Author: Judith Goldman
Publisher: Viking Press
ISBN: 9780670805891
Category :
Languages : en
Pages : 188
Book Description
Paintings by the American pop artist are accompanied by discussions of his life and artistic techniques
James Rosenquist
Author: Judith Goldman
Publisher: Viking Press
ISBN: 9780670805891
Category :
Languages : en
Pages : 188
Book Description
Paintings by the American pop artist are accompanied by discussions of his life and artistic techniques
Publisher: Viking Press
ISBN: 9780670805891
Category :
Languages : en
Pages : 188
Book Description
Paintings by the American pop artist are accompanied by discussions of his life and artistic techniques
Painting Below Zero
Author: James Rosenquist
Publisher: Knopf
ISBN: 0307263428
Category : Biography & Autobiography
Languages : en
Pages : 421
Book Description
From James Rosenquist, one of our most iconic pop artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein—comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying—along with Rauschenberg—for artists’ rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist’s story in his own words—captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.
Publisher: Knopf
ISBN: 0307263428
Category : Biography & Autobiography
Languages : en
Pages : 421
Book Description
From James Rosenquist, one of our most iconic pop artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein—comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying—along with Rauschenberg—for artists’ rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist’s story in his own words—captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.
James Rosenquist: His American Life
Author: Charles Baxter
Publisher: Rizzoli Publications
ISBN: 0847864014
Category : Art
Languages : en
Pages : 0
Book Description
A fresh look at this giant of 1960s Pop Art--featuring his billboard-sized images of commercial subjects and combining his eye of an advertising man and the heart of a Pop artist. Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls: James Rosenquist (1933-2017) has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages. With airbrushed surreal euphoria, he slammed colors, patterns, and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work of the 1960s through 1980s, will give long-overdue attention to Rosenquist's singular achievement in American art during these three decades. From 1957 to 1960, Rosenquist earned his living a billboard painter. This was perfect training, as it turned out, for an artist about to explode onto the pop art scene. Like other pop artists, Rosenquist adapted the visual language of advertising and pop culture (often funny, vulgar, and outrageous) to the context of fine art. An informative essay by art historian Judith Goldman examines the influence of Rosenquist's early days as a billboard painter, his early themes and techniques, and his similarities and differences with other pop artists like Warhol and Lichtenstein. The essay focuses on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop Art contemporaries. For any collector of American art, this gives attention to Rosenquist's singular achievement in American art during these three decades.
Publisher: Rizzoli Publications
ISBN: 0847864014
Category : Art
Languages : en
Pages : 0
Book Description
A fresh look at this giant of 1960s Pop Art--featuring his billboard-sized images of commercial subjects and combining his eye of an advertising man and the heart of a Pop artist. Lipsticks, automobiles, dishwashers, men in business suits, spaghetti, rockets, airplanes, hairdryers, ice cream cones and pigtailed girls: James Rosenquist (1933-2017) has always known how to combine these seemingly disparate but always all-American elements into whirlwind, billboard-sized collages. With airbrushed surreal euphoria, he slammed colors, patterns, and objects into one another with the eye of an advertising man and the heart of a Pop artist. This momentous catalogue, published to accompany the first in-depth survey of the artist's work of the 1960s through 1980s, will give long-overdue attention to Rosenquist's singular achievement in American art during these three decades. From 1957 to 1960, Rosenquist earned his living a billboard painter. This was perfect training, as it turned out, for an artist about to explode onto the pop art scene. Like other pop artists, Rosenquist adapted the visual language of advertising and pop culture (often funny, vulgar, and outrageous) to the context of fine art. An informative essay by art historian Judith Goldman examines the influence of Rosenquist's early days as a billboard painter, his early themes and techniques, and his similarities and differences with other pop artists like Warhol and Lichtenstein. The essay focuses on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop Art contemporaries. For any collector of American art, this gives attention to Rosenquist's singular achievement in American art during these three decades.
