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Author:
Publisher: Radius Books + RM
ISBN: 9781934435311
Category : Landscape photography
Languages : en
Pages : 0
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Book Description
La serie Dónde andaba (Ciudad de México, 2005), realizada con una cámara de formato de 6 x 7 cm (2.4 x 2.8 pulgadas), sigue –y representa– la evolución de una serie previa tanto en contenido como en forma. Las imágenes yuxtaponen la vida de las plantas silvestres con la arquitectura, y exploran el tema de la persistencia de la vida a pesar de sus condiciones ambientales. Akna, la diosa maya del nacimiento y la fertilidad, también es considerada una santa protectora. Las fotografías de esta serie, Akna (Chiapas, 2006), las primeras que Lynch realizó con una cámara de 20.3 x 25.4 cm (8 x 10 pulgadas), son retratos de tocones de árbol antropomorfos en una reserva natural, en los que investiga el tema de la regeneración. Lynch también realizó la serie que cierra el libro, La fosa común (Ciudad de México, 2007), con una cámara de 8 x 10, en una fosa común, en funciones aún después de un siglo, que se encuentra, centralmente, en la ciudad. Las fotografías de las diversas etapas de la vegetación a lo largo de su ciclo de vida, acompañadas de las sutiles sugerencias del entorno, propician la exploración de nociones de pérdida y muerte iniciada en El jardín de juegos en 2002-2003, y, simultáneamente, celebran la vida y su intricada belleza.
Author:
Publisher: Radius Books + RM
ISBN: 9781934435311
Category : Landscape photography
Languages : en
Pages : 0
Get Book Here
Book Description
La serie Dónde andaba (Ciudad de México, 2005), realizada con una cámara de formato de 6 x 7 cm (2.4 x 2.8 pulgadas), sigue –y representa– la evolución de una serie previa tanto en contenido como en forma. Las imágenes yuxtaponen la vida de las plantas silvestres con la arquitectura, y exploran el tema de la persistencia de la vida a pesar de sus condiciones ambientales. Akna, la diosa maya del nacimiento y la fertilidad, también es considerada una santa protectora. Las fotografías de esta serie, Akna (Chiapas, 2006), las primeras que Lynch realizó con una cámara de 20.3 x 25.4 cm (8 x 10 pulgadas), son retratos de tocones de árbol antropomorfos en una reserva natural, en los que investiga el tema de la regeneración. Lynch también realizó la serie que cierra el libro, La fosa común (Ciudad de México, 2007), con una cámara de 8 x 10, en una fosa común, en funciones aún después de un siglo, que se encuentra, centralmente, en la ciudad. Las fotografías de las diversas etapas de la vegetación a lo largo de su ciclo de vida, acompañadas de las sutiles sugerencias del entorno, propician la exploración de nociones de pérdida y muerte iniciada en El jardín de juegos en 2002-2003, y, simultáneamente, celebran la vida y su intricada belleza.
Author:
Publisher:
ISBN: 9781942185437
Category : Photography
Languages : en
Pages : 60
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Book Description
In 'Another Way of Looking at Love', the landscape is explored as a metaphor to consider the personal, societal, and environmental consequences of disconnection, and simultaneously, our yearning to be connected. From 2015-2018, Janelle Lynch (born 1969) has used an 8 x 10 camera to create still lives in the landscape that combine similar and disparate visual and biological elements. This process begins by identifying details in nature that, based on a unique vantage point, created geometric formations of closure. The connective point, or nucleus, that is created by the union becomes the artist?s plane of focus. The work is informed by Lynch?s recent immersion in drawing and painting from perception, primarily by charcoal mark-making?a new aspect of her practice that has allowed for a deeper inquiry into the nature of seeing, such as: formal abstraction, color relativity, and the notion of relationality.
Author: Charles Burchfield
Publisher:
ISBN: 9781934435687
Category : Art
Languages : en
Pages : 0
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Book Description
Scouring the fallow landscape around the Llobregat river and the Rub stream near Barcelona with her 8 x 10 camera, Janelle Lynch (born 1969) searches for evidence and omens of nature's life cycles. Her photographs of anthropomorphized trees, walls of litter-strewn vegetation, rocks and disintegrating leaves, all taken during a four-year stay in Barcelona between 2007 and 2011, are informed by three figures whose texts are excerpted in this volume: Roland Barthes, particularly his discussion of mourning in Camera Lucida; Charles Burchfield, whose pantheistic painterly animations of landscape have much inspired Lynch; and Wendell Berry, whose essay on approaching nature with respect and humility helped to further hone her process. Barcelona is also conceived as a homage to Lynch's grandmother, who died in 2008, and to the victims of a devastating flood in the region that occurred in 1962.
Author: Barbara Bosworth
Publisher:
ISBN: 9781934435960
Category : Carlisle (Mass.)
