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Author: Paul Huys Janssen
Publisher: John Benjamins Publishing Company
ISBN: 9781556192722
Category : Painters
Languages : en
Pages : 0
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Book Description
Jan van Bijlert (1597/98-1671) is best known as one of the Utrecht Caravaggists and is often ranked with Hendrick ter Brugghen, Gerard van Honthorst and Dirck van Baburen. However, Van Bijlert is not primarily a Caravaggist painter, he is also a Classicist and a painter of 'realistic' Dutch genre scenes and portraits. He was readily inspired by new movements and developments which is reflected in a remarkable versatility in style and content as well as in quality. His inspiration comes from Dutch contemporaries such as Abraham Bloemaert and Gerard van Honthorst, from Italy (Caravaggio, Guido Reni, Orazio Gentileschi) and France (Simon Vouet). The Introduction positions Van Bijlert within the Utrecht School and discusses the appreciation of his work. Chapter One is a short biography of the artist. Chapter Two describes Van Bijlert's art and style in the light of his sources of inspiration. The 204 paintings by Van Bijlert are reproduced and listed with full descriptions, plus a list of attributed and rejected paintings. The book is complemented by a concordance with Hoogewerff (1965), a genealogical tree, a bibliography and an Index. Paul Huys Janssen studied art history at the University of Utrecht. He obtained his doctoral degree in 1994 with a thesis on Jan van Bijlert, which forms the basis of this Catalogue raisonné. Since 1984 he has worked for the Dutch Inter-University Institute of Art History in Florence, the Stichting Kerkelijk Kunstbezit in Utrecht, the Erasmus University in Rotterdam and the University of Utrecht. At the same time he worked as a freelance art historian for museums and art dealers. In 1996 he was appointed as curator for old art at the Noordbrabants Museum in 's-Hertogenbosch. Features: 204 paintings by Jan van Bijlert; 79 contemporary paintings; 8 colour plates; Full descriptive catalogue by subject; Attributed and rejected paintings; Bibliography and Index.
Author: Paul Huys Janssen
Publisher: John Benjamins Publishing Company
ISBN: 9781556192722
Category : Painters
Languages : en
Pages : 0
Get Book Here
Book Description
Jan van Bijlert (1597/98-1671) is best known as one of the Utrecht Caravaggists and is often ranked with Hendrick ter Brugghen, Gerard van Honthorst and Dirck van Baburen. However, Van Bijlert is not primarily a Caravaggist painter, he is also a Classicist and a painter of 'realistic' Dutch genre scenes and portraits. He was readily inspired by new movements and developments which is reflected in a remarkable versatility in style and content as well as in quality. His inspiration comes from Dutch contemporaries such as Abraham Bloemaert and Gerard van Honthorst, from Italy (Caravaggio, Guido Reni, Orazio Gentileschi) and France (Simon Vouet). The Introduction positions Van Bijlert within the Utrecht School and discusses the appreciation of his work. Chapter One is a short biography of the artist. Chapter Two describes Van Bijlert's art and style in the light of his sources of inspiration. The 204 paintings by Van Bijlert are reproduced and listed with full descriptions, plus a list of attributed and rejected paintings. The book is complemented by a concordance with Hoogewerff (1965), a genealogical tree, a bibliography and an Index. Paul Huys Janssen studied art history at the University of Utrecht. He obtained his doctoral degree in 1994 with a thesis on Jan van Bijlert, which forms the basis of this Catalogue raisonné. Since 1984 he has worked for the Dutch Inter-University Institute of Art History in Florence, the Stichting Kerkelijk Kunstbezit in Utrecht, the Erasmus University in Rotterdam and the University of Utrecht. At the same time he worked as a freelance art historian for museums and art dealers. In 1996 he was appointed as curator for old art at the Noordbrabants Museum in 's-Hertogenbosch. Features: 204 paintings by Jan van Bijlert; 79 contemporary paintings; 8 colour plates; Full descriptive catalogue by subject; Attributed and rejected paintings; Bibliography and Index.
Author: Johannes A. Mol
Publisher: Uitgeverij Verloren
ISBN: 9065509135
Category : Counter-Reformation
Languages : en
Pages : 322
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Book Description
Author: Amy Golahny
Publisher: Amsterdam University Press
ISBN: 9789053569337
Category : Art
Languages : en
Pages : 498
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Book Description
Gathered in honor of John Michael Montias (1928–2005), the foremost scholar on Johannes Vermeer and a pioneer in the study of the socioeconomic dimensions of art, the essays in In His Milieu are an essential contribution to the study of the social functions of making, collecting, displaying, and donating art. The nearly forty essays here by—all internationally recognized experts in the fields of art history and the economics of art—are especially revealing about the Renaissance and Baroque eras and present new material on such artists as Rembrandt, Van Eyck, Rubens, and da Vinci.
