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Author: Arthur Knight
Publisher: Duke University Press
ISBN: 0822384108
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and whites in blackface to black-cast musicals to jazz shorts, from sorrow songs to show tunes to bebop and beyond. Arthur Knight focuses on American film’s classic sound era, when Hollywood studios made eight all-black-cast musicals—a focus on Afro-America unparalleled in any other genre. It was during this same period that the first black film stars—Paul Robeson, Louis Armstrong, Lena Horne, Harry Belafonte, Dorothy Dandridge—emerged, not coincidentally, from the ranks of musical performers. That these films made so much of the connection between African Americans and musicality was somewhat ironic, Knight points out, because they did so in a form (song) and a genre (the musical) celebrating American social integration, community, and the marriage of opposites—even as the films themselves were segregated and played before even more strictly segregated audiences. Disintegrating the Musical covers territory both familiar—Show Boat, Stormy Weather, Porgy and Bess—and obscure—musical films by pioneer black director Oscar Micheaux, Lena Horne’s first film The Duke Is Tops, specialty numbers tucked into better-known features, and lost classics like the short Jammin’ the Blues. It considers the social and cultural contexts from which these films arose and how African American critics and audiences responded to them. Finally, Disintegrating the Musical shows how this history connects with the present practices of contemporary musical films like O Brother, Where Art Thou? and Bamboozled.
Author: Arthur Knight
Publisher: Duke University Press
ISBN: 0822384108
Category : Performing Arts
Languages : en
Pages : 352
Get Book Here
Book Description
From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and whites in blackface to black-cast musicals to jazz shorts, from sorrow songs to show tunes to bebop and beyond. Arthur Knight focuses on American film’s classic sound era, when Hollywood studios made eight all-black-cast musicals—a focus on Afro-America unparalleled in any other genre. It was during this same period that the first black film stars—Paul Robeson, Louis Armstrong, Lena Horne, Harry Belafonte, Dorothy Dandridge—emerged, not coincidentally, from the ranks of musical performers. That these films made so much of the connection between African Americans and musicality was somewhat ironic, Knight points out, because they did so in a form (song) and a genre (the musical) celebrating American social integration, community, and the marriage of opposites—even as the films themselves were segregated and played before even more strictly segregated audiences. Disintegrating the Musical covers territory both familiar—Show Boat, Stormy Weather, Porgy and Bess—and obscure—musical films by pioneer black director Oscar Micheaux, Lena Horne’s first film The Duke Is Tops, specialty numbers tucked into better-known features, and lost classics like the short Jammin’ the Blues. It considers the social and cultural contexts from which these films arose and how African American critics and audiences responded to them. Finally, Disintegrating the Musical shows how this history connects with the present practices of contemporary musical films like O Brother, Where Art Thou? and Bamboozled.
Author: Krin Gabbard
Publisher: Duke University Press
ISBN: 9780822315940
Category : Music
Languages : en
Pages : 332
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Book Description
Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo' Better Blues, Cabin in the Sky, and Jammin' the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn's extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans. Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore
Author: Daniel Eagan
Publisher: A&C Black
ISBN: 0826429777
Category : Performing Arts
Languages : en
Pages : 848
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Book Description
Collection of the five hundred films that have been selected, to date, for preservation by the National Film Preservation Board, and are thereby listed in the National Film Registry.
Author: Frank Vignola
Publisher: Mel Bay Publications
ISBN: 1619116510
Category : Music
Languages : en
Pages : 61
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Book Description
This comprehensive book combines three volumes by jazz guitar great Frank Vignola; 52 choruses of funky, bluesy and bop-oriented guitar solos played over blues changes in common key signatures. Vignola's solos will allow the reader tofeel and hear what it is like to play a well-constructed solo. A companion recording allows the reader to practice the written (and original) solos over rhythm accompaniment at slow and performance tempos. Recorded solos are also included so the reader can practice their accompaniment skills; navigating chordchanges, responding to ideas and supporting the soloist. This is a wonderful book for any jazz guitarist looking to improve their solos and offers the reader manyways to practice their skills. The material is written in standard notation and tablature. Access to the online audio is included
Author: Björn Heile
Publisher: Oxford University Press
ISBN: 0199347662
Category : Music
Languages : en
Pages : 313
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Book Description
Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on screen media, covering its role across a plethora of technologies from film and television to recent developments in online media, and featuring the music of such legends as Duke Ellington, Miles Davis, John Coltrane and Pat Metheny.
Author: Nicolas Pillai
Publisher: Bloomsbury Publishing
ISBN: 1786731002
Category : Social Science
Languages : en
Pages : 190
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Book Description
This book provides a timely analysis of the relationship between jazz and recording and broadcast technologies in the early twentieth century. Jazz histories have traditionally privileged qualities such as authenticity, naturalness and spontaneity, but to do so overlooks jazz's status as a modernist, mechanised art form that evolved alongside the moving image and visual cultures. Jazz as Visual Language shows that the moving image is crucial to our understanding of what the materiality of jazz really is. Focusing on Len Lye's direct animation, Gjon Mili's experimental footage of musicians performing and the BBC's Jazz 625 series, this book places emphasis on film and television that conveys the 'sound of surprise' through formal innovation, rather than narrative structure. Nicolas Pillai seeks to refine a critical vocabulary of jazz and visual culture whilst arguing that jazz was never just a new sound; it was also a new way of seeing the world.