James Rosenquist
Author: Michael Lobel
Publisher:
ISBN: 9780520267930
Category : Pop art
Languages : en
Pages : 0
Book Description
In this scholarly examination of Rosenquist's art from the 1960s, Michael Lobel weaves together close visual analysis, a wealth of archival research, and a consideration of the social and historical contexts in which the paintings were produced to offer bold new readings of a body of work that helped redefine art in the 1960s.
Publisher:
ISBN: 9780520267930
Category : Pop art
Languages : en
Pages : 0
Book Description
In this scholarly examination of Rosenquist's art from the 1960s, Michael Lobel weaves together close visual analysis, a wealth of archival research, and a consideration of the social and historical contexts in which the paintings were produced to offer bold new readings of a body of work that helped redefine art in the 1960s.
New York; the New Art Scene
Author: Ugo Mulas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 360
Book Description
"Inspired by the strong American presence at the 1964 Venice Biennale, the Italian photographer Ugo Mulas made three extended visits to New York over the following years. The result, a massive, handsomely designed volume called New York: The New Art Scene, captures the art world at one of its most volatile and vivid peaks. ... The artists posed for [Mulas--and the book is peppered with terrifically dashing portraits--but more often they went about their business, making art, making dinner, entertaining, carrying on. With more than 500 photos reproduced in heavily inked, knockout black and white, the book has a marvelous scope."--The Book of 101 Books : Seminal Photographic Books of the Twentieth Century / Edited by Andrew Roth. New York: PPP Editions in association with Ruth Horowitz, 2001.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 360
Book Description
"Inspired by the strong American presence at the 1964 Venice Biennale, the Italian photographer Ugo Mulas made three extended visits to New York over the following years. The result, a massive, handsomely designed volume called New York: The New Art Scene, captures the art world at one of its most volatile and vivid peaks. ... The artists posed for [Mulas--and the book is peppered with terrifically dashing portraits--but more often they went about their business, making art, making dinner, entertaining, carrying on. With more than 500 photos reproduced in heavily inked, knockout black and white, the book has a marvelous scope."--The Book of 101 Books : Seminal Photographic Books of the Twentieth Century / Edited by Andrew Roth. New York: PPP Editions in association with Ruth Horowitz, 2001.
Time Dust, James Rosenquist
Author: Constance White Glenn
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 194
Book Description
James Rosenquist is an internationally renowned artist who first achieved wide recognition as a result of his pioneering contributions to Pop Art in the 1960s and 1970s. Like many artists of his circle, particularly Andy Warhol and Roy Lichtenstein, Rosenquist has been fascinated with the visual language and ephemera of mass-reproduction. In Rosenquist's case, his interest was manifested in an art derived from popular imagery sources yet committed to the expression of his personal concerns as an artist and a printmaker. He has tested the limits of the medium in order to achieve, on the one hand, subtle nuances unique to particular techniques, and, on the other, the vast billboard scale that is his signature style. This book traces Rosenquist's entire career, from his early work as a sign painter to the creation of what is thought to be the world's largest print, Time Dust, completed in 1992. An important historical text by Constance Glenn explores such contemporary issues as the role of the mass-media, the appropriation of its techniques and imagery, and the origin and demand for multiple images, as well as presenting in depth the artist's evolution as painter and printmaker. The 150 colorplates include - in addition to landmark paintings - numerous examples of previously unpublished sketches and prints, as well as many of Rosenquist's famous works, such as the great installation print F-111. The book includes a catalogue raisonne of the artist's 229 prints and an extensive bibliography.
