science
Languages : en
Pages : 447
Book Description
This volume is an outgrowth of research on the relations between human beings and their environments, which has developed internationally. This development is evident in environment-behavior research studies conducted in countries other than the United States. See Stokols and Altman (1987) for examples of such work in Australia, Japan, France, Germany, the Netherlands, Sweden, the United King dom, the former Soviet Union, and Latin and North America. The international development of this research area is also evident in the establishment of profes sional organizations in different countries such as the Environment-Behavior De sign Research Association (EDRA) in the United States, the Man-Environment Research Association (MERA) in Japan, the International Association for People-En vironment Studies (lAPS) in Great Britain, and the People and Physical Environ ment Research Association (PAPER) in Australia. This volume focuses on environment-behavior research within Japan and the United States as well as cross-cultural studies involving both countries. As we note in detail in Chapter 1, the conference on which the work presented herein is based was preceded by three Japan-United States conferences on environment-behavior research, the first of which took place in Tokyo in 1980. As currently conceived, the present volume stands alone as a compendium of a Significant proportion of cross-cultural research on environment-behavior relations in Japan and the United States that has been developing over the last 15 years. As such, we envision the volume as a basic interdisciplinary reference for anthropolgists, archi tects, psychologists, SOCiologists, urban planners, and environmental geographers.
Japan Report
Author:
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 492
Book Description
Colors Of The World
Author: Jean-Philippe Lenclos
Publisher: W. W. Norton & Company
ISBN: 9780393731477
Category : Architecture
Languages : en
Pages : 292
Book Description
"Through the visual evidence of over six hundred radiant color photographs, supplemented by watercolor sketches and color synthesis charts, the Lencloses explain their system and provide a pertinent and objective comparison of assorted chromatic microcosms worldwide, as well as a fascinating look at the infinite diversity with which color expresses itself. From the delicate tones of bamboo roofs in Japan to the tangy-hued house facades created from mineral pigments in African soils, Colors of the World offers a visually alluring survey of the significant chromatic personalities within local geographies, histories, and traditions in countries around the world."--BOOK JACKET.
Publisher: W. W. Norton & Company
ISBN: 9780393731477
Category : Architecture
Languages : en
Pages : 292
Book Description
"Through the visual evidence of over six hundred radiant color photographs, supplemented by watercolor sketches and color synthesis charts, the Lencloses explain their system and provide a pertinent and objective comparison of assorted chromatic microcosms worldwide, as well as a fascinating look at the infinite diversity with which color expresses itself. From the delicate tones of bamboo roofs in Japan to the tangy-hued house facades created from mineral pigments in African soils, Colors of the World offers a visually alluring survey of the significant chromatic personalities within local geographies, histories, and traditions in countries around the world."--BOOK JACKET.
Color Ordered
Author: Rolf G. Kuehni
Publisher: Oxford University Press
ISBN: 0198040881
Category : Psychology
Languages : en
Pages : 407
Book Description
Since antiquity, people have searched for a way to understand the colors we see-what they are, how many there are, and how they can be systematically identified and arranged in some kind of order. How to order colors is not merely a philosophical question, it also has many practical applications in art, design, and commerce. Our intense interest in color and its myriad practical applications have led people throughout history to develop many systems to characterize and order it. The number of color order systems developed throughout history is unknown but ranges in the hundreds. Many are no longer used, but continue to be of historical interest. Despite wrong turns and slow progress, our understanding of color and its order has improved steadily. Although full understanding continues to elude us, it seems clear that it will ultimately come from research in neurobiology, perception and consciousness. Color Ordered is a comprehensive, in-depth compendium of over 170 systems, dating from antiquity to the present. In it, Rolf Kuehni and Andreas Schwarz present a history and categorization of color systems, describe each one using original figures and schematic drawings, and provide a broad review of the underlying theory. Included are a brief overview of color vision and a synthesis of the various systems. This volume is a unique and valuable resource for researchers in color vision, and visual perception, as well as for neuroscientists, art historians, artists, and designers.
Publisher: Oxford University Press
ISBN: 0198040881
Category : Psychology
Languages : en
Pages : 407
Book Description
Since antiquity, people have searched for a way to understand the colors we see-what they are, how many there are, and how they can be systematically identified and arranged in some kind of order. How to order colors is not merely a philosophical question, it also has many practical applications in art, design, and commerce. Our intense interest in color and its myriad practical applications have led people throughout history to develop many systems to characterize and order it. The number of color order systems developed throughout history is unknown but ranges in the hundreds. Many are no longer used, but continue to be of historical interest. Despite wrong turns and slow progress, our understanding of color and its order has improved steadily. Although full understanding continues to elude us, it seems clear that it will ultimately come from research in neurobiology, perception and consciousness. Color Ordered is a comprehensive, in-depth compendium of over 170 systems, dating from antiquity to the present. In it, Rolf Kuehni and Andreas Schwarz present a history and categorization of color systems, describe each one using original figures and schematic drawings, and provide a broad review of the underlying theory. Included are a brief overview of color vision and a synthesis of the various systems. This volume is a unique and valuable resource for researchers in color vision, and visual perception, as well as for neuroscientists, art historians, artists, and designers.
Film Resources on Japan
Author: University of Michigan. Audio-Visual Education Center
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 72
Book Description
The Music of Color
Author: Fukumi Shimura
Publisher:
ISBN: 9784866580616
Category : Textile artists
Languages : en
Pages : 141
Book Description
A creator in the medium of textiles, the author is known in Japan for her essays on color, nature, and the work of weaving and dyeing. This book collects some of the author's writings together with photographs of her art and the natural world that inspires it. From winter snows to spring blossoms, from the foothills of Japan's Southern Alps to the back streets of Gion, Kyoto, the author initiates the reader into areas of Japanese culture where the boundary between craft and art is blurred. The author offers insight into the sources and use of natural color, along with a glimpse into the world of Japanese textiles, from silkworm and loom to finished kimono. Travels from Basho's Deep North to the western island of Kyushu are recorded, as are accounts of the author's encounters with other figures in Japanese aesthetics such as lacquerware master Kuroda Tatsuaki and poet-critic Ōoka Makoto.--adapted from jacket.
Publisher:
ISBN: 9784866580616
Category : Textile artists
Languages : en
Pages : 141
Book Description
A creator in the medium of textiles, the author is known in Japan for her essays on color, nature, and the work of weaving and dyeing. This book collects some of the author's writings together with photographs of her art and the natural world that inspires it. From winter snows to spring blossoms, from the foothills of Japan's Southern Alps to the back streets of Gion, Kyoto, the author initiates the reader into areas of Japanese culture where the boundary between craft and art is blurred. The author offers insight into the sources and use of natural color, along with a glimpse into the world of Japanese textiles, from silkworm and loom to finished kimono. Travels from Basho's Deep North to the western island of Kyushu are recorded, as are accounts of the author's encounters with other figures in Japanese aesthetics such as lacquerware master Kuroda Tatsuaki and poet-critic Ōoka Makoto.--adapted from jacket.