Author: Dave Gelly
Publisher: Oxford University Press
ISBN: 0190450495
Category : Music
Languages : en
Pages : 186
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Book Description
Lester Young was one of the great jazz masters, and his impact on the course of the art form was profound. He fundamentally changed the way the saxophone was played--his long, flowing lines brought new levels of expressiveness and subtlety to the jazz language, setting the standard for all modern players. In Being Prez, renowned British critic Dave Gelly follows Lester Young through his life in a rapidly changing world, showing how the music of this exceptionally sensitive man was shaped by his experiences. The reader meets a complicated, vulnerable, gentle individual who was brought up in his father's traveling carnival band. His early career was spent in the nightclubs and dancehalls of Kansas City and the Southwest, and he made his landmark recording debut at the peak of the Swing Era. But at the height of his powers, he was drafted into the US Army, where racism and his own unworldliness landed him in military prison. Following these events, Young grew increasingly withdrawn and suspicious, changes in his character reflected in the darkening mood of his music. Gelly, himself a jazz saxophonist, examines many of Young's classic recordings in illuminating detail. He reveals how as a saxophonist--and as major contributor to the Count Basie band--Young created a strong personal voice, a cool modernism, and a new rhythmic flexibility in the freely dancing rhythms of 4-beat swing. With his sax jutting oddly to one side, his bizarre oblique use of language, and his unique musical rapport with Billie Holiday (who famously nicknamed him "Prez"), Lester Young has become an icon and a cult figure. This marvelous biography illuminates the life and work of this giant of jazz.
Author: Todd Decker
Publisher: Univ of California Press
ISBN: 0520950062
Category : Music
Languages : en
Pages : 391
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Book Description
Fred Astaire: one of the great jazz artists of the twentieth century? Astaire is best known for his brilliant dancing in the movie musicals of the 1930s, but in Music Makes Me, Todd Decker argues that Astaire’s work as a dancer and choreographer —particularly in the realm of tap dancing—made a significant contribution to the art of jazz. Decker examines the full range of Astaire’s work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire’s creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire’s collaborations with African American musicians and his work with lesser known professionals—arrangers, musicians, dance directors, and performers.
Author: Tad Hershorn
Publisher: Univ of California Press
ISBN: 0520267826
Category : Biography & Autobiography
Languages : en
Pages : 502
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Book Description
“The JAZZ AT THE PHILHARMONIC concerts were a turning point in my life. My fellow Californian Norman Granz figured it out. This biography lays out, in impressive detail and insight, the incredible contribution of Mr. Granz to the world of music and art. The deed of the vast recordings of ART TATUM says it all.” —Clint Eastwood “Norman Granz was one of the most important people in the world of jazz. He did more to escalate respect for jazz and raise our salaries than anybody else. He absolutely loved jazz and jazz musicians. I’m honored to have shared a beautiful friendship with Norman for many, many years. Hopefully, with this incredible book by Tad Hershorn, the world will have a chance to learn about Norman, and his phenomenal contribution to our beloved music—jazz.”—Clark Terry, author of Clark: The Autobiography of Clark Terry “Tad Hershorn’s Norman Granz: The Man Who Used Jazz for Justice is a relentlessly readable, rigorously researched, deeply empathic portrait of the complex and heroic man who was arguably the greatest champion of this great American art form—and its great artists. Essential reading for anyone who loves jazz.” —James Kaplan, author of Frank: The Voice “Norman Granz was renowned as a vivid force in jazz history, both as a producer of invaluable classic recordings by many of the music’s most original performers and also for his world-wide, all-star Jazz at the Philharmonic tours. Moreover, he broke the color line dividing jazz audiences by mandating the end of segregated seating his continually popular concerts. Yet until this magisterial, deeply researched biography of Granz by Tad Hershorn, there has been no full-scale inside account of the achievement and combats of this often larger-than-life personality who, without playing an instrument, was so swingingly instrumental in making jazz an international language.” —Nat Hentoff, author of At the Jazz Band Ball: Sixty Years on the Jazz Scene “Norman Granz, one of the most significant non-musicians in jazz history, took gutsy public stands but remained a private person. Tad Hershorn's years of dedicated research reveal the man behind the lasting legacy, on which he sheds new light as well.. This great American story is a must read—and not just for jazz fans!” —Dan Morgenstern, author of Living with Jazz “Norman Granz was an institution in jazz. He was loved by some, hated by others, often controversial, and always fearless. But Granz was also elusive and, until now, sometimes came across as more symbol than man. Tad Hershorn has changed all that in this stunning, beautiful biography of the music's most relentless advocate of social justice.” —Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original “Norman Granz was an important man, and Tad Hershorn tells his story with a fearless compassion grounded in yeoman research. Imperious, vain, and rude, Granz was also generous, inventive, and brave. He fought valiantly for jazz and civil rights, made pots of money, and never failed to bet it on his passions and beliefs. If you do not know him, you couldn't ask for a better introduction than Hershorn's judicious portrait; if you think you do know him, you are in for more than a few surprises.” —Gary Giddins, author of Visions of Jazz "You're probably smarter than you present yourself." —Norman Granz to author, 2001
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Languages : en
Pages : 100
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Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