Languages : en
Pages : 0
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Book Description
Unnumbered pages of text on short trim vellum inserted throughout. Accompanying booklet inserted in pocket of book jacket.
Author:
Publisher:
ISBN:
Category : Biodegradation
Languages : en
Pages :
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Book Description
Author: Michael Calderwood
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 200
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Book Description
Takes the reader on an aerial journey of Mexico via photographs of archeological sites to the deserts, cities, and canyons.
Author: Emily Dufton
Publisher: Basic Books
ISBN: 0465096174
Category : History
Languages : en
Pages : 333
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Book Description
How earnest hippies, frightened parents, suffering patients, and other ordinary Americans went to war over marijuana In the last five years, eight states have legalized recreational marijuana. To many, continued progress seems certain. But pot was on a similar trajectory forty years ago, only to encounter a fierce backlash. In Grass Roots, historian Emily Dufton tells the remarkable story of marijuana's crooked path from acceptance to demonization and back again, and of the thousands of grassroots activists who made changing marijuana laws their life's work. During the 1970s, pro-pot campaigners with roots in the counterculture secured the drug's decriminalization in a dozen states. Soon, though, concerned parents began to mobilize; finding a champion in Nancy Reagan, they transformed pot into a national scourge and helped to pave the way for an aggressive war on drugs. Chastened marijuana advocates retooled their message, promoting pot as a medical necessity and eventually declaring legalization a matter of racial justice. For the moment, these activists are succeeding -- but marijuana's history suggests how swiftly another counterrevolution could unfold.
Author: Bryan Cardinale-Powell
Publisher: Bloomsbury Publishing USA
ISBN: 1623565642
Category : Performing Arts
Languages : en
Pages : 589
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Book Description
Renowned for making films that are at once sly domestic satires and heartbreaking 'social realist' dramas, British writer-director Mike Leigh confronts his viewers with an un-romanticized dramatization of modern-day society in the hopes of inspiring them to strive for greater self-awareness and compassion for others. This collection features new, interdisciplinary essays that cover all phases of the BAFTA-award-winner's film career, from his early made-for-television film work to his theatrical releases, including Life is Sweet (1990), Naked (1993), Secrets & Lies (1996), Career Girls (1997), Topsy-Turvy (1999), All or Nothing (2002), Vera Drake (2004), Happy-Go-Lucky (2008) and Another Year (2010). With contributions from international scholars from a variety of fields, the essays in this collection cover individual films and the recurring themes and motifs in several films, such as representations of class and gender, and overt social commentary and political subtexts. Also covered are Leigh's visual stylizations and storytelling techniques ranging from explorations of the costume design to set design to the music and camerawork and editing; the collaborative process of 'devising and directing' a Mike Leigh film that involves character-building, world-construction, plotting, improvisations and script-writing; the process of funding and marketing for these seemingly 'uncommercial' projects, and a survey of Leigh's critical reception and the existing writing on his work.
Author: Mario Bellatin
Publisher:
ISBN: 9781939419491
Category : Fiction
Languages : en
Pages : 150
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Book Description
In three separate autobiographies, celebrated Mexican innovator Mario Bellatin recounts his childhood trauma as a bathhouse spectacle, the treatment of an illness suffered by his Sufi spiritual mentor, and his complicated search for a quality second-hand Renault 5. Bellatin has already delivered a laugh-out-loud satirical biography of a reclusive (and fictional) Japanese author with 2013's novel, Shiki Nagaoka: A Nose for Fiction . Reversing the gaze, Bellatin now examines perhaps his most complicated, and least reliable, subject: himself. Like the Duchamp sculpture from which it takes its name, Mario Bellatin's The Large Glass deconstructs the very form it embraces, revealing the artifice of the autobiographical genre, while celebrating--with wit and raunchy humor--the importance of the stories we tell about ourselves. Another entry in English that further solidifies Mario Bellatin as one of Latin America's most important living writers.
Author: Margot Anne Kelley
Publisher:
ISBN: 9781942185918
Category : Photography
Languages : en
Pages : 0
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Book Description
A luxuriously designed photographic meditation on the infinite permutations of the sea, from the author of the acclaimed photobooks The Heavens and The Meadow Since moving to New England in 1984, Barbara Bosworth (born 1953) has been photographing the sea and its awe-inspiring ability to transform sky, water and light. The sea evokes calm introspection, romance and poetry, while remaining a deeply unknowable and overpowering natural force, a contradiction that has drawn people to the shoreline for millennia. Before she discovered photography, and for as long as she can remember, Bosworth has been looking at the sea. Many hours were spent with her father watching the light move across Cape Cod Bay. Later in life, she walked those same beaches with the wonder that had been passed down by her father, as well as generations of writers, poets and artists. This book of Bosworth's photographs of the sea, made with an 8x10 camera, follows in the tradition of The Meadow and The Heavens, serving as the third and final volume in the series, keeping the same size and design elements as the previous two publications.
