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Author:
Publisher:
ISBN: 9788070272916
Category :
Languages : en
Pages : 295
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Book Description
Author:
Publisher:
ISBN: 9788070272916
Category :
Languages : en
Pages : 295
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Book Description
Author: Asa Johannesson
Publisher: Taylor & Francis
ISBN: 1003846254
Category : Photography
Languages : en
Pages : 199
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Book Description
This book presents new ways of approaching photographic discourse from a queer perspective, offering discussions on what a queering methodology for photography may entail by drawing links between artistic strategies in photographic practice and key theoretical concepts from photography theory, queer theory, critical theory, and philosophy. With different examples of conceptual perspectives, including representation, formalism, and mediumlessness, it seeks to diversify queer methodology for photography. While primarily addressing photography, this book is entwined with broader philosophical questions concerning identity, difference, and the creations of systems of thought that limit the possibilities of existence to binary categorisation. It proposes a new concept of the photographic image that addresses its materiality, in the form of the poetic and the political, in relationship to a generative principle that is named as a queer quality: the photograph’s ability to voice queer concerns also beyond its role as representation. This book will be of interest to scholars working in photography, art history, queer studies, new materialism, and posthumanism.
Author:
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 252
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Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 598
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Author: Pavel Baňka
Publisher:
ISBN: 9789053308820
Category : Photography
Languages : en
Pages : 0
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Book Description
This book focuses mainly on Banka?s early work and is divided into three areas entitled?Construction, Figuration, and Abstraction?. The title Construction refers to the way an image is constructed by light. Banka photographs panels of mirrors placed in a landscape, he opens windows, thus reflecting and focusing the view into the interior. The mechanisms of light shining through or being reflected, as captured in Banka?s photographs, refine both the vision and the awareness of space. In his kinetic, phased figurative pictures, Banka?s wife, his daughter, or he himself then become the protagonists of a few second-long photographic actions: a simple movement creates a sequence, interconnecting personal and general levels. Other photographs play out almost on the surface so to speak. The term?Abstraction? is not used to suggest the notion that images lose their descriptiveness? rather, they shed the shackles of exact contours, becoming blurry and gaining evocativeness. 00Exhibition: Schilt Gallery, Amsterdam, The Netherlands (20.11.2016-26.02.2017).
Author: Jaromír Funke
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 254
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Book Description
Étudiant à Prague, Funke rencontre Josef Sudek en 1922, il réalisa des abstractions et des photogrammes dans les années 20. Professeur en 31, il publie de nombreuses critiques dans la presse et participe aux activités des jeunes mouvements artistiques tchécoslo-vaques influencés par le surréalisme.¦
Author: Terese Svoboda
Publisher: U of Nebraska Press
ISBN: 0803256396
Category : Fiction
Languages : en
Pages : 196
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Book Description
Celebrated by the New York Times Book Review for its “genuine grace and beauty,” Terese Svoboda’s work has been called “desperate, chilling, seductive” (Vogue) and “haunting and profound” (A. M. Homes), while Vanity Fair warned that it “detonates on contact.” In Tin God, her writing can only be called . . . divine. “This is God,” the novel begins, helpfully spelling G-O-D for the reader, and we are spinning on our way into the heart of a Midwest that spans spirits and centuries and forever redefines the middle of nowhere. Whispers plague a desperate conquistador lost in tall prairie grass. Four hundred years later, a male go-go dancer flings a bag of dope into the same field. God, in the person of a perm-giving, sheetcake-baking Nebraska farm woman, casts a jaundiced yet merciful eye over the unfolding chaos. Fire and a pair of judiciously applied pantyhose bring the two stories together. A contemplation of divinity and drugs on the ground, Tin God is a funny yet poignant story of the plains that transcends its interstate spine and exposes us to a whole new level of Svoboda’s fiery prose.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 90
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Author: Billy Kluver
Publisher: MIT Press
ISBN: 9780262611473
Category : Art
Languages : en
Pages : 120
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Book Description
In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Klüver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Café de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of twenty-four photographs—four rolls of film with six photographs each—were eventually found. With the challenge of identifying the date, photographer, and circumstances, Klüver embarked on an inquiry that would illuminate the minute texture of that time and place. Biographical research into the subjects' lives led Klüver to focus on the summer of 1916 as the likely time the photos were taken. He then measured buildings and plotted angles and lengths of shadows in the photographs to narrow the time frame to a spread of three weeks. Further investigation eventually allowed Klüver to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs: August 12, 1916. A computer printout of the sun's positions on that date, obtained from the Bureau des Longitudes, together with the length of the shadows, enabled Klver to calculate the time of day of each photograph, and thus to put them in proper sequence. In a tour de force of art historical research, Klüver then reconstructed a scenario of the events of the four hours depicted in the photographs. With evocative attention to detail—noting when Picasso is no longer carrying an envelope or Max Jacob has acquired a decoration in his lapel—Klüver recreates a single afternoon in the lives of Picasso and friends, a group of remarkable people in early twentieth-century Paris. Besides the central "portfolio" of photographs by Cocteau, the book contains additional photographs and drawings, short biographies of all the subjects, and a historical section on the events and activities in the Paris art world at the time.
Author: Aurel Hrabušický
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 480
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Book Description