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 194
Book Description
James Rosenquist is an internationally renowned artist who first achieved wide recognition as a result of his pioneering contributions to Pop Art in the 1960s and 1970s. Like many artists of his circle, particularly Andy Warhol and Roy Lichtenstein, Rosenquist has been fascinated with the visual language and ephemera of mass-reproduction. In Rosenquist's case, his interest was manifested in an art derived from popular imagery sources yet committed to the expression of his personal concerns as an artist and a printmaker. He has tested the limits of the medium in order to achieve, on the one hand, subtle nuances unique to particular techniques, and, on the other, the vast billboard scale that is his signature style. This book traces Rosenquist's entire career, from his early work as a sign painter to the creation of what is thought to be the world's largest print, Time Dust, completed in 1992. An important historical text by Constance Glenn explores such contemporary issues as the role of the mass-media, the appropriation of its techniques and imagery, and the origin and demand for multiple images, as well as presenting in depth the artist's evolution as painter and printmaker. The 150 colorplates include - in addition to landmark paintings - numerous examples of previously unpublished sketches and prints, as well as many of Rosenquist's famous works, such as the great installation print F-111. The book includes a catalogue raisonne of the artist's 229 prints and an extensive bibliography.
Pop Art
Author: Julie Murray
Publisher: ABDO
ISBN: 1098284690
Category : Juvenile Nonfiction
Languages : en
Pages : 27
Book Description
Readers will enjoy uncovering the secrets, stories, and meaning behind Pop art. The title will also introduce famous Pop art artists such as Andy Warhol and famous works like the LOVE statue in New York City. This series is at a Level 3 and is written specifically for transitional readers. Aligned to the Common Core standards & correlated to state standards. Dash! is an imprint of Abdo Zoom, a division of ABDO.
Publisher: ABDO
ISBN: 1098284690
Category : Juvenile Nonfiction
Languages : en
Pages : 27
Book Description
Readers will enjoy uncovering the secrets, stories, and meaning behind Pop art. The title will also introduce famous Pop art artists such as Andy Warhol and famous works like the LOVE statue in New York City. This series is at a Level 3 and is written specifically for transitional readers. Aligned to the Common Core standards & correlated to state standards. Dash! is an imprint of Abdo Zoom, a division of ABDO.
Twentieth Century United States History Activity Sampler
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 170
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 170
Book Description
James Rosenquist
Author: James Rosenquist
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 52
Book Description
The Pop Object
Author: John Wilmerding
Publisher: Rizzoli Publications
ISBN: 0847839672
Category : Art
Languages : en
Pages : 239
Book Description
A major survey of Pop Art from private collections. Published on the occasion of an exhibition of the same title, The Pop Object is the most comprehensive survey of Pop Art to be organized by theme and historical precedents, with such classic works as Andy Warhol’s Brillo Soap Pads, Robert Arneson’s Oreo Cookie Jar, Claes Oldenburg’s Pie à la Mode, Roy Lichtenstein’s Black Flowers, and Wayne Thiebaud’s Gumball Machine. With more than ninety color illustrations, this large-format book brings together the most important examples of works by artists Jasper Johns, Jim Dine, Marisol, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Wayne Thiebaud, Andy Warhol, Tom Wesselmann, and many others, from the 1960s to the present. The still life has often been the stepchild to landscape, history, and figurative painting. By examining themes like food and drink, household objects, flowers, and body parts, noted art historian John Wilmerding emphasizes Pop’s playfulness and brings the history of the movement right up to date.
Publisher: Rizzoli Publications
ISBN: 0847839672
Category : Art
Languages : en
Pages : 239
Book Description
A major survey of Pop Art from private collections. Published on the occasion of an exhibition of the same title, The Pop Object is the most comprehensive survey of Pop Art to be organized by theme and historical precedents, with such classic works as Andy Warhol’s Brillo Soap Pads, Robert Arneson’s Oreo Cookie Jar, Claes Oldenburg’s Pie à la Mode, Roy Lichtenstein’s Black Flowers, and Wayne Thiebaud’s Gumball Machine. With more than ninety color illustrations, this large-format book brings together the most important examples of works by artists Jasper Johns, Jim Dine, Marisol, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Wayne Thiebaud, Andy Warhol, Tom Wesselmann, and many others, from the 1960s to the present. The still life has often been the stepchild to landscape, history, and figurative painting. By examining themes like food and drink, household objects, flowers, and body parts, noted art historian John Wilmerding emphasizes Pop’s playfulness and brings the history of the movement right up to date.