Author: Sheila D. Muller
Publisher: Routledge
ISBN: 1135495815
Category : Social Science
Languages : en
Pages : 1505
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Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Author: Harlan Walker
Publisher: Oxford Symposium
ISBN: 1903018242
Category : Cooking
Languages : en
Pages : 274
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Book Description
This volume of papers presented at the Oxford Symposium on Food and Cookery follows the pattern of previous collections. The Symposium entitled Food and Memory was held in September 2000 at St Antony's College, Oxford uner the joint chairmaship of Alan Davidson and Theodore Zeldin.
Author: Benjamin J. Kaplan
Publisher: BRILL
ISBN: 900435395X
Category : Religion
Languages : en
Pages : 383
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Book Description
The Dutch Republic was the most religiously diverse land in early modern Europe, gaining an international reputation for toleration. In Reformation and the Practice of Toleration, Benjamin Kaplan explains why the Protestant Reformation had this outcome in the Netherlands and how people of different faiths managed subsequently to live together peacefully. Bringing together fourteen essays by the author, the book examines the opposition of so-called Libertines to the aspirations of Calvinist reformers for uniformity and discipline. It analyzes the practical arrangements by which multiple religious groups were accommodated. It traces the dynamics of religious life in Utrecht and other mixed communities. And it explores the relationships that developed between people of different faiths, especially in ‘mixed’ marriages.
Author: Esther Singleton
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 404
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Book Description
Author: Ronni Baer
Publisher: Museum of Fine Arts Boston
ISBN: 9780878468300
Category : Art, Dutch
Languages : en
Pages : 343
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Book Description
The Dutch Republic in the seventeenth century was home to one of the greatest flowerings of painting in the history of Western art. Freed from the constraints of royal and church patronage, artists created a rich outpouring of naturalistic portraits, genre scenes and landscapes that circulated through a newly open market to patrons and customers at every level of Dutch society. Their closely observed details of everyday life offer a wealth of information about the possessions, activities and circumstances that distinguished members of social classes, from the nobility to the urban poor. The dazzling array of paintings gathered here - from artists such as Frans Hals, Jan Steen and Gerrit Dou, as well as Rembrandt and Vermeer - illuminated by essays by leading specialists, invite us to explore a vibrant early modern society and its reflection in a golden age of brilliant painting.
Author: Kristoffer Neville
Publisher: Penn State Press
ISBN: 0271085231
Category : Art
Languages : en
Pages : 257
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Book Description
Politically and militarily powerful, early modern Scandinavia played an essential role in the development of Central European culture from the sixteenth to the eighteenth century. In this volume, Kristoffer Neville shows how the cultural ambitions of Denmark and Sweden were inextricably bound to those of other Central European kingdoms. Tracing the visual culture of the Danish and Swedish courts from the Reformation to their eventual decline in the eighteenth century, Neville explains how and why they developed into important artistic centers. He examines major projects by figures largely unknown outside of Northern Europe alongside other, more canonical artists—including Cornelis Floris, Adriaen de Vries, and Johann Bernhard Fischer von Erlach—to propose a more coherent view of this part of Europe, one that rightly includes Scandinavia as a vital component. The seventeenth century has long seemed a bleak moment in Central European culture. Neville’s authoritative and unprecedented study does much to change this perception, showing that the arts did not die in the Reformation and Thirty Years’ War but rather flourished in the Baltic region.
Author: Jochai Rosen
Publisher: Cambridge Scholars Publishing
ISBN: 1527548783
Category : Art
Languages : en
Pages : 579
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Book Description
This book is the first complete study of the life and work of the 17th century Dutch painter Pieter Codde (1599-1678). Alongside Rembrandt, Codde was active in Amsterdam, the largest and busiest city of the Netherlands. Codde belonged to the first generation of painters who took part in the cultural phenomenon known as the Dutch Golden Age and therefore this monograph makes a significant contribution to our understanding of the early stages of development of the Dutch school of painting and its influence on later developments. The book includes a biography of the painter as well as a systematic and comparative iconographical and stylistic study of his work with an attached extensive critical oeuvre catalogue. This book is an important tool for both art enthusiasts and collectors as well as art professionals such as students, scholars, auctioneers and art dealers.
